Nitzer Ebb

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Nitzer Ebb
Origin	Essex, England, UK
Genre(s)	Industrial EBM
Years active	1982–present
Label(s)	Mute Records Geffen Records (US)
Members
Douglas McCarthy Bon Harris Jason Payne (live)
Former members
David Gooday Namen Duc Nhan Julian Beeston David Lovering (live) Kourtney Klein (live)
Notable instrument(s)
Synthesizer Drum machine

Nitzer Ebb (pronounced night-zer or nit-zer—the band pronounces it both ways) is a British music group formed in 1982 by Essex schoolfriends Douglas McCarthy (vocals, synthesizer), Vaughan (Bon) Harris (synthesizers, drums), and David Gooday.

[edit] Beginnings—Basic Pain Procedure (1983)

Nitzer Ebb began when Douglas McCarthy met Bon Harris. They shared an interest in witchcraft, talking to trees, and collecting rune stones in Chelmsford and Little Baddow, England, UK. They found inspiration in the punk ethos of bands such as DAF, Killing Joke, and Bauhaus. In August 1983, the group recorded its first demo tape, Basic Pain Procedure. This rare demo tape included eight songs. (“Faded Smiles,” “Tradition,” “The Home,” “Star,” “The Pass,” “The Book,” “Crane,” “Trust Ran in Colours”) The trio began with shows in small local venues, but its arresting stage presence, military-like image, and energy garnered a growing base of followers and soon led to appearances in larger clubs and concert venues. Combining the energy of punk with the electronic pulse of DAF, it released its debut single "Isn't It Funny How Your Body Works" on 7 January, 1985 on its own label, Power Of Voice Communications, and its music soon became a fixture on the club scene. A double-A-sided single, "Warsaw Ghetto"/"So Bright So Strong," followed in 1985 to similar critical and dance floor acclaim. Two further releases, "Let Your Body Learn"/"Get Clean" and "Murderous" were released on Power of Voice Communications before it signed with Mute Records. The band’s recordings were licensed to Geffen Records in the United States, which kept the band on its roster when that label switched distributors from Warner Bros. Records to MCA Records.

[edit] That Total Age (1987)

In May 1987, it released its debut album on Mute Records (Geffen/Warner Bros. in the US), That Total Age, which spawned a hit with the pounding bass rhythms and barked vocals of "Join in the Chant" and "Let Your Body Learn." Both tracks found favour with the Euro club scene and the nascent Balearic Beat movement. The band was asked to be the opening act for the European leg of labelmates' Depeche Mode's Music for the Masses tour.

[edit] Belief (1989)

In 1988, Doug and Bon set out to record the perfect electronic album, resulting in the group’s second album, Belief. Preceded by the classic club track “Control, I'm Here,” that album was released in 1989 and was co-produced by Flood (Depeche Mode, U2), who went on to produce their next 3 albums and remix other tracks. The band was now down to a core duo of Harris and McCarthy, with Julian Beeston on drumming duty. Two further singles “Hearts & Minds” and “Shame” were released in 1989 with extraordinary remixes from Daniel Miller and William Orbit.

[edit] Showtime/As Is/Ebbhead (1990-1991)

Showtime, released in 1990, showed the band moving away from 4/4, 130-bpm stomping dance tracks and explored other musical forms—jazz, rock, blues—while still sounding like itself. The first single, "Lightning Man," became a dance floor anthem with its jazzy clarinet figure and Doug's menacing vocals. The song is generally recognized as experimental and pushed the boundaries of industrial music at the time. Nitzer Ebb had also found favour with labelmates and international pop heavyweights Depeche Mode, with the band asking them again to support them, this time on the World Violation Tour in the US. Depeche Mode was frequently seen sporting Nitzer Ebb T-shirts around this period, most notably in its Enjoy the Silence video.

[edit] (1991)

Exposure to large stadium crowds and the intensity of the whole rock and roll business provided a stimulus for the group to start to develop a more rock-oriented sound to its razor-sharp electronic dance music, and 1991's As Is EP (produced by Killing Joke's Jaz Coleman, Flood, Depeche Mode's Alan Wilder, and Barry Adamson) saw the band adopt a more traditional song writing approach, and paved the way for the aforementioned Ebbhead.

Ebbhead was released in September 1991 and showcased a new confidence in the band's songwriting and production (ably assisted by Flood and Alan Wilder), while the single I Give to You was a sweeping orchestral introduction to the band's new grand ideas. Two further singles, “Godhead” and “Ascend” combined sampled guitar riffs, throbbing analogue synths, and anthemic choruses. A hugely successful world tour from Autumn 1991 to Summer 1992 spanning the US, Europe, and Russia hinted that the band could potentially break into the mainstream and become a bona fide crossover act.

[edit] Big Hit (1995)

The momentum, progress, and optimism built up around Ebbhead was slowly eroded by the band's (very expensive) three years recording the follow up album,Big Hit (drummers were sacked, producers changed, etc.). During this period, a schism between Harris and McCarthy began to develop, and the writing was on the wall. The band took far too long, and then failed to deliver the album required to elevate them to the level that was promised.

