Nazım Hikmet

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Nazım Hikmet Ran

Born 20 November 1901(1901-11-20)
Selânik, Ottoman Empire1
Died 3 June 1963 (aged 61)
Moscow, Russian Soviet Federative Socialist Republic, USSR
Occupation poet, playwright, novelist, memoirist
Turkish Literature
By category
Epic Tradition

Orhon
Dede Korkut - Köroğlu
Folk Tradition

Folk literature
Folklore
Ottoman Era

Poetry | Prose
Republican Era

Poetry | Prose

Nazım Hikmet Ran (November 20, 1901 – June 3, 1963), commonly known as Nazım Hikmet (pronounced [nɑːˌzɯm hikˈmɛt]), was a Turkish poet, playwright, novelist and memoirist who is acclaimed in Turkey as the first and foremost modern Turkish poet, is known around the world as one of the greatest international poets of the twentieth century.[1] He earned international fame with his lyric power, through the "lyrical flow of his statements".[2] He has been referred to as a "romantic communist"[3] or a "romantic revolutionary".[2] He was repeatedly arrested for his political beliefs and spent much of his adult life in prison or in exile. His poetry has been translated into more than fifty languages.

Contents

[edit] Early life

He was born in Selânik (now Thessaloniki, Greece), the westernmost metropolis of the Ottoman Empire, where his father served as a government official. He came from a cosmopolitan and distinguished family. After attending primary school in the Göztepe district of Istanbul, Nazım studied at the prestigious Galatasaray High School just like his father, where he began to learn French; but in 1913, he was transferred to another school in the Nişantaşı district. His school days coincided with a period of political upheaval, especially as the Ottoman government entered the First World War on Germany's side.

[edit] Style and achievements

Despite writing his first poems in syllabic meter, Nazım Hikmet distinguished himself from the "syllabic poets" in concept. With the development of his poetic conception, the narrow forms of syllabic verse were not able to satisfy his needs anymore and he set out to seek new forms for his poems.

As a student in the early 1920s in Moscow, he was decisively influenced by the artistic experiments of Mayakovsky and Meyerhold, as well as the ideological vision of Lenin.[3] He was affected by the young Soviet poets who advocated Futurism. On his return to Turkey he became the charismatic leader of the Turkish avant-garde, producing streams of innovative poems, plays and film scripts.[3] Breaking the boundaries of the syllabic meter, he changed his form and preferred writing in free verse which harmonised with the rich vocal properties of the Turkish language.

He has been compared by Turkish and non-Turkish men of letters to such figures as Lorca, Aragon, Mayakovsky, Neruda, et al. Although his work bears resemblance to these poets and owes them occasional debts of form and stylistic device, his literary personality is unique in terms of the synthesis he made of iconoclasms and lyricism, of ideology and poetic diction.[4]

Many of his poems have been composed by Zülfü Livaneli as songs. A part of his work have been translated in the Greek language by poet Yiannis Ritsos, and some of these translations have been arranged by the Greek composers Manos Loizos and Thanos Mikroutsikos.

[edit] Later life and legacy

Hikmet's imprisonment in the 1940s became a cause célèbre among intellectuals worldwide; a 1949 committee that included Pablo Picasso, Paul Robeson, and Jean Paul Sartre campaigned for Hikmet's release. In 1950, Hikmet went on an eighteen-day hunger strike, despite a heart attack. He would later be released in a general amnesty.

In 1951 Nazım Hikmet was awarded the International Peace Prize by the World Peace Council.

Persecuted for decades during the Cold War for his communist views by the Republic of Turkey, Hikmet died of a heart attack in Moscow after many exiled years away from his family.[1] He is buried in Moscow's famous Novodevichy Cemetery, where his imposing tombstone is even today a place for pilgrimage by Turks and communists from around the world. His final will was to be buried under a platanus tree in any village cemetery in Anatolia, which was never realized.

Despite his persecution by the Turkish state, Nazım Hikmet was always and is ever more revered by the Turkish nation. His poems depicting the people of the countryside, villages, towns and cities of his homeland (Memleketimden İnsan Manzaraları, i.e. Human Landscape from my Country) as well as the Turkish War of Independence (Kurtuluş Savaşı Destanı, i.e. The Epic of the War of Independence) and the Turkish revolutionaries (Kuvâyi Milliye, i.e. Force of the Nation) are considered among the greatest patriotic literary works in Turkey.

[edit] Some of his best known works

  • Memleketimden İnsan Manzaraları (Human Landscapes from My Country)
  • Taranta-Babu'ya Mektuplar (Letters to Taranta-Babu)
  • Ferhad ile Şirin (Ferhad and Şirin)
  • Kurtuluş Savaşı Destanı (The Epic of the War of Independence)
  • Şeyh Bedrettin Destanı (The Epic of Sheikh Bedreddin)
  • Kafatası (The Skull)
  • Unutulan Adam (The Forgotten Man)

[edit] Kız Çocuğu

Nazım's poem Kız Çocuğu (The Little Girl) conveys a plea for peace from a seven-year-old girl, ten years after she has perished in the atomic bomb attack at Hiroshima. It has achieved popularity as an anti-war message and has been performed as a song by a number of singers and musicians worldwide.

Zülfü Livaneli (on Nazım Türküsü) has performed a version of the original Turkish poem. A loose English translation of Kız Çocuğu known as I Come And Stand At Every Door has been performed by The Byrds (on the album Fifth Dimension), Pete Seeger (on the album Headlines & Footnotes), This Mortal Coil (on the album Blood), and The Fall on their 1997 album Levitate, albeit omitting the last verse and wrongly attributing writing credits to anon/J Nagle. Fazil Say included the poem in his "Nazım" oratorio[5]. "In 2005, famed Shima-Uta singer Chitose Hajime collaborated with Ryuichi Sakamoto by translating Kız Çocuğu into Japanese (retitled 'Shinda Onna no Ko' [死んだ女の子]). It was performed live at the Atomic Bomb Dome in Hiroshima on the eve of the 60th Anniversary (August the 5th, 2005). The song later appeared as a bonus track on Chitose's Hanadairo album in 2006.

