Oh, Pretty Woman

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“Oh, Pretty Woman”
Single by Roy Orbison
B-side "Yo Te Amo Maria"
Released August 1964
Label Monument 851
Writer(s) Roy Orbison, Bill Dees
Roy Orbison singles chronology
"It's Over"
(1964)
"Oh, Pretty Woman"
(1964)
"Goodnight"
(1965)

"Oh, Pretty Woman" is a song, released in 1964, which was a worldwide hit for Roy Orbison. Recorded on the Monument Records label in Nashville, Tennessee, it was written by Roy Orbison and Bill Dees. The song reached number one on the Billboard Hot 100.

Orbison posthumously won the 1991 Grammy Award for Best Male Pop Vocal Performance for his live recording of the song on his HBO television special Roy Orbison and Friends, A Black and White Night. In 1999, the song was honored with a Grammy Hall of Fame Award and was named one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone magazine ranked it #222 on their list of the "500 Greatest Songs of All Time."

Contents

[edit] Content

The lyrics tell how the singer watches a pretty woman walk by. He yearns for her and wonders if, as beautiful as she is, she might be lonely like he is. At the last minute, she turns back and joins him.

The title was supposedly inspired by Orbison's wife Claudette interrupting a conversation to announce she was going out; when Orbison asked if she was okay for cash, his friend interjected "A pretty woman never needs any money."

[edit] Lawsuit against 2 Live Crew

Further information: Campbell v. Acuff-Rose Music, Inc.

In 1989, the controversial 2 Live Crew recorded a parody of the Orbison song, using the alternate title "Pretty Woman" for their album Clean As They Wanna Be. The 2 Live Crew sampled the distinctive bassline from the Orbison song, but the romantic lyrics were replaced by talk about a hairy woman and her bald-headed friend and their appeal to the singer, as well as denunciation of a "two-timing woman."

Orbison's publisher, Acuff-Rose Music sued 2 Live Crew on the basis that the fair use doctrine did not permit reuse of their copyrighted material for profit. The case, Campbell v. Acuff-Rose Music, Inc. went all the way to the United States Supreme Court. The Supreme Court decided in 2 Live Crew's favor, greatly expanding the doctrine of fair use and extending its protections to parodies created for profit. It is considered a seminal fair use decision.

[edit] Cover versions and parody

  • It was covered by Al Green in 1972 on his album I'm Still in Love With You.
  • The song was covered by the group Van Halen in their 1982 album Diver Down. The music video (which had the band dress as a samurai, Tarzan, a cowboy, and Napoleon rescuing a captive girl that turns out to be a transvestite) for this version was one of the first banned by MTV, due to its opening sequence, where the captive girl is tied up and fondled against her will by a pair of midgets. This was their first Top 20 hit, peaking at #12 on the Billboard Hot 100.
  • It was covered in ska style in 1986 by the Holy Sisters of the Gaga Dada.
  • Having performed the song in Deutschland sucht den Superstar, Daniel Küblböck recorded the song for his first album Positive Energie.
  • Hong Kong's Samuel Hui covered this song in Cantonese using his comedic lyrics about a woman that looks great from behind until she turned her head and revealed her not so good looking face.
  • Ray Brown, Jr. released a jazz-style version of this song on the album "Stand by Me"

[edit] In feature films

Preceded by
"The House of the Rising Sun" by The Animals
Billboard Hot 100 number one single
"Oh, Pretty Woman" by Roy Orbison

September 26, 1964
Succeeded by
"Do Wah Diddy Diddy" by Manfred Mann
Preceded by
"I'm Into Something Good" by Herman's Hermits
UK number one single
"Oh, Pretty Woman" by Roy Orbison

October 8, 1964 (2 weeks)
Succeeded by
"(There's) Always Something There to Remind Me" by Sandie Shaw
Preceded by
"(There's) Always Something There to Remind Me" by Sandie Shaw
UK number one single
"Oh, Pretty Woman" by Roy Orbison (top again)

November 12, 1964 (1 week)
Succeeded by
"Baby Love" by The Supremes