The subsequent world tour saw a new live set-up with Harris on bass, McCarthy on guitar, Jason Payne on drums, and John Napier on guitar and percussion. While still an energetic and involving live act, the shows didn't seem to benefit from either real instruments or more musicians on stage, and the arresting visual dynamics of past tours were compromised in favour of a traditional set up. The Nitzer Ebb machine ground to a halt toward the end of the Big Hit tour (final dates were advertised then canceled). Although the group never officially split, Mccarthy and Harris both went their separate ways. However, the door was effectively left open for Harris and McCarthy to reactivate the band in the future if their differences could be resolved.

[edit] Recent years

Having quietly split, the band's back catalogue began to appear in DJ sets and mix compilations, and its name would appear in interviews with house and techno producers (which only served to highlight their enduring influence). In recognition of this development, NovaMute released a remix series with three 12-inch singles between 2001 and 2004—“Shame”/“Join in the Chant,” “Control, I'm Here”/“Let Your Body Learn,” and “Murderous”/Control, I'm Here.” The remix of “Let Your Body Learn” was particularly fruitful as it was given a radical overhaul by French techno producer Terence Fixmer, which led first to a friendship and then developed into a recording project between Fixmer and Douglas McCarthy, called simply Fixmer/McCarthy. Live performances (with just a mike and a Macintosh) around the world followed, which included new versions of Nitzer Ebb songs. This also led to an album released as Fixmer/McCarthy, titled Between the Devil....

In late 2005, it was announced that McCarthy and Harris (now residing in the US, and producing and engineering Marilyn Manson and Billy Corgan) had begun to talk about the possibility of a Nitzer Ebb reunion. The band toured during 2006, which enlisted the services of drummer Kourtney Klein and focused on the more electronic phase of its career, with Mute Records finally releasing the 2 CD set Body of Work 1984-1997 in June 2006. A companion piece Body Rework, featuring remixes from cutting edge contemporary techno artists such as Motor, Black Strobe, the Hacker, Derrick May, and Robag Wruhme, further highlighted the interest and respect still shown for this groundbreaking, unique, and highly original electronic outfit.

Capitalizing on the success of the 2006 world tour, Nitzer Ebb began work on new material in Los Angeles early in 2007, with a retrospective documentary still in the pipeline. During 2007, Nitzer Ebb continued its trend of replacing drummers as Kourtney Klein left the band to be replaced by onetime cohort Jason Payne. A first track, "Once you see," with Depeche Mode songwriter Martin Lee Gore on backing vocals was played in June 2007 by Dave Clarke in his White Noise show on VPRO's 3 Voor 12^[1]. This track along with "Payroll" were debuted live as Nitzer Ebb played a handful of shows and festivals during 2007, but it remains to be seen whether the band can recapture the innovation and aggression of its early days and take on board the advances in production made by contemporary techno acts influenced by Nitzer Ebb.

McCarthy and Harris have joined up with Jason Payne (who played drums on the 1995 Nitzer Ebb album "Big Hit") to finish up the first new Nitzer Ebb record in over a decade. The band also enlisted producer Flood^[2].

[edit] Influences and legacy

Sonically, Nitzer Ebb evoked the sequenced teutonic basslines and barked commands of Virgin-era DAF in its early days, and took the energy of alternative punk rock of bands like Killing Joke and Bauhaus to create a new aesthetic. As they grew in confidence and ability, they began to develop the Nitzer Ebb sound—a blend of unusual analogue trickery, minimal song structure, heavy drum beats and percussion, and Douglas Mccarthy's soulful vocals—either shouted, sung, or spoken. Its sound was captured perfectly in one of the band’s publicity slogans from 1987—"International Funk Aggression"—despite being hard and heavy, its tracks were always very danceable.

Nitzer Ebb was seen as a totality comprising music, art and culture, manifesting itself as a Nitzer Ebb Produkt (an homage to the band Kraftwerk), which saw all adverts, flyers, record sleeves, letterheads, T-shirts, and other objects all sharing a collective identity that was heavily influenced by Russian Constructivist art, Italian Futurism, totalitarian imagery, and Expressionism. Long-time collaborator Simon Grainger was an unofficial member of Nitzer Ebb and responsible for the austere look and feel of this visual aspect of the band, which aimed to provoke reaction, to critique, and even to poke fun at such stern stark powerful imagery. It also refelected perfectly the uncompromising style of the music.

In the short-term, Nitzer Ebb had a clear influence on labelmates Depeche Mode, with both bands sharing a producer in Flood and (by virtue of his studio role) Alan Wilder, which saw a cross pollination of ideas—a harder edge given to one band and a pop sensibility brought to the other (compare the intros of Halo and Lightning Man).

