Peggy Mitchell
From Wikipedia, the free encyclopedia
- This article is about the soap opera character. For the real author, see Margaret Mitchell.
| EastEnders character | ||||||||||||||||||||
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| Barbara Windsor as Peggy Mitchell | ||||||||||||||||||||
| Peggy Mitchell | ||||||||||||||||||||
| Portrayed by | Jo Warne (1991) Barbara Windsor (1994—) |
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| Introduced by | Michael Ferguson (1991) Barbara Emile (1994) Kate Harwood (2005) |
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| Duration | 1991, 1994–2003, 2004, 2005— | |||||||||||||||||||
| First appearance | 30 April 1991 | |||||||||||||||||||
| Profile | ||||||||||||||||||||
| Date of birth | 21 March 1942 | |||||||||||||||||||
| Status | Divorced | |||||||||||||||||||
| Home | The Queen Vic | |||||||||||||||||||
| Occupation | Landlady | |||||||||||||||||||
| Alternate image(s) | ||||||||||||||||||||
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| Jo Warne as the original Peggy (1991). | ||||||||||||||||||||
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Margaret Ann "Peggy" Mitchell (née Martin; previously Butcher) is a fictional character in the popular BBC soap opera EastEnders. Peggy was initially played by Jo Warne when she first appeared in the series on 30 April 1991. Peggy was at this time seen on a recurring basis over several weeks. Peggy was reintroduced to the series in 1994, this time played by Barbara Windsor. From this point, Peggy became a regular character, and Windsor continues to play the role to this day.
She is fiercely protective of her family and the Mitchell name, and has become famous for her catchphrase "Get outta my pub!", used when ejecting people from The Queen Victoria, of which she is the landlady.
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[edit] Character creation
Peggy was introduced as a guest character in April 1991, by executive producer Michael Ferguson. The character was brought in as the mother of the already established Mitchell clan: Phil (Steve McFadden), Grant (Ross Kemp) and Sam (Danniella Westbrook). Specifically, she played a key role in a storyline about the elopement of her daughter Sam to Ricky Butcher (Sid Owen). Peggy was played by actress Jo Warne for a period of three months, but was written out upon the completion of the storyline.
The character did not make another appearance until November 1994, when she was reintroduced by Series Producer Barbara Emile as a regular character. The actress was recast, the role being taken over by Barbara Windsor, already well-known to viewers as a comic actress, notably appearing in the long-running Carry On films. Scott Matthewman of The Stage commented on the recast in 2006: "Quite the biggest — and most inexplicable — transformation is that of Peggy Mitchell in EastEnders. While Barbara Windsor has dominated the role...first appearing in [1994], the character had appeared briefly [three] years earlier, played by Jo Warne, a lady who physically is as different from our Babs as it’s possible to get."[1]
Windsor had previously made no secret of her desire to join the cast of EastEnders. Several popular chat show hosts had made public broadcasts requesting to see Windsor on the soap, including Chris Evans on Channel 4's The Big Breakfast, who instructed viewers to fax or phone the BBC to plea for Windsor's instatement. However, Windsor was already in negotiations with the BBC about appearing in the serial.[2] June Deitch, the EastEnders casting director, had met with Windsor to discuss the matter, and was convinced when Windsor declared that she would "like to play my own age for a change".[2] At the time, the producers had already thought about reintroducing Peggy, and Windsor was cast despite originally being considered too "well-known".[3] In an interview with the Walford Gazette, a US-based newspaper dedicated to EastEnders, Windsor commented on her casting: "I was thrilled, I could rest my tired bones working on a marvelous television show that I deeply respected. I was very excited about the possibility [of] playing this feisty lady who would come in and shake up her two boys' lives."[2]
Windsor has been described as the biggest "name" that EastEnders has ever added to its cast, and her arrival came at a time in the show's history that has been branded its "worst creative period".[2] Windsor has commented, "Wendy Richard [who played Pauline Fowler] certainly had name value but I suppose it was regarded differently because she was part of the original cast. When I was brought on [to EastEnders] the press made such a big deal. They made it seem like I was brought on to 'save' EastEnders or something , which was ridiculous...the show decided to move into the "Sharongate" storyline, which gave it an enormous push, creatively and ratings-wise. Peggy was brought on as an extension of the Sharongate story because she was Phil and Grant's mum. I understand why the show was uneasy about bringing on any really well known actors because they want the audience [to] believe in and identify with the character without having any of the actor's baggage in their heads..."[2] According to Windsor, 27 million viewers watched her first appearance as Peggy on-screen.[2]
[edit] Characterisation and personality
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"Get outta my pub!" Peggy's famous catchphrase, from the 1 April 2008 episode of EastEnders. - Problems playing the files? See media help.
