Oltos

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Eurystheus hiding in a jar as Herakles brings him the Erymanthian boar. Side A from a red-figure kylix by Oltos, ca. 510 BC, Paris, Louvre (G17).
Eurystheus hiding in a jar as Herakles brings him the Erymanthian boar. Side A from a red-figure kylix by Oltos, ca. 510 BC, Paris, Louvre (G17).
Athena and Enkelados in combat, red-figure plate, Louvre CA 3662.
Athena and Enkelados in combat, red-figure plate, Louvre CA 3662.

Oltos was a Late Archaic Greek vase painter, active in Athens. From the time berween 525 BC and 500 BC, about 150 works by him are known. Two pieces, "bowl F 2264" (Berlin, Antikensammlung) and "bowl RC 6848" (Tarquinia (Museo Nazionale Tarquiniese), are signed by him.

Dionysos, interior image from a bilingual cup (A), Munich, Staatliche Antikensammlungen (Inv. 2593).
Dionysos, interior image from a bilingual cup (A), Munich, Staatliche Antikensammlungen (Inv. 2593).

Oltos began his career in the workshop of the potter Nikosthenes. Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration. His black-figure style was influenced by Psiax and the Antimenes Painter. No pure black-figure works by Oltos are known so far. His tondos usually depict a single figure. They are often full of tension, frequently with differential directions of gaze and movement. Later, he exclusively engaged in red-figure painting, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios.

His drawing style was spacious and elegant, but never reached the depth of detail of his most important contemporary masters. He had a distinctive tendency towards luxurious ornamentation and symmetric compositions. In the middle of his career he concentrated especially on the depiction of mythological scenes. Over time, he worked with several different potters. We know of at least six: Hischylos, most importantly Pamphaios, with whom he created the earliest known stamnos, Tleson, Chelis, and finally Kachrylion, for whom he worked together with Euphronios, as well as Euxitheos.

An innovation introduced by Oltos is found on an amphora at London (British Museum E 259). Here, he depicts a single figure, with no frame or floor line.

[edit] Selected Works

bowl 224
fragment of a kylix AIA B1
  • Basel, Antikensammlung and Sammlung Ludwig
bowl BS 459
bowl F 2263 • bowl F 2264 • phiale F 2310 • bowl F 4220 • bowl F 4221
kylix 13.83 • fragment of a kylix 08.31d • fragment 10.219
fragment of a kylix 1913.14
kylix 1967.115
kylix 56.25.15
kylix E 41 • amphora E 258 • stamnos E 437
kylix 86.AE.276 • kylix 86.AE.277
kylix 1967.BS.II.11
bowl 25 93 • bowl 2618
psykter 1989.281.69
fragment CA 3662 • amphora G 2 • amphora G 3
bowl RC 6848
  • Vatican, Museo Gregoriano Etrusco Vaticano
bowl 498

[edit] Bibliography

  • Joachim Harnecker: Oltos. Untersuchungen zu Themenwahl und Stil eines früh-rotfigurigen Schalenmalers, Lang, Frankfurt a. M. u. a. 1992, ISBN 3-631-43755-2
  • This article was initially translated from the Wikipedia article Oltos, specifically from this version.

[edit] External links

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