P-90
From Wikipedia, the free encyclopedia
P-90 | |
Manufacturer | Gibson |
Period | 1946–1957, reissues since 1968 |
Type | Passive single-coil |
Magnet type | Alnico 3 (early), Alnico 5 (later) |
Output specifications | |
Voltage (RMS), V | ? |
Voltage (peak), V | ? |
Noise, dBV | ? |
Impedance, kΩ | 7.5[1]–8.3[2] |
Current, µA | ? |
Sonic qualities | |
Resonant frequency, Hz | 3.8 kHz (bridge), 4.3 kHz (neck) [3] |
The P-90 is a single coil electric guitar pickup produced by Gibson since 1946. Having a more complex architecture and larger dimensions than Fender's single coils, it is occasionally mistaken for a humbucker. According to the Gibson website, "the lean and mean P-90 offers a stellar combination of high output and biting treble response."
Contents |
[edit] History
P-90 pickups were introduced in 1946 when Gibson resumed guitar production after World War II. They were originally used to replace the "bar" pickup on models such as the ES-150, and by the end of the 1940s it was the standard pickup on all models, including the Les Paul introduced in 1952.
The P-90's reign as the Gibson standard pickup was short-lived, however, as a new design of pickup known as the humbucker (occasionally named PAF) was introduced in 1957, and very quickly took over as the preferred choice for all Gibson models. The P-90 was then used on more budget models such as the ES-330, the Les Paul Junior and Special, and the SG Special, such as those used by Pete Townshend. This trend continued throughout the 1960s and particularly in the early 1970s where the pickup all but disappeared from the entire Gibson range. By the 1970s, single-coil pickups, mini-humbucking pickups and uncovered humbucking pickups began replacing the P-90 pickups on Gibson's budget and lower-end models.
In 1968, however, Gibson re-issued the original, single-cutaway Les Paul - one version of which was a Goldtop with P-90 pickups. In 1972, they produced Limited Edition reissues - the "58 Reissue" - actually based on the '54 Goldtop Les Paul, with a stopbar tailpiece; and the '54 Custom, the Black Beauty, equipped with a P-90 in the bridge and an Alnico 5 pickup at the neck - the total production of these guitars was quite small. In 1974, Gibson put the P-90 pickup in their Les Paul '55, a reissue of the Les Paul Special from that era. It was followed in 1976 by the Les Paul Special Double-cutaway model and in 1978 by the Les Paul Pro Deluxe. Since the 1970s the P-90 pickup has seen some success in various models in the Gibson line, mostly through reissues and custom versions of existing models. Currently it is featured most prominently on the Les Paul Faded Doublecut, and certain models in the "Historic" range.
The P-90 was also marketed by Gibson in the 1970s as the "Laid Back" pickup, as part of a line of "named" pickups.[4].
[edit] Varieties
There are 2 major varieties of P-90 casing:
- Soap bar casing has true rectangular shape and the mounting screws are contained within the coil perimeter, positioned between the pole pieces, between strings 2 and 3 and between strings 4 and 5, thus creating irregular and somewhat unusual pattern. Occasionally they are mistaken for pole pieces, thus sometimes P-90 is erroneously said to have 8 pole pieces. The "soap bar" nickname most probably comes from its predominantly rectangular shape and proportions, and the fact that the first P-90s on the original Gibson Les Paul Model of 1952 were white.
- Dog ear is a casing type with extensions at both sides of pickup that somewhat resemble dog's ears. These are extensions of the predominantly rectangular cover that encompass the outlying mounting screws. Dog-ear P-90 pickups were commonly mounted on Gibson's semi-hollowbody guitars like the ES-330 and occasionally on solid body models like the Les Paul Junior. The same pickups were also available on Epiphone models (since Gibson was building Epiphone guitars in the 1950s) and the design is best remembered for its appearance on the hollow body Epiphone Casino of the mid to late 1960s. All three Beatles bought one and recently, Paul McCartney said, "If I had to choose one electric guitar, it would be this one."
[edit] Sound
Being a single coil design the tone of a P-90 is somewhat brighter and more transparent than a humbucker, though not quite as crisp and snappy as Fender's single coil pickups. The tone therefore shares some of the single coil twang, but having big amounts of midrange and often described as brisk. Popular guitars that use/have the option of using P-90s are the Gibson SG, Gibson Les Paul, and the Epiphone Casino. The Fender Jazzmaster uses a similar pickup with a different single coil design.
All vintage P-90 pickups are hand-wound, thus their physical specifications may vary slightly. In common with many other pickup types, there are two versions of P-90: neck and bridge version. Various sources[who?] generally agree that DC impedance is around 7-8 kΩ for neck pickups and 8-9 kΩ for bridge pickups. Earlier pickups (around 1952) used Alnico 3 magnets, but since 1957 Gibson switched to Alnico 5.
