Of Thee I Sing
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| Of Thee I Sing | |
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| Logo | |
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| Music | George Gershwin |
| Lyrics | Ira Gershwin |
| Book | George S. Kaufman Morrie Ryskind |
| Productions | 1931 Broadway 1952 Broadway revival 1972 U.S. Television 1996 West End concert 2006 Broadway revival |
| Awards | Pulitzer Prize for Drama |
Of Thee I Sing is a musical set in the White House, with a score by George and Ira Gershwin and a book by George S. Kaufman and Morrie Ryskind. It opened on Broadway in 1931 and ran for 441 performances. It was the longest-running Gershwin show during George Gershwin's lifetime, although as an integrated song-and-story production it produced fewer hit songs than many of his other musicals.
It won the Pulitzer Prize for best American play of 1932 (the first musical comedy to win a Pulitzer) - one of the signs that the American musical was coming of age. Brooks Atkinson's review in the New York Times called it "a taut and lethal satire... funnier than the government, and not nearly so dangerous."
Musically, it was the most sophisticated of the Gershwin shows up to then, and it used extensive recitative to further the plot. Its songs advanced the storyline in a way not even tried by Jerome Kern and Oscar Hammerstein II in Show Boat, and in a way that would not be seen again until the days of Rodgers and Hammerstein.
Of Thee I Sing also has a sequel musical entitled Let 'Em Eat Cake.
The musical was revived in May of 2006, as part of the New York City Center Encores! series. It has never been filmed, although a television version was produced in 1972, and a radio version in 1985. Possibly, it was considered too much of a "hot potato" for Hollywood, or perhaps the authors feared that movie executives would alter the show if and when it was filmed. Back in the 1930s, the Marx Brothers had intended to produce a film adaptation of the musical, but they decided to make Duck Soup instead. Many scholars draw parallels between Of Thee I Sing and Duck Soup, even going so far as to suggest that the musical helped provide inspiration for that Marx Brothers classic.
A concert production was mounted by Ian Marshall Fisher's LOST MUSICALS series at the Barbican Centre in London in August 1996. Fisher's series examines the lesser known works of America's finest composer, and as of 2000 has been based at London's Royal Opera House and Sadler's Wells.
[edit] Plot
When John P. Wintergreen runs successfully for President, his campaign platform is love. The results of a staged beauty contest for Miss White House ("sexy" is rhymed with "Mrs. Prexy") are overturned when Wintergreen falls for a simple secretary, who woos him with corn muffins. They settle down to business in the White House at double desks; her "desk," back-to-back with his, is a fully-loaded tea-table. (See gender role.) However, the lovely Diana Devereaux, a Southern belle of French descent who won the contest and was promised the position of "First Lady," comes back with a vengeance when she proclaims that she will be taking legal action. The French ambassador is brought onto the scene with a surprise for Mr. Wintergreen: Diana is the "illegitimate daughter of the illegitimate son of the illegitimate nephew of Napoleon." It looks as if the President will be impeached for breach of promise (the French try to turn the incident into an international scandal), but Mary saves the day when she announces that she is pregnant - no one would dare impeach a President with a pregnant First Lady.
[edit] Score
Many numbers and themes are reused in Let 'Em Eat Cake. They include the Supreme Court Judges' song and the campaign song "Wintergreen for President", which includes parts of folk and patriotic songs such as Sousa's "Stars and Stripes Forever", and "Hail, Hail, the Gang's All Here." (As a trivial aside, the song "Wintergreen for President" has been adopted by the Harvard University Band as a pep song, and is traditionally played at Harvard football games, where it is simply referred to as "Wintergreen.") Also, the music introducing the French and their ambassador includes the opening bars of Gershwin's own "An American in Paris".
[edit] External links
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