Image:Picasso Massacre in Korea.jpg

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Pablo Picasso's 'Massacre in Korea' (1951; in the Musée Picasso, Paris)

[edit] Fair use rationale Massacre in Korea

Non-free / fair use media rationale for Massacre in Korea
Description

This image is a faithful digitalization of Massacre in Korea, a historically significant painting.

Source

The image has been derived from Massacre in Korea.

Article

Massacre in Korea

Portion used

Because the image is a historically significant example of Picasso's paintings, the entire image is needed to identify the subject, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image.

Low resolution?

The copy is of sufficient resolution for commentary and identification but lower resolution than the original. Copies made from it will be of inferior quality, unsuitable for uses that would compete with any commercial purpose of the photograph.

Purpose of use

Identification and critical commentary in the Les Noces de Pierrette article, a subject of public interest. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed next to the associated material discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for.

Replaceable?

Because the image is non-reproducible, there is no free equivalent. Any substitute that is not a derivative work would fail to convey the meaning intended, would tarnish or misrepresent its image, or would fail its purpose of identification or commentary.

Other information Use of the historic image in the article complies with Wikipedia non-free content policy and fair use under United States copyright law as described above. The image meets general Wikipedia content requirements and is encyclopaedic.
Non-free / fair use media rationale for Pablo Picasso
Description

This image is a faithful digitalization of Massacre in Korea, a historically significant painting.

Source

The image has been derived from Massacre in Korea.

Article

Pablo Picasso

Portion used

Because the image is a historically significant example of Picasso's paintings, the entire image is needed to identify the subject, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image.

Low resolution?

The copy is of sufficient resolution for commentary and identification but lower resolution than the original. Copies made from it will be of inferior quality, unsuitable for uses that would compete with any commercial purpose of the photograph.

Purpose of use

Identification and critical commentary in the Pablo Picasso article, a subject of public interest. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed next to the associated material discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for.

Replaceable?

Because the image is non-reproducible, there is no free equivalent. Any substitute that is not a derivative work would fail to convey the meaning intended, would tarnish or misrepresent its image, or would fail its purpose of identification or commentary.

Other information Use of the historic image in the article complies with Wikipedia non-free content policy and fair use under United States copyright law as described above. The image meets general Wikipedia content requirements and is encyclopaedic.
Non-free / fair use media rationale for The Third of May 1808
Description

This image is a faithful digitalization of Massacre in Korea, a historically significant painting.

Source

The image has been derived from Massacre in Korea.

Article

The Third of May 1808

Portion used

Because the image is a historically significant example of Picasso's borrowing from the Goya painting that is the subject of the article, the entire image is needed to identify the subject, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image.

Low resolution?

The copy is of sufficient resolution for commentary and identification but lower resolution than the original. Copies made from it will be of inferior quality, unsuitable for uses that would compete with any commercial purpose of the photograph.

Purpose of use

Identification and critical commentary in the The Third of May 1808 article, a subject of public interest. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed next to the associated material discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for.

Replaceable?

Because the image is non-reproducible, there is no free equivalent. Any substitute that is not a derivative work would fail to convey the meaning intended, would tarnish or misrepresent its image, or would fail its purpose of identification or commentary.

Other information Use of the historic image in the article complies with Wikipedia non-free content policy and fair use under United States copyright law as described above. The image meets general Wikipedia content requirements and is encyclopaedic.

image from http://standaard.be/Assets/Images_Upload/sc9.jpg on 2006-06-21

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeDimensionsUserComment
current06:58, 31 March 2006595×326 (97 KB)Btnheazy03 (Talk | contribs) (Reverted to earlier revision)
06:58, 31 March 2006512×285 (49 KB)Btnheazy03 (Talk | contribs) (Reverted to earlier revision)
08:00, 30 March 2006595×326 (97 KB)Btnheazy03 (Talk | contribs) (http://www.pipeline.com/~rgibson/picasso.jpg)
14:49, 4 September 2005512×285 (49 KB)Pttcc (Talk | contribs) (Pablo Picasso's 'Massacre in Korea' (1951; in the Musée Picasso, Paris))

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