Payolas

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Payolas
Origin Vancouver, BC, Canada
Genre(s) New Wave, Rock
Years active 1978–1988, 2003–present
Label(s) A&M, EMI
Associated acts Rock and Hyde
Website http://www.thepayolas.com
Members
Paul Hyde
Bob Rock
Alex 'A-Train' Boynton
Chris Taylor
Former members
Gary Bourgeois
Harley Kelsey
Barry Muir
Taylor Nelson Little
Christopher Livingston

The Payolas (or Payola$) were part of Vancouver's new wave of bands and active in the Canadian music scene for a decade from the late 1970s. In 2007, they became active again, releasing an EP of new material (Langford Part One) and touring.

The band's name is a reference to the payola scandal in the United States in the early 1960s. The group was based in Vancouver, British Columbia, and recorded mostly at Vancouver's Little Mountain Sound. Through several lineup changes and name changes (the band also played as The Payola$, Paul Hyde and the Payolas and Rock and Hyde), the Payolas core members remained Paul Hyde and Bob Rock, who together wrote virtually all of the band's songs. As well, Rock engineered and mixed virtually every Payolas recording.

Although in the 1980s the Payolas always seemed poised for a big international (that is, U.S.) breakthrough, the band never quite broke out despite their artistic growth and popular success in Canada. Dick Clark refused to let the Payolas appear on American Bandstand unless they changed their name.[citation needed] They were, however, one of the most prominent and successful platinum-selling Canadian bands of the early 1980s.

Contents

[edit] Band history

[edit] Early years (1978–1981)

Vocalist Hyde, a British emigrant, met guitarist Rock (originally from Winnipeg) during high school in Langford, B.C. They joined with drummer Taylor Nelson Little and sax/bass player Gary Middleclass to form a pop-punk band. As the band got started, Bob Rock simultaneously started his career as a recording engineer at Little Mountain Sound Studios in Vancouver, B.C., allowing the Payola$ the time to record their first single, "China Boys" (1979). This single was sold at their gigs and in local music stores. Spotted by A&M Records, the band was given the budget to record four songs, which were issued as Introducing Payola$ in 1980. The major-label EP included a new version of their signature song “China Boys”, early versions of “Jukebox” and “Rose”, and the profanity-laden working class anthem “T.N.T.”

The EP garnered enough attention to warrant a full-length follow up album. The quintet recorded 1981's In a Place Like This (produced by Rock), which was a critical success, but a commercial flop. It included a remake of “Jukebox” — and yet another remake of “China Boys” — as well as more proletarian laments like the title track and “Whiskey Boy”.

[edit] Mick Ronson era (1982–1984)

1982 saw drummer Chris Taylor added to the band lineup, replacing Little. As well, Kelsey left the band and was not replaced. This line-up recorded the Mick Ronson-produced album No Stranger To Danger. Incorporating elements of reggae, pop, punk, and new wave, the LP included a bona fide hit in “Eyes of a Stranger”, which later earned the Juno for best single of the year. Junos were also given to Rock and Hyde for their songwriting, and to the band as a whole for Most Promising Group. Bob Rock’s recording work on the album also won him a Juno, and the LP also featured the moderately successful single “Romance”. Even the non-album B-side “Soldier” was a minor Canadian hit.

Arguably, the band's high-water mark was reached in 1983. That year, the Payolas released Hammer on a Drum (also produced by Ronson, with the Payolas) to great commercial and popular acclaim. The band now consisted of Rock (often doubling on guitar and bass), Hyde, Taylor and new keyboardist Christopher Livingston. The album they created was a little heavier on keyboard-based pop than before, and seamlessly mixed anthems of social conscience (such as the child abuse chronicle “Where Is This Love” and nuclear nightmare “No Prisoners”) with socialite navel gazing, exemplified by “I’ll Find Another” and “Wild West”.

Four notable singles were pulled from the LP: "Where Is This Love?" and "I'll Find Another"; a tongue-in-cheek duet with Carole Pope of Rough Trade called "Never Said I Loved You"; and the downcast "Christmas Is Coming", which has since been anthologized on Christmas releases.

[edit] Compromises, David Foster and "Tears Are Not Enough" (1985)

For the first several years of their existence, the Payolas unsuccessfully tried to break into the U.S. market while dealing with strong radio resistance to their name. Dick Clark refused to let the Payolas appear on American Bandstand unless they changed their name.[citation needed] The Payolas lack of State-side exposure was attributed in some quarters to the possibility that American radio programmers were refusing to play any Payolas music simply because the band's name would remind the public of one of the radio industry's greatest scandals (and its ongoing practices). Therefore, under a certain amount of record company pressure — but also because they legitimately wanted to crack the lucrative U.S. market — the band softened their formerly hard-edged tunes, and in 1985 altered their name to Paul Hyde and the Payolas. In this way, radio DJs could play Payolas music, but simply announce the artist as "Paul Hyde" if they wanted to avoid uttering the dreaded "p" word on-air.

Around this same time, the band hired proven pop hit-maker David Foster as their producer (and occasional co-writer) to help lend polish to their next record. By this point, the band consisted of Hyde, Rock, drummer Chris Taylor and new bassist Alex "A-Train" Boynton. Keyboardist Livingston was no longer an official band member, but was hired to play keys during the album sessions (as was Foster). In spite of (or perhaps because of) the band's compromises, the resulting album, Here's the World for Ya, was an artistic and commercial dud.