Hilary Kingsley, author of The EastEnders Handbook (1991), has described Peggy as tough, with a "knack for getting her own way". She adds, "Peggy likes to think she looks much younger [than she is]. She's flash, fast-talking and nobody's fool. She has always done things her own way, and heaven help anyone who crosses her, though her bark's usually worse than her bite."[4]
When Windsor took over the role in 1994, she was unhappy with the way Peggy was being scripted. She has commented, "a few things weren't quite right about Peggy at the beginning. On a purely superficial level, the wig didn't fit right. And the clothes weren't right either. They appeared too downmarket. I was particularly worried about how the character was viewed by the producer and writers. I saw her as much ballsier than they did. I think they envisioned Peggy as this rather sad, vulnerable lady who spent all her time worrying about her children."[2] However, early in 1995, EastEnders acquired a new executive producer, Corinne Hollingworth, who shared Windsor's vision of Peggy. It was Hollingworth who decided that Peggy would be a central character, the new landlady of The Queen Victoria public house, one of the soap's main focal points. Hollingworth stated that Peggy was "not going to be allowed to just sit in some flat polishing her nails".[2] Windsor has said, "It was like a dream. [Hollingworth] let me go out with the costume designer and choose Peggy's wardrobe, which needed to be a lot more flash and upmarket. Corinne and I worked on getting Peggy right and I finally began to believe...".[2]
Windsor has described Peggy as "from the old school, the generation which doesn't put up with rubbish from anybody...She can get through practically anything because she's tough, tough, tough."[2] The character has been classified by Rupert Smith, author of EastEnders: 20 Years in Albert Square, as a matriarch, assuming "papal infallibility. Whatever anybody does — particularly her own children — she knows better."[5] She has also been branded a "battleaxe",[6] "bossy" and someone who "wears her heart on her sleeve". Family-orientated, Windsor adds that "[Peggy] loves her family with a passion. Her worst qualities are that she's blinkered, sometimes wrongly passionate about her family."[7]
It has been speculated that Windsor has based Peggy on Violet Kray, mother of the infamous East End gangsters, the Kray twins; however Windsor has denied this.[7] Instead she claims that Peggy is based on women she has seen in East End pubs and her own mother: "women who's hair is great and their outfits are more Walthamstow market, they get it wrong slightly...Some things I've done with Peggy is from my Mum. She was one of those East End snobs. I drew on all of those experiences."[7]
[edit] Character development
The character of Peggy has been central to numerous high-profile storylines, including a battle with breast cancer, a failed marriage to Frank Butcher (Mike Reid), and various business and family upsets.[8]
[edit] Breast cancer
In 1996, Peggy was featured in a storyline about breast cancer. It was the first time that the soap had given one of its characters the illness, though the issue was covered much less substantially in 1987 as a means of promoting breast cancer screening, when Sue Osman (Sandy Ratcliff) discovered a lump on her breast, which turned out to be benign.
