Nobody's Daughter

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This article contains information about a scheduled or expected future album. The content may change as the album release approaches and more information becomes available.

Nobody's Daughter
Studio album by Courtney Love
Released	TBC 2008
Recorded	2005-present
Genre	Alternative Rock
Length	TBC
Label	Custard Records
Producer	Courtney Love, Linda Perry, Michael Beinhorn
Courtney Love chronology
America's Sweetheart (2004) Nobody's Daughter (2008)

Nobody's Daughter^[1] is the forthcoming second solo album by American rock musician Courtney Love (best known as the lead singer and songwriter of the now-defunct alternative rock band Hole). The album is the follow up to Love's 2004 debut solo album America's Sweetheart and is set to be released in 2008. According to a news report on May 13, 2008, Love has scrapped the album to record completely new material with Micko Larkin of the indie rock band Larrikin Love who disbanded in 2007. This report was later refuted in Love's MySpace blog, using the phrase "...this nonsense about 'scarpping' [sic] an album is total BULLSHIT...". ^[2]

Contents 1 Album information 2 Tracks mentioned 3 Recording process 4 Live comeback 5 Record deal 6 First single rumours, documentary and song leakage 7 Management deal and artwork 8 External links 9 References

[edit] Album information

In September 2005, after violating a legal drug probation, Courtney Love was sentenced to a six-month program in a lock down rehabilitation center, which she was released after one half of the sentenced time and completed the other three months left in house arrest. During the period on the clinic, friend and producer Linda Perry visited Love and supported her by encouraging to write new songs, giving her a Martin acoustic guitar. The musician then borrowed a Panasonic compact cassette recorder and penned eight songs on rehab, among them "My Bedroom Walls", "The Depths of My Despair", "Sad But True" and "How Dirty Girls Get Clean".^[3] She declared about the new guitar-playing and songwriting stint: "My hand-eye coordination was so bad, I didn't even know chords anymore. It was like my fingers were frozen. And I wasn't allowed to make noise (in rehab). So I'd sit there and try to quietly write and struggle. I never thought I would work again. No one is ever going to talk to me. I'm never going to get a record deal. I'm never going to get on stage again. So, I just kept writing. This is a very personal album."^[4]

In November 2005, a few days after Love's release, she dubbed "The Rehab Tapes" demos with Perry and friend musician Billy Corgan. After having returned for the third time to her Nichiren Buddhist practice, Love allegedly started writing a song a day (according to her, the tune "Pacific Coast Highway" was written in a Los Angeles hotel on Christmas Eve, and "Never Go Hungry Again" was penned in the same day she got out of rehab). In a sequel, the trio put together a backup band to Love -- including guitarist Paul Thorn, bassist Paul Ill and drummer Nathan Washington -- and started recording the actual album, with Linda Perry in charge of production and Corgan as a guitarist and arranger. Anthony Rossomando (Dirty Pretty Things) and Ben Gordon (The Dead 60s) are also said to be present on the work as guest musicians.

In a September 2006 interview, Love declared that the album will be mixed in London by Danton Supple, best known for his work with Coldplay, and was predicted to be released in February 2007. However, in January the singer has stated on the news' comments section of her fansite MoonWashedRose.com that she had March 1 as a deadline for the release of the album. Otherwise, the work would only hit the stores in Winter, probably because of record company's issues. Love declared she "can't be a winter release", or else she would "go insane".^[5]

In November, Love listed on the same website the songs that would not make the album: "Wildfire", "The Depths of My Despair", "Sad But True", "Good In Bed" (adding that they really tried to make the latest two work) and "My Bedroom Walls", though the lyrics of this one were used on another. The song "How Dirty Girls Get Clean" (which also was the working title of the album) was reworked and isn't known if it's going to be featured in the release.^[6] Later, she also confessed that she felt the album needed one more song for the work, which apparently had been written in January. On the same comment section above, Courtney describes the tune, which carries the working title of "Can You Make Me Cry", as being influenced by White Stripes, and she would be "fine-toothing" the lyrics and finishing it with Linda Perry on the following days.

In early February, more song information leaked on MoonWashedRose.com's news comments section. According to another post by Love, there are another five songs that could be on the album, named "I See Red", "Too Much Dope", "In My Gutters", "Samantha" and "Honey". Nevertheless, Love later posted that these songs were mostly demos, except "Samantha", which was the last song to be recorded in late March 2007 (over a year after the beginning of the sessions) and is being considered by her to be the first single of the album.

[edit] Tracks mentioned

The album has not been finished and an official track listing has not been announced. However, the following song titles have been mentioned in articles, performed live or put on Courtney Love's official website.

There has also been confirmed by Love herself, that she has recorded double the album in b-sides as well.

