O Canto da Cidade (song)

"O Canto da Cidade" (Portuguese for The chant of the town) is an axé song co-written and performed by Brazilian singer Daniela Mercury. It is the title track and main single of her second studio album, which was released in 1992. The song became a huge success in Brazil and it is widely known as one of Mercury's signature songs.

1 Song information
2 Music video
3 Chart performance
4 Legacy
5 Awards
6 References

[edit] Song information

The lyrics of "O Canto da Cidade", which were written by Mercury herself and Tote Gira, are quite simple. They are basically about a girl advising a partner that it is trying to leave her - or a possible love interest, depending on the point of view - that he should stay with her, because she is the "chant" and the "color" of the town they live in.

[edit] Music video

The music video of "O Canto da Cidade" was directed by Patrícia Prata. It begins with Mercury singing the song while she walks through the streets of her native Salvador. As the beat of the song gets faster, Mercury starts to dance. There are also some other scenes of Mercury (wearing a dress similar to the one on the album's cover) and others dancing in yellow, black and white backgrounds.

[edit] Chart performance

"O Canto da Cidade" was released as the first single from the eponymous album in mid 1992. It soon became Mercury's second number-one single in the official Brazilian singles chart. On the year-end chart, it ranked at number three, becoming the best ranked Portuguese language song of that year ^[1]. The song, as well as the album, is widely regarded as responsible for taking both Mercury's career and axé music to mainstream audiences.

[edit] Legacy

"O Canto da Cidade" is remembered for being the number one song in Brazil at the time of Fernando Collor's impeachment process and the subsequent economic crisis. Nelson Motta states, in his book Noites Tropicais, that Mercury and her song were responsible for bringing back some of the country's joy and self-esteem at a time of harsh crisis. At a recent concert in Goiânia, Mercury stated that during the crisis the new generation regained interest in the Brazilian popular music and that her song was, in part, responsible for this.^{[citation needed]}