Peggy's breast cancer storyline was devised at the suggestion of a scripwriter in a story conference session and, according to the production staff, it was an idea "that had been knocking about for a long time."[9] In Lesley Henderson's book, Social Issues in Television Fiction, an EastEnders researcher explains that "A lot of illnesses [...] translate quite readily into strong dramatic material", and the experience of being hospitalised or waiting on test results is something everyone can identify with.[9] The programme sought expert advice on "storyline visuals" from a variety of sources including cancer organisations, breast cancer charities and medical professionals.[9] There were anticipated problems with running a breast cancer story, such as timing, characterisation, casting, and interweaving the plot with other ongoing storylines. A story editor has explained, "EastEnders is perceived as being an issue-led show, but it isn't, it's character and story-led [...] If you haven't got the character to fulfill that storyline then it won't work. You've got to be careful to make sure that the illness actually impacts on the family dynamics and the character development."[9]
Producers decided to use Peggy Mitchell in the breast cancer storyline, conforming to a soap opera tradition of reserving strong roles for a firmly established middle-aged matriarch.[9] The audience were familiar with Peggy's history, knew that her first husband had died from cancer, consequently making her fear hospitals and she had "the right mentality for [the story theme], which was about 'a woman who discovers a lump and then refuses to accept that anything's wrong'. An added factor was that in choosing Peggy the programme could avoid appearing too issue driven, and [the] storyline could be used as a device to expand and develop her characterisation." Additionally, as the causes of breast cancer are not attributable to risky behaviour, the disease was deemed "more attractive" in storyline terms. A member of the EastEnders production team explains, "If you take a character who smokes and they get lung cancer that would seem too issue-driven. The great thing about a character like Peggy is [her breast cancer was] quite unexpected. At the time there were lots of other issues in her life. She was a character who audiences had only seen pulling pints behind the bar. Suddenly she was in a new environment in a hospital and had a huge medical crisis to go through, so that allowed the character to grow and expand in many ways...There was also fairly major moments [...] with Peggy and [her boyfriend George Palmer (Paul Moriarty)]. She thought George wouldn't love her anymore after she'd had the operation. We were able to use the illness to take them on a new journey."[9] In the view of the production team, Peggy's breast cancer was a catalyst, creating new dynamics and tensions amongst exisitng characters. Realism was also an issue. As a middle-aged woman, Peggy was epiodemiologically at higher risk for developing breast cancer.[9] In 2001, it was reported that Peggy's character was one of only a few media portrayals of older females to be given the disease, and source organisations have praised EastEnders for this.[9]
The storyline used elements of suspense, created by the use of "shared secrets" between Peggy and her daughter-in-law Tiffany Mitchell (Martine McCutcheon), who invented elaborate cover stories to mask Peggy's trips to hospital from her sons and partner. Tension was deliberately built for viewing pleasure, posing the questions of whether Peggy's lump was benign or malignant and whether she would die, but also in terms of Peggy's relationships, whether her children would discover the truth or if George would end their relationship. It has been suggested that "such devises [added] pathos to Peggy's treatment path. Audiences [knew] that she [was] terrified and about to discover her biopsy results, but must watch as she is casually castigated by her son Grant for pestering his wife Tiffany to accompany her to 'the dentist'."[9] Hospital scenes were also played for narrative pace to build tension and drama.[9]
Because "radical, body-altering" surgery on a long-running character would cause the production team ongoing problems with continuity, it was decided that Peggy would have a "less visible" lumpectomy, rather than a mastectomy. A member of the EastEnders production team explained, "We have to think about costume and what it's going to look like afterwards and what we're lumbering ourselves with [...] you have to think of that for a long-term character."[9] Additionally, giving Peggy a lumpectomy at that stage of her disease was viewed favourably by source organisations, as it helped to spread a message that a mastectomy is not necessary in all breast cancer cases.[9] However, the storyline was revisted several times over the next few years. In August 1997, Peggy was given the "all-clear" at her follow-up mammogram, and in March 1999 the cancer returned and she underwent a mastectomy, while in 2000 she had a breast reconstruction.[9] It has been reported that Peggy was the first soap opera character to undergo a mastectomy.[10] BBC Production chief executive, Matthew Bannister, praised Windsor's portrayal of Peggy coming to terms with a mastectomy, commenting "It's brought a good deal of comfort and help to us and a lot of other people."[11] In October 1999, Mal Young, head of drama at the BBC, gave a speech at the Royal Television Society's annual convention using Peggy's breast cancer storyline as an example of how important and socially useful soap operas are.[12]
