Nijinsky (film)
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Nijinsky is a 1980 American biographical film directed by Herbert Ross. Hugh Wheeler, whose screenplay centers on the later life and career of Vaslav Nijinsky, used the legendary dancer's personal diaries and his wife's 1933 book Life of Nijinsky as his primary source materials.
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[edit] Synopsis
The film suggests Nijinsky was driven into madness by both his consuming ambition and self-enforced heterosexuality, the latter prompted by his romantic involvement with Romola de Pulszky, a society girl who joins impresario Sergei Diaghilev's Ballets Russes specifically to seduce Nijinsky. After a series of misunderstandings with Diaghilev, who is both his domineering mentor and possessive lover, Nijinsky succumbs to Romola's charms and marries her, after which his gradual decline from artistic moodiness to complete lunacy begins.
[edit] Production notes
This was Herbert Ross' second film to focus on the world of ballet, following The Turning Point in 1977.
The Los Angeles Philharmonic Orchestra and the London Festival Ballet were featured in the dance sequences. David Hersey of the National Film Theatre in London designed the theatrical lighting in these scenes.
The film grossed only $1,047,454 in the United States [1]
[edit] Principal cast
- George de la Peña ..... Vaslav Nijinsky
- Alan Bates ..... Sergei Diaghilev
- Leslie Browne ..... Romola de Pulsky
- Alan Badel ..... Baron de Gunzburg
- Carla Fracci ..... Tamara Karsavina
- Colin Blakely ..... Vassili
- Ronald Pickup ..... Igor Stravinsky
- Ronald Lacey ..... Leon Bakst
- Vernon Dobtcheff ..... Sergei Grigoriev
- Jeremy Irons ..... Mikhail Fokine
- Frederick Jaeger ..... Gabriel Astruc
- Anton Dolin ..... Maestro Cecchetti
- Janet Suzman ..... Emilia Marcus
- Hetty Baynes ..... Magda
- Siân Phillips ..... Lady Ripon
[edit] Principal production credits
- Producers ..... Harry Saltzman, Nora Kaye
- Musical Conductor ..... John Lanchbery
- Cinematography ..... Douglas Slocombe
- Production Design ..... John Blezard
- Art Direction ..... George Richardson
- Costume Design ..... Alan Barrett
[edit] Soundtrack
- Le Spectre de la Rose by Carl Maria von Weber
- Scheherazade by Nikolai Rimsky-Korsakov
- L'Après-midi d'un faune by Claude Debussy
- Jeux by Claude Debussy
- Carnaval by Robert Schumann
- The Rite of Spring by Igor Stravinsky
- Prince Igor by Alexander Borodin
[edit] Critical reception
In his review in Time, Richard Schickel opined, "Some people will be titillated by the openness with which homosexual love is portrayed in the film. But this is mostly a slow, cautious biography, elegantly attentive to Edwardian decor and dress. It slights Nijinsky's melodramatic story and, finally, offends with its relentless reductionism. There are times when excesses of good taste become a kind of bad taste, a falsification of a subject's spirit and milieu. This is never more true than when the troubles of a genius are presented in boring and conventional terms." [2]
Time Out London calls it "the best gay weepie since Death in Venice . . . the first major studio film to centre on a male homosexual relationship (albeit a doomed one) without being moralistic . . . director Ross and writer Hugh Wheeler . . . do right by their male characters (Alan Bates, in particular, is a plausibly adult Diaghilev), their grasp of the historical reconstructions seems more than competent, and their dialogue and exposition are unusually adroit. Best of all, they never show ballet for its own sake, and have the courage to keep emotional dynamics in the forefront throughout." [3]
Channel 4 says, "What could have been a powerful period drama quickly descends into soap opera territory . . . but it's always watchable, and director Ross . . . laces the action with some well-choregraphed dance." [4]
[edit] References
[edit] External link
Nijinsky at the Internet Movie Database
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