Talk:Phonograph cylinder

From Wikipedia, the free encyclopedia

This is the talk page for discussing improvements to the Phonograph cylinder article.
Article policies
Former featured article Phonograph cylinder is a former featured article. Please see the links under Article milestones below for its original nomination page (for older articles, check the nomination archive) and why it was removed.
This article is within the scope of the Professional sound production WikiProject, a collaborative effort to improve Wikipedia's coverage of the technology, equipment, companies and professions related to professional sound production. If you would like to participate, you can visit the project page, where you can join the project and see a list of open tasks.
??? This article has not yet received a rating on the assessment scale.
Peer review This Engtech article has been selected for Version 0.5 and subsequent release versions of Wikipedia. It has been rated B-Class on the assessment scale (comments).

Contents

[edit] Thoughts on expansions

Need to add: mass production of cylinders; early dubbing methods; "Gold molded" cylinders

-Recordings went from tinfoil to wax in 1888, older recordings are unplayable.

-Oldest preserved recordings and where to hear them. (A 1888-89 CD from TINFOIL, the Brahms cylinder on "About a hundred years", Nina Grieg from 1889 spread across two CD's from SIMAX, more?)

-A more realistic assessment of the sound quality of these things; the CD compilation "About a hundred years" features both wax and disc recordings, and I agree with their assessment that it was the invention of the shellac disc in 1899 that turned records into anything more than "a noisy toy". The wax rolls have virtually no bass; how would a phonograph needle record bass? Much easier on a disc, where the needle can move sideways. Juryen 23:12, 31 August 2006 (UTC)

To make a comparison of the media, you need to compare examples from the same year. To understand how comparisons sounded at the time, it should be on original or comparable playback equipment. The earliest discs were of lower fidelity than contemporary cylinders. (Some comparisons not taking those factors into account can be inaccurate as disc records and players continued to develop for a much longer time.) Discs didn't get sound comparable to cylinders until after the turn of the century. Bass response is pretty minimal in all recordings before the 1920s. Edison labs did do experiments with a block long recording horn (!) and was able to record and reproduce the lowest bass notes of orchestral instruments in experimental recording that were indeed vertically cut. However they could only reproduce that bass by the recording playing back with the giant horn! Thus serious attempts to commerically issue recordings with what we'd consider recognizable bass response only happened after the introduction of electric microphones in the mid 1920s. -- Infrogmation 00:13, 1 September 2006 (UTC)
So that when we play the recordings back with modern equipment, a disc from 1899 is going to sound okay, like a transistor radio or a portable cassette recorder, while a wax roll is going to sound like a car wreck, but the difference wasn't obvious on the playback equipment available in 1899. This should be in the article; I'm not the only one to have heard a record like "About a hundred years" and wound up believing that the introduction of discs was a quantum leap in sound quality. Juryen 00:58, 1 September 2006 (UTC)
I'm not familiar with the cd you mention (sounds interesting though!). The observation on early cylinder v/s disc fidelity is not original to me; I've heard the same from collectors of previous generations and IIRC it is discussed in such books as "From Tinfoil to Stereo". As discs continued to be made into the electronic playback era, many reissues have found it easier to get a good amount of the original sound out of them than they could for cylinders. As I havn't heard the reissue you mentioned I have no idea if its and example of such, but "okay" verses "car wreck" make me suspect it might be. (Alternatively, the cylinders might have been in more badly worn out condition.) I can say that much acoustic era equipment often reproduces the limited frequencies of the early recordings that sound most lifelike while reproducing much less of the problem rumble and hiss in old recordings that are often very evident with modern equipment or remastering. Good acoustic recordings played on original equipment in good shape or properly restored still won't be high-fidelity, but it has a certain strong presence, perhaps due to a great sensitivity to dynamics, that seldom comes across on reissues in other media. Hm, perhaps we could use an article on acoustical/mechanical recording technology some time. Pondering, -- Infrogmation
This is very, very interesting and should be in the article. But at least as far as wear and tear is concerned, shellac was much better than wax. (Earlier rubber discs were pretty much unlistenable, judging from modern reproductions.) And in mass production, the amounts of wow and flutter in a pantographed cylinder renders the record pretty much useless as a music recording. So discs should have two advantages over cylinders, even if - as you say - the astounding differences in audio quality that we hear in modern reproductions simply were not there when you played comparable recordings on comparable equipment in 1899. The discs I mentioned might be worth their own articles, perhaps. 12:01, 1 September 2006 (UTC)
I thought our discussion was so interesting, I added a bit under "preservation". Juryen 12:11, 2 September 2006 (UTC)