Nitzer Ebb was a large influence on Detroit Techno: Derrick May publicly acknowledged this fact before the band opened 2007’s Detroit annual electronic music festival. A diverse range of DJs and producers, from Richie Hawtin to Tiga, have also acknowledged the influence that Nitzer Ebb has had on their careers. Indeeed, the group’s tracks (usually in their original form) are still heard across the world's more discerning dance floors, and have been consistently listed in a wide range of DJ's Top 10s throughout the 2007 in the dance music magazine, Mixmag.

[edit] Other Projects

In 1989, Nitzer Ebb collaborated with Die Krupps on an updating of its classic “Wahre Arbeit Wahrer Lohn” single on the Machineries of Joy EP. Having worked with Alan Wilder on 1991's Ebbhead, Douglas Mccarthy returned the favour, appearing on Recoil's 1992 album Bloodline, on the electronic reworking of Faith Healer, the Alex Harvey classic. Mccarthy also appeared on Recoil's Unsound Methods album in 1997, providing vocals for the tracks "Incubus" and "Stalker."

Mccarthy appeared with Empirion at 1997's Tribal Gathering (a performance that was broadcast on BBC Radio 1) before embarking on a new career in video production. Since working with Terence Fixmer he has lent his unique vocals to collaborations with Motor, Kloq, Warren Suicide, Client, and Die Krupps on another reworking of “Wahre Arbeit Wahrer Lohn.”

Bon Harris began the Maven project in 2001 in Los Angeles, California, and has worked with Marilyn Manson, Smashing Pumpkins/Billy Corgan, Bush, and Depeche Mode. In 2006, Maven released "Mary" as a 3-song digital bundle including the songs "Candidate" and "Silverbirds." Three additional songs were released via its Myspace player: "In Still Love," "Hard on for Love" (a cover version of Nick Cave and the Bad Seeds featuring Marilyn Manson), and "Jesus, Mary, and Jennifer Louise." The current status of the Maven project is unknown.

[edit] Discography

[edit] Albums

That Total Age (1987)
Belief (1989)
Showtime (1990)
Ebbhead (1991)
Big Hit (1995)
Body Rework (2006)

[edit] EPs

Isn't It Funny How Your Body Works (1984)
As Is (1991)

[edit] Compilations

So Bright So Strong (1988)
Body of Work (2006)

[edit] Soundtracks

Saw IV "Payroll (John O Mix)" (2007)

[edit] Singles

Year	Song	US Dance	US Modern Rock
1985	"Isn't It Funny How Your Body Works"	-	-
1985	"Warsaw Ghetto"	-	-
1985	"So Bright, So Strong"	-	-
1986	"Get Clean"	-	-
1986	"Murderous"	-	-
1987	"Let Your Body Learn"	-	-
1987	"Join In The Chant"	9	-
1988	"Control I'm Here"	14	25
1989	"Hearts And Minds"	16	-
1989	"Shame"	-	-
1989	"The Machineries Of Joy" (Die Krupps with Nitzer Ebb)	25	-
1990	"Lightning Man"	14	28
1990	"Fun To Be Had"	5	-
1990	"Getting Closer"	-	-
1991	"Family Man"	-	-
1991	"I Give To You"	-	-
1991	"Godhead"	-	-
1992	"Ascend"	-	-
1995	"Kick It"	-	-
1995	"I Thought"	-	-
1995	"Cherry Blossom"	-	-

[edit] B-sides and non-album tracks

Song	A-side	Year
"The Way You Live"	"Isn't It Funny How Your Body Works"	1985
"Crane"	"Isn't It Funny How Your Body Works"	1985
"Cold War"	"Isn't It Funny How Your Body Works"	1985
"So Bright, So Strong"	"Warsaw Ghetto"	1985
"Get Clean"	"Let Your Body Learn"	1986
"K.I.A."	"Control Im Here"	1988
"Time Slips By"	"Hearts and Minds"	1989
"Backlash"	"Shame"	1989
"Who We Are"	"Lightning Man"	1990
"Out of Mind"	"Fun to Be Had"	1990
"Taken From Me (Servant Mix)"	"Fun to Be Had"	1990
"Lovesick"	'As Is' ep	1991
"Come Alive"	'As Is' ep	1991
"Higher"	'As Is' ep	1991
"Stray Cat Blues"	"I Give to You"	1991
"Skintight"	"Kick It"	1995
"Dead & Gone"	"Kick It"	1995
"Friend (Brittle Mix)"	"I Thought"	1995
"Beats Me"	"I Thought"	1995
"Payroll (John O Mix)"	'Saw IV' Soundtrack	2007

[edit] Music videos

Murderous (1987)
Let Your Body Learn (1987)
Control I'm Here (1988)
Hearts and Minds (1989)
Shame (1989)
The Machineries Of Joy (1989)
Lightning Man (1990)
Fun To Be Had (1990)
Family Man (1991)
I Give To You (1991)
Godhead (1992)
Ascend (1992)
Kick It (1995)
I Thought (1995)

[edit] Tributes

Muscle and Hate - Nilaihah Records, (2005)

[edit] References

[edit] External links