Philo Vance

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Philo Vance is a fictional character who starred in 12 crime novels written by S. S. Van Dine (the pen name of Willard Huntington Wright), published in the 1920s and 1930s. During that time, Vance was immensely popular in books, movies, and on the radio. He was portrayed as a stylish, even foppish dandy, a New York bon vivant possessing a highly intellectual bent. The novels were chronicled by his friend Van Dine (who appears as a kind of Dr. Watson figure in the books as well as the author).

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[edit] Vance, the man

As Van Dine described the character in the first of the novels, The Benson Murder Case:

Vance was what many would call a dilettante, but the designation does him an injustice. He was a man of unusual culture and brilliance. An aristocrat by birth and instinct, he held himself severely aloof from the common world of men. In his manner there was an indefinable contempt for inferiority of all kinds.

In the same book, Van Dine detailed Vance's physical features:

He was unusually good-looking, although his mouth was ascetic and cruel...there was a slightly derisive hauteur in the lift of his eyebrows...His forehead was full and sloping--it was the artist's, rather than the scholar's, brow. His cold grey eyes were widely spaced. His nose was straight and slender, and his chin narrow but prominent, with an unusually deep cleft...Vance was slightly under six feet, graceful, and giving the impression of sinewy strength and nervous endurance.

In the second adventure, The Canary Murder Case (set in 1927), Van Dine tells that Vance was "not yet thirty-five." He goes on to say, "His face was slender and mobile; but there was a stern, sardonic expression to his features, which acted as a barrier between him and his fellows."

Vance was highly skilled at many things: an "expert fencer," a golfer with a three handicap, a breeder and shower of thoroughbred dogs, a talented polo player, a master poker player, a winning handicapper of race horses, experience in archery ("a bit of potting at Oxford," as he referred to it), a patron of classical music, a connoisseur of fine food and drink, knowledgeable of chess and of several foreign languages. He was also an expert on Chinese ceramics, psychology, the history of crime, ancient Egypt, Renaissance art and a host of other recondite subjects.

Van Dine describes Vance's "one passion" as art. "He was something of an authority on Japanese and Chinese prints; he knew tapestries and ceramics: and once I heard him give an impromptu causerie to a few guests on Tanagra figurines..." (The Benson Murder Case)

His interest in dogs is featured in The Kennel Murder Case (his polo playing is also mentioned in that case), his skill at poker in The Canary Murder Case, his ability to handicap race horses in The Garden Murder Case, his knowledge of chess and archery in The Bishop Murder Case and of Egyptology in The Scarab Murder Case. His skills at golf and at fencing do not figure in any of the cases.

Vance often wore a monocle, dressed impeccably (usually going out with chamois gloves), and his speech frequently tended to be campy:

  • "Why the haste, old dear?" Vance asked, yawning. "The chap's, dead, don't y' know; he can't possibly run away." (The Benson Murder Case)
  • "Really, y' know, Markham, old thing, " he added, "you should study the cranial indications of your fellow man more carefully--vultus est index animi..." (The Canary Murder Case)
  • "And now I think I'll erase the Greenes from my mind pro tempore, and dip into the 'Satyricon.' The fusty historians pother frightfully about the reasons for the fall of Rome..." (The Greene Murder Case)

He was also a heavy smoker, lighting up and puffing on his Regies throughout the stories.

According to some contemporary critics, these mannerisms of Vance were affectations, which made him look like a foppish dandy, a poseur. (See below for criticisms.)

[edit] The novels

Van Dine's first three mystery novels were unusual for mystery fiction because he planned them as a trilogy, but plotted and wrote them in short form, more or less at the same time. After they were accepted as a group by famed editor Maxwell Perkins, Van Dine expanded them into full-length novels. All twelve book titles are in the form "The X Murder Case," where "X" is always a six-letter word (except for The Gracie Allen Murder Case, which was originally just "Gracie").

Although Van Dine was one of the most educated and cosmopolitan detective writers of his time, in his essays, he dismissed the idea of the mystery story as serious literature. He insisted that a detective novel should be mainly an intellectual puzzle that follows strict rules and does not wander too far afield from its central theme. He followed his own prescriptions, and some critics feel that formulaic approach made the Vance novels stilted and caused them to become dated in a relatively few years.

All of the cases, except The Winter Murder Case, are mostly set in the Manhattan borough of New York City. On a few occasions, Vance and Van Dine (usually accompanied by Markham and Heath) briefly travel to the Bronx, Westchester County, and New Jersey in the course of their investigations. In The Greene Murder Case Vance tells, after his arrival back in New York, that he traveled by train to New Orleans to gather information relative to the case.

Vance's last case, The Winter Murder Case, is markedly different from the previous eleven cases in that the locale is away from New York (the Berkshire Mountains of western Massachusetts) and Vance and Van Dine are surrounded by an almost completely different cast of characters (only Markham makes a brief appearance at the very beginning). Wright had just finished writing this case when he died suddenly in New York on April 11, 1939.

[edit] Bibliography

[edit] Cast of characters

Most of the adventures have at their beginning a "Characters of the Book," much as in Shakespeare's plays.

Vance, Van Dine, John F.-X Markham, Ernest Heath, Dr. Emanuel Doremus, and Currie all appear in eleven of the twelve stories; the last one, The Winter Murder Case, includes only Vance, Van Dine, and a brief appearance of Markham at the very beginning.