I thought I would add my $.02: I am a collector of both disc and cylinder records, and have the old machines to play them on. This has been my observation: just about any commercially produced cylinder from 1902 to 1914 sounds quite a bit better than disc records made until about 1924, that being the year when they started being recorded electrically. I haven't ever heard any of the soft wax cylinders made prior to the gold molded ones, so i can't vouch for them, but I have heard the first generation Amberol cylinders (these are hard wax, 4 minute, played with a saphire and made from 1908-1912) and the celulloid Blue Ambrol cylinders (these are 4 minute also, blue and color, and should only be played with the correct diamond reproducers; made from 1913-1929, though, after about 1915 the masters were dubbed from diamond disc masters), and these, when compared to any disc record made before 1924, are really quite astounding. Although Edison did expiriment with electrically recorded cylinder records in the late 1920's, it was'n until commercially issued disc records were made that the tone and range of disc records really surpassed that of the mature cylinder format.-WK---139.78.96.87 21:27, 28 October 2007 (UTC)

Thanks for your comments, WK. Wikipedia can use more contributors with knowledge of early recording technology. If you'd like to stick around, I encourage you to choose a user name and log in. Cheers, -- Infrogmation 23:48, 28 October 2007 (UTC)

[edit] Request for references

Hi, I am working to encourage implementation of the goals of the Wikipedia:Verifiability policy. Part of that is to make sure articles cite their sources. This is particularly important for featured articles, since they are a prominent part of Wikipedia. The Fact and Reference Check Project has more information. If some of the external links are reliable sources and were used as references, they can be placed in a References section too. See the cite sources link for how to format them. Thank you, and please leave me a message when a few references have been added to the article. - Taxman 19:39, Apr 22, 2005 (UTC)

[edit] FARC

The following objections to this article should be adressed: No lead. No references. Not a FA standard, certainly. Some sections are just a single sentence. --Piotr Konieczny aka Prokonsul Piotrus Talk 09:33, 8 Jun 2005 (UTC)

Tnx, this is now up to standards. It can use more expantion - some sections are stub sections - but it is in little danger from FARC now. --Piotr Konieczny aka Prokonsul Piotrus Talk 18:43, 16 Jun 2005 (UTC)

[edit] Queries on my talk page

An editor named Jeremy left these on my talk page, but I really don't know enough about the subject to help so I thought I'd move this here. My only connection with this page was asking for references. - Taxman Talk 12:16, 5 April 2006 (UTC)

[edit] Verify the phonography cylinder 'plug in' models.

Would suggest that the specific names of each of the three commercially designed plug-in models be reinstated. Someone has edited these out. However, I have noted that information on each may be sourced in the external link to Christer Hemp's Phonograph Makers Pages. Many readers would be interested in these. Jeremy Sefton-Parke. kinopanorama AT msn.com

I think you've lost your way somehow. I don't really know what you're referring to. If you give me some links to the Wikipedia pages, I might be able to help you. - Taxman Talk 23:23, 4 April 2006 (UTC)

[edit] Phonograph Cylinders

Refer to chapter on preservation of cylinders. See paragraph two. Also, link to Phonograph Maker's pages. Believe that paragraph two could be expanded by someone, such as myself, without being seen to promote any such product as a vanity entry. Please advise.--Kinopanorama widescreen 01:31, 5 April 2006 (UTC)

[edit] Earliest known recording

I've added the earliest known recording on Wikimedia Commons for use primarly in the Israel in Egypt (oratorio) article. However, it may perhaps find use here too (it was after all made on a yellow paraffine phonograph cylinder), in that case feel free to add it. I have no more time for editing stuff right now myself. :-) The Commons resource name is IsraelInEgypt18880629.ogg, and can be linked to via a template like this, for example:

Handel festival: "Israel In Egypt" (excerpt)

This version is the earliest known music recording. Recorded on a paraffin cylinder in June 29, 1888. — 2274 KB
Problems listening to the file? See media help.