[edit] Poems

Take out the dress i first saw you in
look your best,
look like spring trees
Wear in your hair
the carnation i sent you in a letter from prison,
raise your kissable, lined, broad white forehead.
Today, not broken and sad-
no way!
today Nazim hikmet's woman must be beautiful
like a rebel flag...

4 December 1945, Letters from Prison.

Source: Romantic Communist, the Life and Works of Nazım Hikmet, Saime Göksu and Edward Timms.

This world will grow cold,
a star among stars,
one of the smallest,
this great world of ours
a gilded mote on blue velvet.
This world will grow cold one day,
not even as a heap of ice,
or a lifeless cloud,
it will roll like an empty walnut round and round
in pitch darkness for ever.
For now you must feel this pain,
and endure the sadness,
but so loved this world
that you can say,
'I have lived'.

February 1948
[Letters to Kemal Tahir from Prison]
Source: Beyond the Walls: Selected Poems by Nazım Hikmet, Richard McKane, and Ruth Christie

[edit] Invitation

Nazım Hikmet's Davet ("Invitation") is one of his best known poems. Nazım tells what he wants, what would or must life be like, in the poem's last lines about living "alone and free like a tree" and "in brotherly love like a forest".

Davet Invitation
Dörtnala gelip Uzak Asya'dan Galloping from Far Asia and jutting out
Akdeniz'e bir kısrak başı gibi uzanan into the Mediterranean like a mare's head
bu memleket bizim. this country is ours.

Bilekler kan içinde, dişler kenetli, ayaklar çıplak Wrists in blood, teeth clenched, feet bare
ve ipek bir halıya benzeyen toprak, and this soil spreading like a silk carpet,
bu cehennem, bu cennet bizim. this hell, this paradise is ours.

Kapansın el kapıları, bir daha açılmasın, Shut the gates of plutocracy, don't let them open again,
yok edin insanın insana kulluğunu, annihilate man's servitude to man,
bu dâvet bizim. this invitation is ours.

Yaşamak bir ağaç gibi tek ve hür To live like a tree single and at liberty
ve bir orman gibi kardeşçesine, and brotherly like the trees of a forest,
bu hasret bizim. this yearning is ours.


Nazım Hikmet (1902-1963)[6]

[edit] In popular culture

  • Tale of Tales is a Russian film partially inspired by Hikmet's poem of the same name
  • Le Fate Ignoranti is an Italian film, where a book by Hikmet plays a central plot role.
  • Mavi Gözlü Dev (meaning "Blue eyed giant") is a 2007 Turkish biographical film about Nazım Hikmet. He is portrayed by actor Yetkin Dikinciler.

[edit] Bibliography

[edit] Poetry

  • İlk şiirler / Nâzım Hikmet, İstanbul : Yapı Kredi, 2002. ISBN 9750803809
  • 835 satır / Nâzım Hikmet, İstanbul : YKY, 2002. ISBN 9750803736
  • Benerci kendini niçin öldürdü? / Nâzım Hikmet, İstanbul : YKY, 2002. ISBN 9750803744
  • Kuvâyi Milliye / Nâzım Hikmet, İstanbul : YKY, 2002. ISBN 9750803752
  • Yatar Bursa Kalesinde / Nâzım Hikmet, İstanbul : YKY, 2002. ISBN 9750803760
  • Memleketimden insan manzaraları : (insan manzaraları) / Nâzım Hikmet, İstanbul : YKY, 2002. ISBN 9750803779
  • Yeni şiirler : (1951-1959) / Nâzım Hikmet, İstanbul : Yapı Kredi Yayınları, 2002. ISBN 9750803787
  • Son şiirleri : (1959-1963) / Nâzım Hikmet, İstanbul : Yapı Kredi Yayınları, 2002. ISBN 9750803795

[edit] Partial list of translated works in English

  • The day before tomorrow : poems / done into English by Taner Baybars. [South Hinksey, Eng.] : Carcanet Press, 1972. ISBN 0902145436
  • Human landscapes / by Nazim Hikmet ; translated by Randy Blasing and Mutlu Konuk ; foreword by Denise Levertov, New York : Persea Books, c1982. ISBN 0892550686
  • Beyond the walls : selected poems / Nâzim Hikmet ; translated by Ruth Christie, Richard McKane, Talât Sait Halman ; introduction by Talât Sait Halman, London : Anvil Press Poetry, 2002. ISBN 0856463299
  • Selected poetry / Nazim Hikmet ; translated by Randy Blasing and Mutlu Konuk, New York : Persea Books, c1986. ISBN 0892551011
  • Nâzım Hikmet, That Wall / illustrations [by] Maureen Scott, London : League of Socialist Artists, [1973]. ISBN 0950297623
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[edit] Notes

  1. ^ a b Nazim Hikmet
  2. ^ a b Selected poems, Nazim Hikmet translated by Ruth Christie, Richard McKane, Talat Sait Halman, Anvil press Poetry, 2002, p.9 ISBN 0 85646 329 9
  3. ^ a b c Saime Goksu Edward Timms, Romantic Communist, The life and Work of Nazim Hikmet, St. Martin Press, New York ISBN 0-312-22247-5
  4. ^ Ruth Christie, p. 19
  5. ^ YouTube - Fazil Say - Kiz Cocugu(Nazim Hikmet)
  6. ^ [1]

[edit] External links