Oncology nurses and consultants were involved in the making of the storyline, which was based on a real life case study. In Clive Seale's book, Health and the Media, EastEnders was praised for putting its message across without being "gruelling".[13] It has also been praised for showing "potent scenes" of a woman coming to terms with her diagnosis, scenes that also provided "rare opportunites" to portray a cancer patient "behaving badly" and depicting "ambivalent felings (such as denial or anger)" — as it had been noted that cancer patients are typically portrayed in the media as "beatific, serene figures".[9] When Peggy had a mastectomy, hundreds of viewers wrote to the BBC to thank producer, Matthew Robinson, for tackling "a difficult subject so sensitively".[10] However, not all viewers were impressed with the storyline. Felicity Smart, who had undergone a mastectomy, wrote to the BBC on behalf of the Breast Carer Support Group at St Thomas' Hospital in London to say that emotionally the storyline "hit the spot", but medically it was "hopelessly inaccurate. No one pulls pints and wisecracks with customers three days after having a mastectomy."[10]
[edit] Storylines
Peggy is the mother of Phil, Grant and Samantha Mitchell; she was first seen in Walford from April to July 1991. Peggy married Eric Mitchell in the 1960s because she was pregnant with Phil, beginning a life of hardship. Eric, a keen boxer, worked for gangster Johnny Allen; however, Johnny would taunt Eric, making him do embarrassing jobs, merely because Eric was a better boxer than him. Humiliated, Eric took his angst out on Peggy. He was often violent towards her, and it wasn't the glamorous life she'd hoped for.[4] She thought about leaving when her sons were teenagers, and once even tried to seduce Johnny Allen, but he turned her down. Peggy tried to save her marriage by having another child in 1975, her only daughter Sam. Her relationship with Eric improved, but only temporarily, and when Kevin Masters employed Peggy to work at his minicab firm, they began a secret affair. When Eric developed cancer, Peggy gave up work to care for him, but Kevin came back on the scene promptly after Eric's death and Peggy's children took against him. Sam in particular resented Kevin's interference and constantly attempted to leave the Mitchell fold. Sam's desire to escape eventually resulted in her eloping at the age of 16 with the hapless mechanic, Ricky Butcher. Peggy was furious and tried to put a halt to her daughter's blossoming romance, even tracing them to the registry office in Scotland. She was too late though, as the union had already taken place before she got there.[4]
[edit] Landlady of The Queen Vic
Peggy was not seen again until November 1994. Her relationship with Kevin had ended and she returned to Walford to sort out her sons, who had fallen out due to Phil's affair with Grant's wife, Sharon. She became acting landlady of The Queen Victoria public house in March 1995, and was soon making her presence felt around Albert Square. She made no secret of the fact that she blamed Sharon for the mess her family was in, and she was largely responsible for chasing Sharon away from Walford later in the year, but not before forcing Sharon into signing over her share of the pub. This left the Mitchells as the sole owners, with Peggy very much in charge.
In 1996, Peggy was courted by the shady businessman George Palmer. George's primary motive for wooing Peggy was pragmatic — he was trying to stop her petition against the Cobra Club (an arm of his money laundering operation) — but he soon found that he was genuinely attracted to her, and Peggy seemed quite smitten too. George tried hard to protect Peggy from the illegal side of his work and for a while she remained blissfully unaware of his criminal dealings.
When Peggy discovered that Mark Fowler was HIV positive in 1996, she instigated a boycott on his fruit and veg stall, refusing to eat anything he had touched, or serve him in her pub. This caused a feud between Peggy and Mark's mother Pauline, but even she couldn't diffuse the prejudice. Mark was forced to confront the bigotry of the locals by educating them about his illness. Peggy remained uncertain, but was forced to realise that Mark might appreciate some support, when, at the end of the year, she went through her own health problems.
In December 1996, Peggy was diagnosed with breast cancer. Peggy prided herself on her glamorous appearance and the discovery that she had breast cancer initially devastated her, particularly when she was told that she would have to undergo a lumpectomy. She refused surgery and finished with George, fearing that he could not handle her illness; however, with the support of her family and assurances from George, Peggy stoicly faced up to the operation. Peggy and George got engaged and would have married if Phil had not informed his mother about George's true identity. Peggy finished with George in 1997, and he then left Walford, leaving Peggy to be menaced by masked men looking for him in his absence. After this, a furious Peggy would have nothing more to do with George.
[edit] Peggy and Frank
In 1998, Peggy began a relationship with Frank Butcher. Their blossoming romance did not go smoothly as a false rumour, spread around by Barry Evans, led Peggy to believe that Frank had been cheating on her with his ex-wife Pat. This prompted a feud between Pat and Peggy, with the two trading arguments around the Square. Eventually, the warring women managed to call a truce and even become good friends. Peggy and Frank's relationship was met with disapproval from her two sons. Grant loathed Frank after he accidentally killed his wife, Tiffany, in a car accident, and Frank and Phil had past issues concerning the torching of Frank's car lot years earlier. Despite this, Peggy married Frank in April 1999, after winning her battle against breast cancer; she was forced to undergo a mastectomy after the cancer returned. The loss of her breast (as well as Grant's objections to Frank) nearly made Peggy cancel the wedding, as she felt that her husband-to-be would find her unattractive, but she changed her mind just at the last minute, much to Frank's relief.
