Phantom Lady (film)

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Phantom Lady

Lobby Card
Directed by Robert Siodmak
Produced by Joan Harrison
Written by Story:
Cornell Woolrich
Screenplay:
Bernard C. Schoenfeld
Starring Franchot Tone
Ella Raines
Alan Curtis
Elisha Cook, Jr.
Cinematography Woody Bredell
Editing by Arthur Hilton
Distributed by Universal Pictures
Release date(s) February 17, 1944
(U.S.A.)
Running time 87 minutes
Country United States
Language English
Allmovie profile
IMDb profile

Phantom Lady (1944) is a black-and-white film noir directed by Robert Siodmak, his first Hollywood noir. It was also a first for producer Joan Harrison, Universal Pictures' first female executive and Hitchcock's former screenwriter. The film was based on a Cornell Woolrich same name novel (under pen name William Irish).[1]

In what may be the film's most famous sequence, rhythmic inter-cutting between Elisha Cook, Jr.'s frantic drumming (dubbed by Gene Krupa) at a seedy night club and the leering responses of sexy secretary Ella Raines climaxes in a heated sexual encounter without actually showing a sex act on the screen.

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[edit] Plot

After a fight with his wife, Scott Henderson, a handsome and successful 32-year-old civil engineer, picks up a mysterious woman in a bar and they go out. The woman refuses to exchange names, becoming the phantom lady of the film.

When Henderson returns home, he finds cops waiting to question him because his wife has been murdered with his necktie. Henderson and the cops try to find the phantom lady who can provide him with an alibi but fail. It's up to Carol, Henderson's loyal secretary with a secret to trace the phantom and set Henderson free.

[edit] Cast

[edit] Critical reception

Critic Bosley Crowther was not impressed with the atmospherics of the film and panned the film due to its screenplay, writing, "We wish we could recommend it as a perfect combination of the styles of the eminent Mr. Hitchcock and the old German psychological films, for that is plainly and precisely what it tries very hard to be. It is full of the play of light and shadow, of macabre atmosphere, of sharply realistic faces and dramatic injections of sound. People sit around in gloomy places looking blankly and silently into space, music blares forth from empty darkness, and odd characters turn up and disappear. It is all very studiously constructed for weird and disturbing effects. But, unfortunately, Miss Harrison and Mr. Siodmak forgot one basic thing—they forgot to provide their picture with a plausible, realistic plot."[2]

[edit] References

[edit] External links

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