Piano concerto
From Wikipedia, the free encyclopedia
A piano concerto is a work written for piano and orchestra. See also harpsichord concerto; some of these works are occasionally played on piano. Joseph Haydn and Thomas Arne wrote concertos for fortepiano or harpsichord, at the period of time when they were in common usage (the late 18th century.)
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[edit] History
[edit] Classical and Romantic
As the piano developed and became accepted, composers naturally started writing concerti for it. This happened in the late 18th century, and so corresponded to the Classical music era. The most important composer in the development of the form in these early stages was Wolfgang Amadeus Mozart. Mozart's body of masterly piano concerti put his stamp firmly on the genre well into the Romantic era.
Mozart wrote many of his 27 piano concertos for himself to perform (he also wrote concerti for two and three pianos). With the development of the piano virtuoso many composer-pianists did likewise, notably Ludwig van Beethoven, Carl Maria von Weber, Frédéric Chopin, Franz Liszt, Sergei Rachmaninoff and Sergei Prokofiev, and also the somewhat lesser-known Johann Nepomuk Hummel and John Field. Many other Romantic composers wrote pieces in the form, well-known examples including the concerti by Robert Schumann, Edward Grieg, Johannes Brahms, and Pyotr Ilyich Tchaikovsky.
[edit] 20th century and contemporary
The piano concerto form survived through the 20th century into the 21st, with examples being written by Arnold Schoenberg, Béla Bartók, Igor Stravinsky, Sergei Prokofiev, George Gershwin, Michael Tippett, Dmitri Shostakovich, Samuel Barber, Witold Lutosławski, György Ligeti, Einojuhani Rautavaara, and others.
There are examples of piano concerti written to commissions by pianists. Paul Wittgenstein, who lost his right arm during World War I, on resuming his musical career asked a number of composers to write pieces for him which required the pianist to use his left hand only. The results of these commissions include concertante pieces for orchestra and piano left hand by Benjamin Britten, Franz Schmidt, Maurice Ravel, Sergei Prokofiev (his Piano Concerto No. 4) and Erich Wolfgang Korngold.
[edit] Other notes
Composers continually extended the scope of the piano concerto. For instance, Henry Charles Litolff explored the symphonic possibilities of the form, and Ferruccio Busoni added a male choir in the last movement of his hour-long concerto.
The few well-known piano concerti which dominate today's concert programs and discographies account for only a minority of the repertoire which proliferated on the European music scene during the 19th century.
[edit] Characteristics
[edit] Form
A classical piano concerto is often in three movements.
- A quick opening movement in sonata form including a cadenza (which may be improvised by the soloist).
- A slow expressive movement
- A faster rondo
Examples by Mozart and Beethoven follow this model, but examples abound which do not. Beethoven's fourth concerto includes a last-movement cadenza, and many composers have introduced innovations - for example Liszt's single-movement concerti.
[edit] See also
[edit] External links
- Hyperion's Romantic Piano Concerto Series (a commercial website selling concerto recordings on CD)
- Rachmaninoff's Works for Piano and Orchestra An analysis of Rachmaninoff's Works for Piano and Orchestra including the Piano Concertos and the Paganini Rhapsody.
- Classical and Romantic Piano Concertos, an extensive list of Classical and Romantic piano concertos, and other music for piano and orchestra from the same period.
[edit] References
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