• Car Crash¹
• Dirty Girls (C. Love, L. Perry, B. Corgan)¹
• For Once in Your Life (C. Love, L. Perry)¹
• Happy Ending Story (C. Love, L. Perry)¹
• I'll Keep It With Mine (B. Dylan) - "we made this gem recorced once on reel tto reel","i CHANGRD BOBS LYRICS ! ah the sin~ bob has to now clear them!" Quote from Myspace comment
• Last Will And Testament^[7]
• Leading Man
• Letter to God (L. Perry)¹
• Loser Dust¹
• Never Go Hungry Again (C. Love)¹
• Nobody's Daughter (C. Love, L. Perry, N. Washington, P. Ill, P. Thorn)¹
• Pacific Coast Highway¹
• Sad But True
• Samantha (C. Love, L. Perry, B. Corgan)
• Stand Up Motherfucker¹
• Sunset Marquis (C. Love, L. Perry, B. Corgan)

• • ¹ inicates studio demos that have leaked.

[edit] Recording process

Billy Corgan and Linda Perry are the principal personnel involved in the recording of the album; Corgan has helped Love lay down some of the demos at the Village Recorder and assumed the role of guitar player on most of the songs, while Perry co-wrote some of the new tunes and is heading the production. She stated in a May 2006 interview: "my dedication right now is to bring back the queen of rock and roll, and that's Courtney Love... My job now is to make that (Courtney Love) rock and roll record that everybody's gonna love."^[8]

Although she has had support from friends in the progress of the album, Love has clarified that most of the songs are indeed her own work: "Make no mistake, I've written these songs by myself. It's great to have good musicians, but this is me and a guitar."

Love said of 'Stand Up Motherfucker': "There was an incident where my novelist grandmother (author Paula Fox) said in the New York Times (that) she didn't like the way I used language. I reacted to that, and wrote an elegiac sort of song using the word 'motherfucker' in it."^[9] She later declared about the song: "I was listening to a lot of Dylan and I wanted to do a snarling description of a real son of a bitch- someone I loathe - but someone who at the same time I'm totally in love with, but loathe myself for being so."

About the melancholic 'Sunset Marquis', Love stated that it's "self-explanatory. It's about someone who's really, really lost. Two people who are really, really lost who briefly find each other and then burn each other down because they're both just sad damned people and while one gets better the other one stays lost." The tracklist also contains Linda Perry's sequel to 'Beautiful' (recorded by Christina Aguilera): the piano-driven power ballad 'Letter to God', which was later "courtnified" by Love and Perry, recasting it in minor chords and adding what Perry calls "Courtney swagger."

The Dead 60s guitarist Ben Gordon met Love through friends and heard her play some of the new material in the studio. He told NME, "I had an amazing time. I think she's got some really good ideas. The songs sound fresh. Some of it has a (Bob) Dylan quality to it. It's quite raw and more personal". Gordon considered 'Sunset Marquis', named after a Los Angeles hotel, as one of the standout cuts: "It has a really good story in (the lyrics). It sounds like a classic Courtney Love song and feels like it could be a big hit."^[10]

Poptones' boss Alan McGee also said in an interview that "she is in excellent shape. Her state of mind and being is the best that I've seen her in five years. Her Buddhist techniques are keeping her strong mentally and physically. And the songs? The songs are classic. They are acoustic demos but they are the strongest songs that I’ve heard out of Courtney in ages. They are heavy blues numbers... the one that they talked about in The Guardian, ‘How Dirty Girls Get Clean’, is a classic Courtney Love billowy number. And the others are like PJ Harvey, heavy rock blues on acoustic. I was just there as her mate and I’ve got to say that I’m really pleased that she’s got herself sorted."^[11]

Love has stated in a recent blog that her "final producer on this record is very strong as a man and has opinions very strongly- he did Celebrity Skin". This indicates that Love is working with Michael Beinhorn, who produced Hole's Celebrity Skin.

[edit] Live comeback

On May 1, 2006, Love officially returned to stage, playing at the Gay and Lesbian Community Centre benefit at the Henry Fonda Theatre in Los Angeles. With the help of Billy Corgan and Linda Perry, she played two of the new songs in acoustic versions: 'Sunset Marquis' and 'Pacific Coast Highway'.^[12] Video clips of the performance surfaced in November on YouTube.com; 'Sunset Marquis' and small clip of "Pacific Coast Highway",^[13] as well as a rare performance of Fleetwood Mac's classic 'Rhiannon'.^[14]

A week later, Courtney played some of her new demos to NME magazine, and their observations have given fans valuable insight on how the new tracks sound. According to the reporters, "Pacific Coast Highway" is "a glam yet bruising pop ditty that, when treated with enough guitars, will sound gigantic". "Never Go Hungry Again" was described as "a soft country lament that, like most of the new songs, is about survival."