There are alternative templates too; for more information, see this: Template:Audio. -- Northgrove 00:42, 21 September 2006 (UTC)

Great we have that on Commons! However, as the link to tinfoil.com mentions, they have an 1878 cylinder recording (from an experimental phonograph clock), which I believe is the earliest known recording successfully played back any time in the past 100 years. BTW, some earlier tinfoil recordings still exist in flattened-out condition-- I have heard no arguement that at least hypothetically could have sound re-extracted from them should serious effort be put into it. -- Infrogmation 01:05, 22 September 2006 (UTC)

[edit] Need references for reuse of wax cylinders

Hi, I'm working on a dissertation that, among other things, examines the use of phonographs. I have been trying to determine if wax cylinders were ever reused for different recording purposes, and this article is the first instance that I have found that indicates that they were. Can anyone point me toward a published book or article in which I could verify this information? My committee is leery of Wikipedia, unfortunately. Please leave me a message if you have such a reference. Bc.rox.all 21:03, 25 October 2006 (UTC)

Yes, the old style soft wax cylinders were commonly reused and recorded over (and dicataphone cylinders using essentially the same technology were still common until after WWII). A good reference mentioning this that should be pretty easy to find in most libraries is the book "From Tinfoil to Stereo" listed in the references section. -- Infrogmation 17:36, 12 November 2006 (UTC)
"From Tinfoil to Stereo" doesn't really have the information that I needed. However, I was able to find something about the reuse of wax cylinders for recording in David L. Morton Jr.'s "Sound Recording: The Life Story of a Technology" (Westport, CT: Greenwood Press, 2004; ISBN: 0-313-33090-5). I have not yet found anything that positively corroborates that people could bring old wax cylinders back to dealers to have them shaved and re-recorded. But shavers were standard parts on most of the early phonographs, so persons could obviously do this at home (see George L. Frow and Albert F. Sefl, "The Edison Cylinder Phonographs: A Detailed Account of the Entertainment Models until 1929," [Seven Oaks, Kent: George L. Frow, 1978]). -- Bc.rox.all 16:01, 28 November 2006 (UTC)
After continuing to look for something that verifies that wax cylinders were brought back to stores and rerecorded, I have been unable to find anything. As such, I have added a "citation needed" tag to this sentence. Bc.rox.all (talk) 18:00, 25 April 2008 (UTC)

[edit] Link to TechTv

I removed this link as it seemed to be in poor taste. A man who has gone to great lengths to protect this historical record is misrepresented and ill served by being recognized for one accident rather than years of preservation work. 27 February 2007 76.178.159.67 15:57, 27 February 2007 (UTC)JRecord

[edit] Curious sound quality of live playback

I've never seen this discussed anywhere, but cylinder recordings, listened to "live" on a cylinder phonograph, have a distinctive quality to the sound that is not captured in transfer to modern media.

There are two characteristics in particular: there is an odd spatial quality to it, almost as if the sound were coming from inside one's head; and there is a bright, rather satisfying percussive quality in recordings of instruments such as banjos and xylophones. I assume that's exactly why these instruments are so common in the arrangements recorded on cylinders.

This quality is not replicated when the sound issuing from a cylinder phonographs are recorded with microphones and played back with modern equipment, nor when cylinders are played with modern cartridges and then reproduced electronically.

My theory is that the spatial quality has something to do with the way in which the wavefront from the horn is shaped and reaches the ears. I can't even guess at an explanation for the percussive quality; something about the way hill-and-dale recording captures loud transients, I expect, but I don't know why it doesn't reproduce well.

Cylinder recordings, played live, have a certain lively, danceable quality that's not well captured in rerecordings.

No, I am not suggesting that cylinder recordings are better than newer technologies--only that they have pleasant qualities that for some reason are lost when recorded and reproduced on modern equipment.

This is true of every recording of cylinders I've heard, including the excellent and admirable UCSD cylinder collection. Dpbsmith (talk) 02:16, 25 May 2008 (UTC)

Some of this, or an aspect of this I think, is also experienced with acoustically recorded discs. I believe the acoustic recordings have a very subtle response to changes of dynamics that even now is seldom heard in electric recordings. You may be correct that there is something "spatial" as well; it sometimes seems a bit less strictly mono than it is supposed to be. Hm. -- Infrogmation (talk) 02:32, 25 May 2008 (UTC)
Isn't it often the case that media recorded by a particular technique sound and/or look better when played back under that same technique? A gross example would be old videotapes from 1960s TV, which look weird when converted to film, but look pretty good when played on a TV. And Billy Murray's records always sounded better on my Grandpa's Victrola than on modern equipment. Baseball Bugs What's up, Doc? 05:41, 25 May 2008 (UTC)