New Beverly Cinema
From Wikipedia, the free encyclopedia
The New Beverly Cinema is an historic movie theater located in Los Angeles, California, United States. Housed in a theater which dates to the 1920s, it is one of the oldest revival houses in the region.
The building began life as a vaudeville theater, hosting acts such as Dean Martin, Jerry Lewis, Jackie Gleason, Phil Silvers, and others. Later, the theater was converted into a nightclub called Slapsie Maxie's, named after the boxer and silent film actor Maxie Rosenbloom. In the late 1950's, the space was converted into a movie theater, with several incarnations. These include: The New Yorker Theater[1], the Europa (specializing in foreign films), the Eros (pornographic films) and finally the Beverly Cinema, a grindhouse which incorporated live nude dancing.
The theater was closed in September 1977, and changed management months later. On May 5, 1978, The Beverly Cinema debuted a new programming format with a double feature of A Streetcar Named Desire and Last Tango in Paris. This double feature format continues to this day. New owner Sherman Torgan noted, "I've always felt that this neighborhood, which is middle class and predominantly Jewish, should have a theater that is responsive to the community. It wasn't right that a porno theater was here. People in the area have come by and written letters offering congratulations on the changeover."[2] Since that time, the theater has run a continuous series of double features, comprising modern and classic films in a wide variety of genres. It is the last continuous repertory revival house in Los Angeles. Most other American cities and towns closed their last repertory cinemas in the 1980s and 1990s.
The New Beverly Cinema is located at 7165 West Beverly Boulevard, in the Fairfax District of Los Angeles. All programs are double features, cash only.
On Wednesday, July 18, 2007, Sherman Torgan – owner and operator of the theater since 1978 – died of a heart attack at age 63 while bicycling in Santa Monica.[3] It now continues operation under his son Michael, though the recent sale of the building has brought the theater's long-term future into question.