Peggy grew disillusioned with Walford when Grant fled to Rio de Janeiro in October 1999, so she decided to sell the pub and emigrate to Spain. Peggy blamed Phil for Grant's departure, as the two had been involved in a violent altercation concerning Grant sleeping with Phil's wife Kathy before he left. Phil had always felt the least favoured of Peggy's children and had begun to resent this. The animosity between them became so bad that when Grant gave Phil his share of the Vic on Christmas Day 1999, he sold it Dan Sullivan for £5, just to spite Peggy. Peggy was forced to remain in Walford and share her pub with a man she loathed. Peggy and Dan battled with each other over the running of the pub, and the two were often involved in games of one-upmanship, which only sought to increase animosity and make their working life unbearable. Eventually, Phil and Peggy called a truce, and as a reunited force, they chased Dan out of Walford.
More heartbreak followed for Peggy in November 2000, when she discovered that Frank was going to leave her for his ex-wife Pat. Frank wrote Peggy a letter explaining that he was leaving, but just at the last minute, Pat had a change of heart, so Frank attempted to reclaim the letter before Peggy had a chance to read it. He was too late, Peggy had already discovered it and on Guy Fawkes Night, when The Queen Vic was packed with most of Walford's residents, Peggy shamed the cheating duo by reading the letter to the entire pub, and then slapped both Frank and Pat in front of everyone. She threw Frank out and he left Walford without Pat. Peggy has never fully forgiven Pat for her betrayal.[14]
[edit] Peggy's woes
Peggy spent the rest of 2000 in a depression and began to rely heavily on tranquillisers. She attempted to forget her problems by having a family Christmas, which ended in disaster; she spent Christmas Day alone in the Vic. When Frank's daughter Janine taunted her about her father finding love with a new woman, Peggy began drinking heavily and, in a violent fit of rage, she smashed up the Vic with a baseball bat. Things worsened, as in 2001, not only was Phil shot in an attempted murder, but Peggy was also forced to sell The Vic as Frank had left her in severe debt. She begrudgingly gave up her tenancy, but immediately regretted it when she discovered that the new owner was her enemy Sharon Watts. Peggy found it difficult to keep out of the running of the pub, even though it was no longer hers.
Meanwhile, Peggy began dating Harry Slater. Harry owned a bar in Spain and convinced Peggy to move there with him. They got engaged, but a disgusted Peggy was forced to call it off when she discovered that Harry was guilty of sexually abusing his niece, Kat. Peggy returned to The Vic when Phil became joint owner and started dating Sharon again. Her feud with Sharon continued with both regularly sniping at each other, forcing Phil to choose between them. She ended up being the sole licensee once again in 2002, when Sharon sold her half of the Vic back to her.
Peggy was reunited with Frank again when she travelled to Spain for his supposed funeral in January 2002. She discovered he was actually alive and had faked his death to avoid debtors. She and Frank had a chance to put their past behind them before Peggy returned to Walford. Peggy was hastily written out of the series in 2003 when Barbara Windsor was diagnosed with Epstein Barr. Peggy went to Brazil to tend to Grant, who had been crippled in an accident. She returned briefly for the wedding of Sam and Andy Hunter, in September 2004, leaving Sam in charge of the Vic. However, Sam was conned into selling the Vic to Den Watts for a pittance.
[edit] Peggy's return
Permanently returning to Walford in September 2005, Peggy was furious to learn that the Vic was in the possession of the Watts family. Additionally, Chrissie Watts, the licensee, was the woman responsible for framing Sam of Den's murder. Sam was on remand while Chrissie, the real killer, was a free woman. Peggy confronted her at Den's funeral, revealing the truth (though no one believed her); she hit Chrissie around the face, causing her to fall into Den's open grave.
