From Wikipedia, the free encyclopedia
Ludwig van Beethoven's Piano Sonata No. 22 in F major, op. 54, was written in 1804. The piano sonata consists of two movements:
- In tempo d'un menuetto: Anton Kuerti refers to this piece as a parody of uncreative composers. The melody commences, but grinds to a halt, and after doing this again, it decides to suddenly end the phrase in an attempted friendly way, which is anything but friendly, and nothing but awkward. This piece gradually redeems itself (but not much) when it garners variations for its main theme. Only at the coda does a virtuoso performance take place.
- Allegretto: "If the first movement was constipated, then the second movement suffers from the opposite ailment." (Anton Kuerti) This is shown in the piece, as the main melody has a non-stop continuous, sixteenth-note pattern that does not stop for even a second in this piece. The piece gradually gets more and more agitated in the coda, almost similar to a mechanical mixer going out of control and splattering its ingredients throughout the entire room.
[edit] External links
Piano sonatas by Ludwig van Beethoven |
|
Nos. 1 – 10
(Opus 2 – 14) |
No. 1 in F minor, Op. 2, No. 1 · No. 2 in A major, Op. 2, No. 2 · No. 3 in C major, Op. 2, No. 3 · No. 4 in E flat major, Op. 7 (Grand Sonata) · No. 5 in C minor, Op. 10, No. 1 · No. 6 in F major, Op. 10, No. 2 · No. 7 in D major, Op. 10, No. 3 · No. 8 in C minor, Op. 13 (Pathétique) · No. 9 in E major, Op. 14, No. 1 · No. 10 in G major, Op. 14, No. 2
|
|
Nos. 11 – 20
(Opus 22 – 49) |
No. 11 in B flat major, Op. 22 · No. 12 in A flat major, Op. 26 (Funeral March) · No. 13 in E flat major, Op. 27, No. 1 (Quasi una fantasia) · No. 14 in C sharp minor, Op. 27, No. 2 (Moonlight) · No. 15 in D major, Op. 28 (Pastoral) · No. 16 in G major, Op. 31, No. 1 · No. 17 in D minor, Op. 31, No. 2 (The Tempest) · No. 18 in E flat major, Op. 31, No. 3 (The Hunt) · No. 19 in G minor and No. 20 in G major, Op. 49 (Two Easy Sonatas)
|
|
Nos. 21 – 32
(Opus 53 – 111) |
No. 21 in C major, Op. 53 (Waldstein) · No. 22 in F major, Op. 54 · No. 23 in F minor, Op. 57 (Appassionata) · No. 24 in F sharp major, Op. 78 (A Thérèse) · No. 25 in G major, Op. 79 (Cuckoo) · No. 26 in E flat major, Op. 81a (Les adieux) · No. 27 in E minor, Op. 90 · No. 28 in A major, Op. 101 · No. 29 in B flat major, Op. 106 (Hammerklavier) · No. 30 in E major, Op. 109 · No. 31 in A flat major, Op. 110 · No. 32 in C minor, Op. 111
|
|