Talk:New Sincerity

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Tyrenius 23:17, 8 April 2007 (UTC)

[edit] Sincere or

Some one should say something about "the sound of young america"


After doing an essay on this term and the movement itself, the earliest example I can find of it's use is in a 1999 issue of Film Comment magazine refering to Wes Anderson's 'Rushmore'. If anyone knows of an earlier use of the phrase please speak up!

Here: “If I Can Dream: The Everlasting Boyhoods of Wes Anderson” by Mark Olsen, January 1999, Film Comment Magazine

These pages may also be of use:

“The O Factor” by Field Maloney, 2005 Location: http://www.slate.com/id/2123292

“Sincere or Insincere?” by Virginia M. Heatter, 2005 Link dead, this is the article

Sincere or Insincere?

Talk about the New Sincerity is all the rage in blogland these days. Small wonder then that Seth and I found ourselves discussing the matter over brunch this morning--or that now we've retreated to our separate computers to parse our thoughts in--what else?--writing.

I can't speak to the burgeoning(?) quasi-(?) destined to fail/succeed(?) movement as a whole, because I haven't kept on top of all the conversations. The mega-doses of irony in Joe Massey's manifestos, for instance, make my eyes glaze over and my head spin. I can, however, speak to what sincerity as a concept means to me, and why I am a fan.

First, some bullet-points on what sincerity, in my view, is and is not:

Sincerity is always emotionally honest, though it may play fast-and-loose with every other kind of truth. Sincerity is full of personality. That is, the human quotient always makes itself more palpably felt than the theoretical one. Even in poems whose primary subject is an Idea, one feels there is a flesh-and-blood consciousness at its core. Sincerity shuns sterility, and insofar as it is authentic, it cannot help but reveal the individual personality of its persona(s), character(s), and/or writer. Sincerity is not a catalog of suffering, written in the confessional style. No one wholly suffers, or if they do they owe it to themselves to seek help and try to heal. Life is as much about joy as it is about pain, and any poetics which deliberately excises the finer half of the human experience for the sake of art cannot properly be termed sincere. Sincerity understands the difference between joy and happiness and contentment and does not try to amplify cooler emotions for the sake of turning them into art. In other words, there are a very few things which actually make the heart leap, and the sincere writer will avoid turning mild gladness into an instance of the sublime. (Though this one may spark WWIII here at home) Sincerity does not employ myth unless Myth is itself the subject of the poem. Put another way, a sincere writer does not substitute heroes, gods, saints, or other archetypes in order to avoid looking directly at the people, emotions, or ideas they represent. Sincerity risks awkwardness rather than covering its ass with "I was only joking." Aside from the fact that my ribs are little sore from all the wink-wink, nudge-nudge, sincerity appeals to me because there is a glut of insincerity in the general culture. Politicians abuse language every day through the use of irony in its purest, dictionary sense--i.e. "The use of words to express something different from and often opposite to their literal meaning." Hollywood produces a celluloid world which bears little resemblance to real one. Television producers fabricate extraordinary environments, hand-select participants, then splice together dramatic moments, and call it "Reality TV." Magazines--even and especially women's magazines--proffer an idea of sex which is based on the fantasies of heterosexual, fourteen year-old boys. Advertisers...well, you get the point. All of which leaves me craving a little unguarded sincerity.

I may add to this list as new definitions occur to me, or I may not. Either way, I do think something in the notion of a New Sincerity, even if it began as a joke between friends, expresses a feeling in the air that irony, as a dominant feature of anything, may be long overdue for a hiatus.

Posted by Ginger Heatter at 02:17 PM

All good and well, but the main article is getting away from citeable references (if it ever was). In fact, the most recent addition (22:03, 5 April 2007) reads like a lengthy stretch of original speculation (not a good idea), and the article's going to be deleted if that's the direction it's heading in, plain and simple. --Enwilson 04:20, 12 April 2007 (UTC)
No kidding--the latest addition is even further in this direction. At what point should the plug get pulled? --ND 01:02, 20 April 2007 (UTC)
I agree. I reverted it and the user reverted it back. I don't do edit wars, so I've posted below to get a response. Tyrenius 01:08, 20 April 2007 (UTC)
Hope I didn't overstep my bounds, but I did a rearrangement of the article tonight. It doesn't address the content issues (no edits past the Gen Y one), but hopefully it organizes the sprawl better. --Enwilson 05:28, 1 May 2007 (UTC)

[edit] Policy

If you want this article to stay it has to meet WP:N per WP:V, WP:NOR and WP:NPOV. Tyrenius 23:14, 8 April 2007 (UTC)

Please explain the reinstatement of this edit [1] as it has not verifiable reliable sources to back it and material without them can be removed by any editor. Tyrenius 00:35, 20 April 2007 (UTC)

Why does this site not mention the main use of the term new Sincerity, as coined by Jim Collins in realtion to post-modern genre theory?! It is certainly NOT a post 9/11 term, having been in use since at least the mid 1990s! This page is hugely misleading! 128.250.6.243 07:21, 1 November 2007 (UTC)boshno

[edit] Gen Y?

The most recent addition (19:06, 23 April 2007, JeffreyAtW)just muddies things further. No other place in the article even mentions the Gen Ys, and the quotes aren't "criticism" of any form of New Sincerity. I'm deleting it and requesting that if the contributor reinstates it, he includes material addressing the relevance to the topic. --Enwilson 04:55, 1 May 2007 (UTC)

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