As well as trying to get Sam exonerated, Peggy tried to get the pub back, igniting a feud with gangster Johnny Allen, who also made an offer on The Vic. There was a degree of history between the two. Peggy's deceased husband, Eric, had worked for Johnny many years earlier. Johnny had mistreated Eric, which Peggy felt was the reason for Eric's violent behaviour towards her. Peggy also had knowledge of Johnny's violent past, and she exacerbated the feud by informing his daughter Ruby, indicating that he was also to blame for the death of Ruby's mother and sister. Johnny responded by assaulting Peggy, crushing her fingers in a door and threatening her safety unless she kept quiet. He hired a mobster to assulat her, but she was saved by her sons, Phil and Grant. As well as sorting Johnny out, they were also instrumental in unveiling Chrissie as Den's real killer. Chrissie was arrested, Sam was released and Peggy returned to the Mitchells' spiritual home, the Vic.
In 2006, Peggy began an on/off romance with Jack Edwards, the father of Honey, who married Peggy's relative Billy. However, when Peggy later discovered that Honey's newborn baby, Petal, had Down's syndrome, she declared that the couple should give the baby up for adoption. This caused friction between her and Jack, and because of their differing opinions, Jack decided to end their romance. Realising she was being unreasonable, Peggy came to accept Petal as a Mitchell.
In 2007, a series of lavish expenses (including funding for Phil and child abuser Stella Crawford's doomed wedding; a cruise; and having the Vic redecorated by designer, Marco Bianco) left Peggy £40,000 in debt. She attempted an insurance scam, recruiting Sean Slater to smash up the pub so she could illegally claim for damages. When this failed, Peggy was forced to turn to her newly arrived relatives, Ronnie and Roxy Mitchell; they raised the funds for her so she could pay off the debt-collector and keep her pub.
[edit] Reception
The long-running protagonist, Peggy Mitchell, has been described as one of EastEnders' "most high-profile characters."[8] Windsor has said "EastEnders is where my heart is, it's like my home, and this is where I see myself ending my career". In 2002, EastEnders' executive producer, Louise Berridge, praised Windsor's dedication to the soap.[8]
The character was viewed unfavourably by a proportion of viewers in 1996, when Peggy discovered that Mark Fowler (Todd Carty) was HIV positive and subsequently mounted a hate campaign against him. Windsor has since revealed that she was initially opposed to the storyline: "[Peggy] was vicious to [Mark]. She was so naïve about the whole thing. When I got the script and it said some awful things, I couldn't believe it. It's the only time I've questioned the writers and said 'I can't believe it, people aren't like that today'. Then they sent me a survey and proved that people are actually like that. When it came to doing the scenes, I just got hold of Todd [Carty] and said, 'sorry this is Peggy!' I got the most appalling [hate] mail because of it. I had a very dear friend of mine who was dying of AIDS so it was very personal to me. The last scene I did I went straight out and got terribly drunk."[7] Actress and writer Jacquetta May, who played the character Rachel Kominski between 1991 and 1993, has discussed the storyline and the role of women in an article about EastEnders. According to May, the scriptwriters were faced with a problem once Peggy, "a key figure of the community", was shown to exhibit such "pig-headed ignorance and appalling prejudice". In order for Peggy to be redeemed, she had to be seen to be punished, and so, the character was given breast-cancer later that year. May comments, "Peggy, malicious gossip and bigot, herself becomes the victim of a life-threatening illness. At Christmas they run a Christian forgiveness story. Peggy calls on Mark and tells him she now knows what it is like to suffer as he has. She apologises, thus underlining one of the basic tenets of the programme: underneath the skin we are all the same, human and vulnerable, and recognition of this should unite us not divide us. Along the way, a great deal of useful information about these illnesses was broadcast. So, although EastEnders endlessly repeats its conservative format, and although all issues are there primarily to feed the great hungry story-beast, its positive by-products cannot be denied."[15]
EastEnders have received praise for the way they handled Peggy's breast cancer storyline, as she was a rare media portrayal of an older matriarchal woman with the disease. Older women are at higher risk of being diagnosed; however, in 2001, it was reported that media representation of breast cancer is skewed towards younger women in their 20s or 30s, as they are seen as "more tragic" or "more sexy" in media terms. A 2000 study by Kitzinger and Henderson showed that 94% of newspaper coverage on non-celebrity women with breast cancer were aged under 50.[9] Source organisations working with EastEnders on the storyline have commented, "[The team] decided it was going to be [Peggy] and very rightly so. Bang on, the right age [...] perfect dramatic licence in terms of her sons that she was going to have to share this terrible news with, and how would she share it? Every female would have that problem. How would you tell your children? And they followed that with her. She was exactly the right person."[9] The storyline also received media criticism, for their use of a breast care nurse, who was used to counsel Peggy and translate medical terminology into lay terms for viewers; a character who could provide both a dramatic and educational purpose. However, not all oncology units in the UK offer breast care nurses, and the character presented "particularly positive messages" concerning patient choice and control over treatment options. Because of this, the UK press dubbed the storyline "didactic".[9] The stroyline was also criticised because Peggy received her cancer test results after six days, which prompted cancer charities to warn that not all patients would receive the same treatment.[16]
[edit] In popular culture
The character of Peggy Mitchell has been spoofed in the ITV cartoon sketch show 2DTV.