Regardless, during the sessions, Foster received a phone call from Quincy Jones asking him to produce and contribute a Canadian all-star recording to the USA for Africa famine relief project. Using a song title supplied by Rock and Hyde, Foster helped assemble an all-star band called Northern Lights to record the #1 Canadian hit "Tears Are Not Enough". Rock and Hyde received co-writer credits on the song (along with Bryan Adams, Foster, Rachel Paiement and Jim Vallance). As well, Hyde is heard as one of 44 vocalists on the song, and Rock was one of the engineers.

[edit] Paul Hyde and the Payolas (1985–1986)

Later in 1985, when Paul Hyde and the Payolas' Here's the World for Ya LP was released, its singles included “You're the Only Love”, “It Must Be Love”, “Stuck in the Rain,” and “Here’s the World”. All these singles did moderately well in Canada, and “You're the Only Love”, actually also charted in the US, scraping into the Hot 100—the first Payolas single to do so.

However, critical reaction to the Here's the World for Ya album was less than enthusiastic, with many feeling that Foster's richly ornamented production style was not a good fit with the Payolas previously punkish energy. As well, the album was not the hit the record company was hoping for, especially considering Foster's previous track record of producing massive international hits for artists such as Chicago, John Parr and Barbra Streisand. Furthermore, the band lost many loyal fans who felt the Payolas had turned their backs on their previously hardcore playing and socially relevant writing. As a consequence of all these factors, within weeks of Here's the World for Ya's release (and relative commercial failure), the band was dropped by A&M.

[edit] Rock and Hyde (1987–1988)

In 1987, the band rebranded themselves as Rock and Hyde (although the core duo was still in fact working with Payolas Taylor and Boynton) and released Under the Volcano on Capitol/EMI. This album's credits included a rather pointed dig at former producer Foster by offering a "very special thanks" to new producer Bruce Fairbairn, who "did the decent thing and let us be ourselves (we can all look in the mirror in the morning now)."

Under the Volcano was critically well-received, and Rock and Hyde had two hits in Canada with “Dirty Water” and “I Will”. “Dirty Water” also charted on the US Hot 100.

A&M tried to piggyback on the duo's EMI success by immediately offering forth a greatest hits package called Between a Rock & a Hyde Place. This compilation included no Rock and Hyde recordings per se, only A&M-era recordings the band had released under the name Payolas (or Paul Hyde and the Payolas).

[edit] Long hiatus (1989–2003)

The duo of Rock and Hyde ceased to be a performing unit at the end of the 1980s, although at the time of Hyde's first solo release (1989's Turtle Island), Hyde was referring to the split simply as a hiatus. However, it took a long time for the hiatus to end; throughout the 1990s and early 2000s, Rock busied himself producing heavy metal bands like Mötley Crüe and Metallica. As well, along with ex-Payola Chris Taylor, he created the shortlived band, Rockhead.

Paul Hyde, meanwhile, pursued an on-again/off-again solo recording career, which included Rock as producer and occasional co-writer, guitarist, bassist and drummer on 2000's Living off the Radar.

Another Payolas compilation was released in 2002 in Universal Music's 20th Century Masters Series. This compilation also featured the Rock and Hyde track "Dirty Water".

[edit] Reunion (2003–present)

Finally, in 2003, Rock and Hyde reteamed for a Vancouver gig. An EP called "Missing Links" was released for a charitible foundation, consisting of previously-unreleased aborted Payolas projects, a couple of which had surfaced earlier, in slightly different productions, on Paul Hyde's solo album Living off the Radar. The following year, they announced they were at long last going into the studio to record a new Payolas release. In 2006, a track called "Bomb" was available at their website, followed by "At the Angel's Feet"; on July 17, 2007, the Payolas released a seven-song EP, Langford Part One. The current Payolas line-up reunites the late 1980s band of Rock, Hyde, drummer Chris Taylor and bassist Alex "A-Train" Boynton — a line-up that, ironically, performed as "Paul Hyde and The Payolas" and as "Rock and Hyde", but prior to this reunion, had never performed as the Payolas.

[edit] Discography

Since the band was most active in the mid-1980s as the change from LPs to CDs was occurring, most of their songs are, as of yet, unavailable on CD. “Eyes of a Stranger” and “Christmas Is Coming” appear on various CD anthologies, usually with an ‘80s, punk and/or holiday theme, such as The Edge of Christmas, on which "Christmas is Coming" appears.

Most album covers

[edit] Singles

Release date Artist Credit Title Chart Positions
Canada RPM 100 US Hot 100 US Mainstream Rock
1979 Payolas "China Boys"
1981 Payolas "Jukebox"
1981 Payolas "I'm Sorry (I Only Did It for the Money)"
1982 Payolas "Eyes of a Stranger" #4 #22
1982 Payolas "Romance"
1982 Payolas "Soldier" #25
1983 Payolas with Carole Pope "Never Said I Loved You" #8
1983 Payolas "Where Is This Love"
1983 Payolas "Christmas Is Coming"/"I'll Find Another (Who Can Do It Right)"
1984 Payolas "Wild West"
1985 Paul Hyde and the Payolas "You're the Only Love" #26 #84 #37
1985 Paul Hyde and the Payolas "Stuck in the Rain" #77
1985 Paul Hyde and the Payolas "Here's the World for Ya" #91
1985 Paul Hyde and the Payolas "It Must Be Love" #94
1987 Rock and Hyde "Dirty Water" #20 #61 #6
1987 Rock and Hyde "I Will" #40
1987 Rock and Hyde "Talk to Me"
2006 Payolas "Bomb"

[edit] EPs and albums

[edit] Compilations

[edit] References

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[edit] External links