Niko Pirosmanashvili

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Niko Pirosmanashvili also known as Niko Pirosmani (Georgian: ნიკო ფიროსმანაშვილი; May 5, 1862-1918) is a late 19th-early 20th century Georgian primitivist painter. His paintings are often of animals, people dining, and people serving food. His artwork is not well known outside Russia or Georgia. Pirosmanashvili is also known in Russia for a romantic encounter with a French actress who visited his town; Pirosmanashvili was deeply in love with her, and to demonstrate it, bought her enough flowers to fill the square in front of her hotel window (allegedly driving himself bankrupt). The story became famous when it was recounted in a poem by Andrei Voznesensky, and later into a hit song by Alla Pugacheva, Million of Red Roses.

[edit] Biography

Pirosmani was born in the Georgian village of Mirzaani to a peasant family in the Kakheti province. His family has a small vineyards He was later orphaned and put in the care of his two elder sisters. He move with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. He gradually learned painting. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 He co-founded a dairy farm in Tbilisi which he left in 1901. In 1918 he died of malnutrition and liver failure. He was buried at the Nino cemetery and the exact location is unknown because it was not registered.

Pirosmani was the subject of a film by Giorgi Shengelaya, made in 1969, that won the Grand Prix at the Chicago Film Festival in 1972.

Director Sergei Parajanov shot a short film entitled "Arabesques on the Pirosmani Theme."

A bilingual (Turkish and Georgian) journal, called Pirosmani [1] is published in Istanbul for three months.

[edit] External links

• Biography and Works of Pirosmani
• Biography
• Olga's Gallery: Niko Pirosmani
• Biography and Works of Pirosmani

Discovering Pirosmani.

The 19th century was coming to its end, that was the period of important political events as well as the period of flourishing of Georgian culture, many famous and talented people were working at that time, such as writers and poets Ilia Chavchavadze - who was murdered for his prominent political views, Akaki Tsereteli, Vaja Pshavela - poet and writer in love with the nature, Iakob Gogebashvili - who wrote the first manual book of Georgian language - "Ai Ia". And many others. At that time Georgia was under Russian rule, and all these prominent people were reflecting this hardship in their masterpieces.

The beginning of 20th century. Niko year after year is working in Dukhans. He lives in the little apartment not far from train station. All little enterprises in this neighborhood is filled with his paintings. They pictured Georgia, its beautiful land and sky, Georgian people, their everyday life. Also there are scenes from the past of Georgia, wonderful queen Tamara, brilliant Shota (12 century great poet), Heros and Heroines - real people, but by their deeds talked about like a saint.

He pictures kings and peasants, town and country, parties and prayers, dancers and singers, people and animals.

People were seeing these pictures, they were liked and prised, they were talked about. Michael le-Dantiu, Ilia Zhdanevich and his brother wrote about them in his memoirs. They also wrote that painter himself was very poor and struggled every day to earn living, as well as the materials for his art.

All kinds of people tried to interfere in his work, these were his clients - Dukhan-owners, thinking that they know better what he should paint, who usually payed him only with food, while he was working in their dukhans. Zhdanevich wrote about Pirosmani letter to editors of a newspaper "Zakavkazskaia Rech'", and they published it in February 13, 1913. He also promised to take his paintings: portrait of himself and Roe to Moscow, and make society aware of such a great painter. Moscow newspaper "Moskovskaia Gazeta" of January 7, wrote about exhibition "Mishen'" where self educated painters had their artworks, among them Niko Pirosmanashvili was presented with his 4 paintings: "Zhdanevich's Portrait", "Still Life", "Woman with the Beer Mug", and "The Roe". And critics which were published later in the same newspaper were impressed with his talent.

Seemed like the ice is broken, and Pirosmani is discovered. People showed some interest to him and his work. But nobody actually helped him, he kept living in poverty, among impudent and irritating dukhan-owners and arrogant clientele. Niko and Georgian society.

First article about Niko Pirosmani and his art was published in Georgian newspaper "Temi" as early as 1913, but Georgian society still knew very little about him.

First who showed interest in artist's fate among Georgians was Dito Shevardnadze. He arrived in Georgia in 1916, and he immediately noticed paintings which were decorating dukhans nearby Tbilisi rail station. At that year he had an idea to make a connection between all Georgian artists and for that reason found the society. He created list of artists, and among them was Niko Pirosmani too, he was granted the title - "national artist".

The first meeting of that society took place in March 1916, and in papers about that meeting is some notes about Niko: "Issue about finding and buying paintings by Niko Pirosmani, finding out his address and information about him. The chair thinks it is important to be serious about his artworks, there is need to find them and to get them. Since the Society doesn't have sufficient funds, it should address Georgian Historical-Ethnographical Society, and seek it's help, ask them to get these paintings because they are national treasures. The goal of Society is to help find and get those paintings and organize their exhibition.

Society should find out where is Niko Pirosmani, whether he is alive, or need some help. Some work should be done to find out his biographical information. All these work should be done by specially created committee. Members of that committee are Lado Gudiashvili, Ioseb Gogolashvili, Mose Toidze and Gigo Zaziashvili".

It is obvious that Georgian public didn't' know at that time whereabouts of Niko Pirosmani. After some time Mose Toidze and Gigo Zaziashvili found him in May 24. And this was published in newspaper "Narodnyi Listok". They invited Niko on next meeting of the society of painters.

After meeting was over Niko met Shevardnadze, talked to him and was very happy that they showed interest to his art and himself. They gave him 10 rubles and made his picture. He bought painting material with that money and painted on very big canvas "Utsindeli sakartvelos kortsili" - Wedding in Georgia of the past times. He presented this painting to the Society.

Seemed like things are going well and he would get some help. But the month didn't even pass and in newspaper some G.Z. (Gigo Zaziashvili) published cartoon: very old man with palette in his one hand is painting a Giraffe. Next to him is standing Grigol Robakidze (modern writer) who is saying - "You must learn, brother! Man of your age can still crate a lot... after some 10-20 years you will grow to be a good painter... And then we will send you on young artists exhibition..."

This was very painful for Niko. After that he stopped all his contacts with that Society. The bridge between Niko and rest of Georgian painters was broken. He was left again among dukhan people. The First World War started at that time, so situation got worse, there was no clientele, and he was weak because of poor health. He lived near Malakan Bazaar under the stairs room, but after some time, because he couldn't pay the owner throwed him out. Niko knew that the basement of that house was empty and used to go there after dark. But once, in the end of winter he went down there being already sick, and couldn't get up in the morning. After couple days one of the neighbors found him there unconscious, he called help and Ilia Mgaloblishvili put him in the hospital, but it was already late, he died after few hours. This was 1918, night before Easter.