The character has also been spoofed by the Scottish impressionist Ronni Ancona in BBC's Big Impression. In the sketches, Ancona shuffles around on her knees to exaggerate Barbara Windsor's petite height, and she is regularly heard using the catchphrase "Get outta my pub!". Impressionist Jan Ravens has also spoofed her in BBC's Dead Ringers, also mimicking her cheeky laugh. Commenting on Ancona's impersonation, Windsor has said "she does me brilliantly. I told her it was a great compliment. She made me realise my little hands wave around a lot."[7]
In November 2005, Peggy appeared in a sketch for Children in Need, which was a crossover between EastEnders and The Catherine Tate Show. The sketch featured Peggy, Little Mo Mitchell, Stacey Slater and Catherine Tate as her well-known character Lauren Cooper.[17] The 2006 episode of Doctor Who, entitled "Army of Ghosts", features a scene of EastEnders where Peggy tells the "ghost" of Den Watts to "get outta my pub!"
| Preceded by Sharon Watts |
Landlady of The Queen Vic 1991 – 2000 |
Succeeded by Sharon Watts and Steve Owen |
| Preceded by Sharon Watts and Steve Owen |
Landlady of The Queen Vic 2002 – 2004 |
Succeeded by Den and Chrissie Watts |
| Preceded by Sharon Rickman |
Landlady of The Queen Vic 2005 — |
Succeeded by incumbent |
[edit] References
- ^ Scott Matthewman. "The changing face of soap acting", The Stage, 2006-10-13. Retrieved on 2008-03-22.
- ^ a b c d e f g h i j Tim Wilson. "Carry On Babs", Walford Gazette. Retrieved on 2008-03-22.
- ^ Neil Norman. "Barbara Windsor - The comeback Queen", The Independent, 2004-09-04. Retrieved on 2008-03-22.
- ^ a b c Kingsley, Hilary (1990). The EastEnders Handbook. BBC books. ISBN 0-563-206010-563-36292-8-2.
- ^ Smith, Rupert (2005). EastEnders: 20 years in Albert Square. BBC books. ISBN 0-563-52165-1.
- ^ Dave West. "Windsor wants Caine for Peggy's ex", Digital Spy, 2007-08-29. Retrieved on 2008-03-22.
- ^ a b c d e "Ask Barbara Windsor transcript", BBC, 2002-01-31. Retrieved on 2008-03-22.
- ^ a b c "Windsor plans EastEnders break", BBC News, 2002-10-23. Retrieved on 2008-03-22.
- ^ a b c "An everyday story of... cancer", The Guardian, 2000-06-25. Retrieved on 2008-03-26.
- ^ "Wedding knees-up in the Square", BBC News, 1999-03-30. Retrieved on 2008-03-26.
- ^ Deborah Orr. "The truth about soap operas", The Independent, 1999-10-15. Retrieved on 2008-03-26.
- ^ Clive Seale (2004). Health and the Media. Blackwell Publishing. ISBN 9781405112444.
- ^ EastEnders books, EastEnders: 20 years in Albert Square by Rupert Smith, ISBN 0-563-52165-1
- ^ Square deal. redpepper.org. Retrieved on 2007-05-27.
- ^ What other medical issues have been raised by soaps?. theanswerbank.co.uk. Retrieved on 2007-05-27.
- ^ "Want a bit of bovver d'ya?", The Sun, 2005-11-17. Retrieved on 2008-03-23.
[edit] External links
- Peggy Mitchell at bbc.co.uk
- Carry On Babs — interview with Barbara Windsor at the Walford Gazette
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