[edit] Modern versions
One drawback of the P-90 pickup is its susceptibility to 50 Hz / 60 Hz cycle "hum" induced in its coil by external magnetic fields. This susceptibility is common to all traditional single-coil pickup designs, and for some players is objectionable enough to make them use humbucking pickups instead. Several manufacturers now make their own versions of P-90 pickup that share the form-factor:
- Seymour Duncan manufactures a stacked single-coil version of the P-90 called the STK-P1 that eliminates the hum while preserving most of the tone of the Gibson's P-90 and SPH90 Phat Cat P90 pickup, a P-90 pickup in standard humbucker-sized casing.
- DiMarzio makes DP210 Tone Zone P90 pickup, essentially a humbucker with high output, ceramic magnets, 4 conductor wiring.
- Gibson makes P-100s, which are stacked P-90s. They reduce the hum but lose some of the characteristics of the single coil P-90. Gibson also offers the "P-94," which is a P-90 type single-coil pickup in a humbucker form factor.
Gibson also makes a new P-90 version called H-90. This version is build into the Gibson Billie Joe Armstrong Signatur Guitar (Les Paul Junior). The special is that the H-90 has two stacked coils but he doesn't lose the characteristics of a P-90, and he has a higher output.
[edit] Notable users
The soapbar or P-90 pickup is known for having a distinct single-coil sound that is fatter and thicker than Fender single coils, thus it is quite popular in progressive rock and psychedelic rock bands. Famous users of P-90s are:
- Johnny Thunders New York Dolls & The Heartbreakers
- Wes Montgomery, influential 1950s jazz guitarist
- Les Paul, inventor and jazz/session guitarist
- David Gilmour - Gibson Les Paul Goldtop for the solo on "Another Brick In The Wall (Part 2)"
- Pete Townshend - Gibson SG, during the The Who's Tommy era
- John Lennon - Epiphone Casino, starting around the recording of The Beatles' Revolver LP and continuing through his early solo career
- George Harrison - Epiphone Casino, bought at the same time as Lennon's
- Paul McCartney Epiphone Casino - guitar solos on The Beatles' "Taxman", "Ticket To Ride" from Help! album, etc.
- Leslie West of Mountain
- Carlos Santana of Santana during the recording of his first three albums
- Neil Young - Gibson Les Paul Gold Top, affectionately referred to as 'Old Black', with one P-90 at the neck, as well as more traditional '50s Gold Tops, used on the recent Greendale and Freedom of Speech tours)
- Robby Krieger of The Doors - Gibson SG with P-90,stolen at the end of Doors era
- Mick Jones of The Clash - Double cutaway Gibson Les Paul Junior with a P-90 at the bridge
- Mike Oldfield of Tubular Bells fame - Gibson SG Junior with P-90 in the neck position, one of them stolen and the other one recently sold. First used on Ommadawn.
- Johnny Thunders of New York Dolls - TV Yellow Les Paul Specials and Juniors, both with P-90s
- Mike McCready - SG Junior with a bridge P-90 for a short while in 1998; since 2005, has began using a Double Cut Les Paul Special with one P-90 in the bridge on Pearl Jam's self-titled album and the corresponding tour
- Tony Iommi - 1965 Gibson SG Special, featured chrome covered P-90 in the bridge and a John Birch Simplux in the neck. Used on first six Black Sabbath albums.
- Richard Thompson - Used a gold top Gibson Les Paul during the recording of Fairport Convention's Liege & Lief album. Now uses a custom "Ferringtoncaster" uses a P-90 in the neck position.
- Tom Scholz of Boston 1968 Gibson Les Paul Goldtop.
- Bob Marley used P-90s, with a wrap around bridge he took off and replaced with a stop type.
- Matt Bellamy of Muse uses P-90s extensively on several of his guitars.
- Dean DeLeo of Stone Temple Pilots used '57 TV Les Paul Special with P-90's prominently on their Purple and Tiny Music albums. The latter album was humbucker-free, recorded exclusively with guitars with single coils and P-90's.
- Rivers Cuomo of Weezer used Double-Cut Gibson Les Paul Juniors with P-90s to record the Blue Album and the Green Album.
- Billie Joe Armstrong of Green Day uses different Vintage Les Paul Juniors (Single Coil), and his own Signature Guitar from Gibson with a special P-90 version, called the H-90
[edit] References
- ^ P-90 pickup specifications, compiled by Axiomatic Music
- ^ Pickups selection page at Slaman Guitars
- ^ Seymour Duncan/Basslines
- ^ Brosnac, Donald (1983). Guitar Electronics for Musicians. Amsco Publications. ISBN 0-7119-0232-1.
- Gibson official website, includes mp3 clips of guitars using P-90 pickups.
- Gibson official website, general history of Gibson guitars.
- Electric guitar pickup analysis results, a massive load of data on various pickup models, obtained in UIUC Physics 498 "Physics of Music" course.
[edit] External links
- P-90 at Harmony Central