Courtney then treated the reporters to a private acoustic performance of a few more songs in her London hotel room: 'Stand Up Motherfucker', "which sounds better acoustic", 'Good In Bed' and 'How Dirty Girls Get Clean'. NME wrote that 'Stand Up Motherfucker' is "paid of with a killer chorus, boasting the line: 'I never was respectable but at least I was well dressed'." 'Good In Bed' is "based around the cheeky refrain, 'tell me why the evil people are so good in bed'", and "sounds like Love once again having fun." However 'How Dirty Girls Get Clean' is the track which Courtney is proudest, and is "not letting Billy touch because he'll put to many chords on it". NME labelled the track a "hard rocking autobiographical...and 'totally indulgent' tour de force." They wrote that the biggest surprise, though, is "that it's all brilliant."^[15]

Courtney played four songs from her new album at the Los Angeles House of Blues on June 2. 2007. Linda Perry was performing that night and Courtney was introduced as a "special guest". Linda sang back-up for Courtney and played acoustic guitar.^[16]

[edit] Record deal

Love signed Linda Perry's label, Custard Records, for the release, and Universal Music -- company which Hole has been on a legal battle a few years ago for getting out of contract -- may be the worldwide distributor of the album. Love declared "not holding any grudges about it".^[17] Round the same time, some of the new lyrics, like the title-track, 'Letter To God' and 'Sunset Marquis', plus excerpts from 'Sad But True' and 'Stand Up Motherfucker', were released on the Internet. Some of them (plus others, like 'My Bedroom Walls' and 'The Depths of My Despair') are featured n their original handwritten versions on Love's memoir/journal entry-collection hardcover book Dirty Blonde, released in October 2006.

In July, Perry talked again about working with Love in an interview with rock journalist Morley Seaver, from RocknWorld.com. Between great comments about Courtney's lyrics, emotional voice and rock'n'roll power, she revealed that "(...) Working on this record has been just a pleasure. It’s been a slow process because we’ve been really horning in on a vibe. Like the thing I wanted to do with Courtney is create a real cool vibe. There’s some fast songs on there, but the majority of it are kinda mid-tempo, hypnotic type songs, that, you just kinda get lost in her songs and then here’s her voice and all we’re doing musically is kinda creating a cool little landscape, an atmosphere for her to showcase her voice. And then there’ll be the big punky rock song but personally, I wanted to hear on this record with Courtney, who Courtney is at 42. She’s definitely not a stage diver, you know what I mean? She’s not going out play a concert and dive into the audience anymore. So I wanted to make a record with her that gave a little bit of Hole and who Courtney is right now, after the shit she’s been through because what people forgot about with Courtney is the music."^[18]

[edit] First single rumours, documentary and song leakage

On August 6, New York Post gossip column pagesix reported that the title of the album's lead single is 'Letter To God', and Brett Ratner, director of "X-Men: The Last Stand" and friend of Love's, is set to direct the video. However these claims have not been verified by Love, Ratner or Custard Records and should generally be treated as rumours until more information surfaces.

A documentary about the making of the record and Love's post-rehab life improvement, entitled "The Return of Courtney Love", was directed by Will Yapp and aired on British TV network More4 on September 27. Among the songs whose excerpts appeared on the television program, there are 'How Dirty Girls Get Clean', 'Sunset Marquis', 'Letter to God', 'Pacific Coast Highway' and 'Stand Up Motherfucker', between others who remain unidentified.

In the same month, Moby, who was rumoured to be involved in the album's production at early stages, declared to Billboard: "Courtney sent me a CD of demos and I thought the music was remarkably good, It reminded me of Irish protest songs or old Bob Dylan. It was just her with an acoustic guitar."^[19] Besides Dylan, -- mainly the album Blood on the Tracks -- Love has confirmed R.E.M., Radiohead, U2 and Fleetwood Mac as influences on the album.

In October 2006, during an interview for Rolling Stone's site concerning Dirty Blonde, the singer played an impromptu and "raspy, absurdly awesome" version of the track "Never Go Hungry Again". The comments were pleasant: "This proud confessional combines simple folk-rock soundcraft with the guttural scream and lyrical fire of a never-to-be-retired riot grrrl (...) It's 1994 all over again. Damn."^[20] In early November, a rough recording of the song, which Love has written by herself, was released to the Internet from a podcast interview for The Times.^[21]

In late November, Love exclusively played two separate clips of "Pacific Coast Highway" from the unmixed album on BBC Radio 4's Women's Hour and Russell Brand's Radio Show. Recently, Love's fansite MoonWashedRose.com posted a rather polished clip of "Pacific Coast Highway" on its website.

Love recently appeared on Russell Brand's Radio Show and sang an acoustic version of "Sunset Marquis".

On an epsiode of Myspace's Secret Show's Courtney revealed a live version of the title track,"Samantha" and "For Once In Your Life".

[edit] Management deal and artwork

By the end of January 2007, Love signed with The Firm, notorious Californian management company, for representing her on the sale of the upcoming album. Press comments on previews of the album are rather positive, rating it as a potential masterpiece and even comparing the work to Marianne Faithfull's Broken English, Patti Smith's Horses and The Eagles' Hotel California.^[22]

It was rumored that David LaChapelle would do the artwork for the album, but in an Oct. 3rd, 2007 blog on her myspace, Love stated that her stylist Panos Yiapanis had shot the cover of "Nobody's Daughter". It is not known whether Panos has shot the cover or has just styled the shoot, as he has not been known to photograph.

[edit] External links

• Official Courtney Love Site
• Official Courtney Love MySpace

[edit] References

v • d • e Courtney Love Albums America's Sweetheart · Nobody's Daughter Singles "Mono" · "Hold on to Me" See also Discography · Hole · Faith No More