  • John F.-X Markham: New York County District Attorney (who only served one four-year term). A bachelor (like all of the leading male characters in the stories), he lives in an apartment in lower Manhattan. Markham is a straight-arrow, no-nonsense type whose serious demeanor frequently contrasts, in friendly bantering, with Vance's whimsical persona. Van Dine describes this contrast of personalities:

I have often marvelled at the friendship of these two antipodal men...Markham was forthright, brusque, and on occasion, domineering, taking life with grim and serious concern...Vance, on the other hand, was volatile,debonair, and possessed of a perpetual Juvenalian cynicism... (The Greene Murder Case)

  • Ernest Heath: Sergeant in the Homicide Bureau of the New York Police Department. He is gruff, lacking in imagination, prone to misuse English grammar, and also a no-nonsense type when it comes to dealing with suspects in the murder cases (he occasionally suggests to Markham that he "work over" some of them to extract confessions). He and Vance, although very different in most ways, gain a mutual respect for each other as they work together. He seems to sleep very little, as he is up all hours working on cases.
  • Dr. Emanuel Doremus: Medical Examiner for New York City. A cocky little man who wears a bowler hat and constantly complains (in a mock manner) about being called to check out corpses just as he has sat down to a meal or is otherwise inconvenienced.
  • Currie: "...a rare old English servant who acted as Vance's butler, valet, major-domo and, on occasions, specialty cook." (The Benson Murder Case)

Other individuals who appear frequently: Francis Swacker, Markham's male secretary; Guilfoyle, Hennessey, Snitkin, and Burke, all detectives under Heath in the Homicide Bureau.

[edit] Criticisms of Vance and the novels

Vance's character as portrayed in the novels might seem to many modern readers to be supercilious, obnoxiously affected, and highly irritating. He struck some contemporaries that way as well. At the height of Philo Vance's popularity, comic poet Ogden Nash wrote:

Philo Vance
Needs a kick in the pance.

Famed hardboiled-detective author Raymond Chandler referred to Vance in his essay "The Simple Art of Murder" as "the most asinine character in detective fiction."

Julian Symons in his history of detective fiction, Bloody Murder, says: "The decline in the last six Vance books is so steep that the critic who called the ninth of them one more stitch in his literary shroud was not overstating the case."[1]

A Catalogue of Crime, by Jacques Barzun and Wendell Hertig Taylor, criticizes "...the phony footnotes, the phony English accent of Philo Vance, and the general apathy of the detective system in all these books..." in all the Vance novels. It reviews only seven of the twelve novels, panning all but the first and the last: The Benson Murder Case, which it calls "The first and best..." and The Winter Murder Case, of which it says, "In fact, this short book is pleasant reading..."

[edit] Movies

Films about Vance were made from the late 1920s to the late 1940s, with some more faithful to the literary character than others. Among the several actors who played Vance on the screen were William Powell, Warren William, and Basil Rathbone, all of whom had great success playing other detectives in movies. The movie The Canary Murder Case is famous for a contract dispute that helped sink the career of silent screen legend Louise Brooks.

The Philo Vance novels were particularly well suited for the movies, where the more unpleasantly affected aspects of the main character could be toned down and the complex plots given more prominence. One of these films, The Kennel Murder Case, has been called a masterpiece by renowned film historian William K. Everson. Following is a list of the movies:

  • The Canary Murder Case (1929) with William Powell as Philo Vance.
  • The Greene Murder Case (1929) with William Powell as Philo Vance.
  • The Benson Murder Case (1930) with William Powell as Philo Vance.
  • The Bishop Murder Case (1930) with Basil Rathbone as Philo Vance.
  • The Kennel Murder Case (1933) with William Powell as Philo Vance.
  • The Dragon Murder Case (1934) with Warren William as Philo Vance.
  • The Casino Murder Case (1935) with Paul Lukas as Philo Vance.
  • The Garden Murder Case (1936) with Edmund Lowe as Philo Vance.
  • The Scarab Murder Case (1936) with Wilfrid Hyde-White as Philo Vance. Reportedly, no prints exist of this British production.
  • Night of Mystery (1937) (based on The Greene Murder Case) with Grant Richards as Philo Vance. Reportedly, no prints exist outside of university/museum collections.
  • The Gracie Allen Murder Case (1939) with Warren William as Philo Vance, billed below Gracie Allen.
  • Calling Philo Vance (1940) (very loosely based on The Kennel Murder Case) with James Stephenson as Philo Vance.
  • Philo Vance Returns (1947) with William Wright as Philo Vance.
  • Philo Vance's Gamble (1947) with Alan Curtis as Philo Vance.
  • Philo Vance's Secret Mission (1947) with Alan Curtis as Philo Vance.

The plots of the final three films bear no relationship to any of the novels and very little relationship to the Philo Vance character of the novels.

An Italian-language TV miniseries from 1974 entitled Philo Vance is cited by the Internet Movie Database and features Giorgio Albertazzi as Philo Vance.

[edit] Radio

Three radio series were created with Philo Vance as the title character. The first series, in 1945, starred José Ferrer. A summer replacement series in 1946 starred John Emery as Vance. The best-known series (and the one of which most episodes survived) ran from 1948-1950 and starred Jackson Beck.[2]

[edit] References

  1. ^ Symons, Julian, Bloody Murder, London: Faber and Faber 1972, with revisions in Penguin Books 1974, ISBN 0 14 003794 2
  2. ^ A listing of Philo Vance radio programs, accessed March 25 2008

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