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Coordinates: 40.444426° N 79.953423° W
The Nationality Rooms are a collection of 27 classrooms that are designated as a Pittsburgh historical landmark and are located on the 1st and 3rd floors of the Cathedral of Learning, itself a national historic landmark [1][2], on the University of Pittsburgh's main campus in the Oakland neighborhood of Pittsburgh, Pennsylvania, United States. Twenty-five of the 27 rooms are functional classrooms utilized daily by University of Pittsburgh faculty and students, while the other two are display rooms which can be explored only via guided tour. Virtual Tours of the existing rooms are available on the Nationality Rooms official web site.
[edit] History
The Cathedral is home to 27 Nationality Rooms (twenty-four working classrooms and two display rooms), on the first and third floors. Each nationality room is designed to celebrate a different culture that had an influence on Pittsburgh's growth, depicting an era prior to 1787, the University's founding and the signing of the US Constitution. Only one room does not follow this convention, with the French Classroom depicting the French Empire period of the early 1800s. There are currently eight additional rooms in the process of being approved and funded.
Bowman decided that he wanted to involve the community as much as he could in constructing the Cathedral, so he proposed that each nationality that had a significant number of people in Pittsburgh would be allowed to design their nationality's room for the Cathedral. Each group had to form a Room Committee, which would be responsible for all fundraising, designing, and acquisition. The University provided only the room, while all other materials, labor, and design were provided by the individual committees. These were sometimes provided by foreign governments which, "...responded with generous support, often providing architects, artists, materials, and monetary gifts to assure authenticity and superb quality in their classrooms." [1]
A typical room on the 1st floor (those built between 1938 and the 1957) took between three and ten years to complete, and cost the equivalent of $300,000 USD in 2006 dollars. More recent rooms have cost in the range of $500,000 USD.
A second plan was proposed to create rooms modeled after each era of American history. These would primarily be on the third floor. Although the plans for the series of rooms were drawn up, only one room in the group was made; it is now known as the Early American room.
Set in the Cathedral of Learning's cornerstone in 1937 is a gift from the Nationality Room Committee chairpersons to the University: a copper plate engraved with these thoughts:
- Faith and peace are in their hearts. Good will has brought them together. Like the Magi of ancestral traditions and the shepherds of candid simplicity, they offer their gifts of what is precious, genuine and their own, to truth that shines forever and enlightens all people. [2]
Since 1944, tours of the nationality rooms have been given to visitors by a Pitt student organization, Quo Vadis (meaning Where do you go?); they guide over 30,000 tourists a year.
The first four rooms to be dedicated were the Scottish, Russian, German, and Swedish Rooms in 1938.” [3] The newest rooms are the Indian Room[4] dedicated in 2000[5] and the Welsh Room dedicated in 2008.[6]
[edit] Classrooms
[edit] African Heritage
The African Heritage Classroom
African Heritage Classroom |
Room |
330 |
Dedicated |
December 17, 1989 |
|
Concept |
Dr. Laurence Glasco |
Architect |
William J. Bates, A.I.A. |
|
Style |
18th century Asante Temple |
|
[edit] Armenian
Armenian Classroom |
|
Room |
319 |
Dedicated |
August 28, 1988 |
|
Architect |
Torkom Khrimian |
|
Style |
10th-12th century Monastic |
|
The Armenian Room[7] was inspired by the 10th- to 12th-century monastery of Sanahin. The design consists of intersecting arches and a domed ceiling built to lessen damage from frequent earthquakes in that country. The room's arches, built of Indiana limestone, make this the heaviest of the Nationality Rooms, weighing 22 tons, and required the second floor beneath the room to be reinforced in order to support its weight. The cornerstone is a basalt stone from the grounds of Sanahin. In the mortar behind it are the thumbprints of five of the oldest Armenian diaspora living in the Pittsburgh area, as well as the handprint of an infant of Armenian descent, symbolizing the continuity of the Armenian presence in western Pennsylvania.
[edit] Austrian
Austrian Classroom |
Room |
314 |
Dedicated |
June 9, 1996 |
|
Architect |
Franz Gerhardt Schnögass, Vienna |
|
Gunther J. Kaier, A.I.A. Pittsburgh |
|
Style |
17th-18th century Baroque |
|
[edit] Chinese
Chinese Classroom |
Room |
136 |
Dedicated |
October 6, 1939 |
|
Design |
Teng Kwei, Beijing |
Architect |
Henry Killiam Murphy |
|
Style |
18th century Chinese Empire |
|
[edit] Czechoslovak
Czechoslovak Classroom |
Room |
113 |
Dedicated |
March 7, 1939 |
|
Architect |
Dr. Bohumil Sláma, Prague |
|
Style |
Folk Motif |
|
[edit] Early American
Early American Room |
Room |
328 |
Presented |
1938 |
|
Architect |
Theodore H. Bowman, A.I.A. Pittsburgh |
|
Style |
17th century New England Colonial |
|
One of two displays rooms not used as a functional classroom, it is opened for guided tours. The room contains a hidden upper floor, accessed via a staircase behind the fire place. This room is often said to be haunted.[8]
[edit] English
English Classroom |
Room |
144 |
Dedicated |
November 21, 1952 |
|
Architect |
Albert A. Kimcheck |
|
Style |
16th century Tudor-Gothic |
|
The English Room[9], designed after the House of Commons that was destroyed by Luftwaffe bombing in 1941, is the largest of the Nationality Rooms. The fireplace from its Aye Lobby with the initials V.R. for Victoria Regina, the linenfold paneling, four stone corbels with the Tudor rose, and other accoutrements were gifts from the British government salvaged from the World War II ruins. The paneling itself arrived at the University still having a blackened coat from the bombing.[10] Portraits of University of Pittsburgh alumnus and former Ambassador to the Court of St. James's, Andrew Mellon, and the former Earl of Chatham, William Pitt, after whom the City was named, flank the stained glass windows in the rear bay. A brick from 10 Downing Street serves as the room's cornerstone.
[edit] French
French Classroom |
Room |
149 |
Dedicated |
January 23, 1943 |
|
Architect |
Jacques Carlu, Paris |
|
Style |
Late 18th century French Empire |
|
[edit] German
German Classroom |
Room |
119 |
Dedicated |
July 8, 1938 |
|
Architect |
Frank A. Linder, Germany/U.S. |
|
Style |
16th century German Renaissance |
|
Greek Classroom |
Room |
137 |
Dedicated |
November 7, 1941 |
|
Architect |
John Travlos, Athens |
|
Style |
5th Century B.C. Classical |
|
The classical architecture of the Greek Room [11] represents 5th-century B.C.E. Athens, the Golden Age of Pericles. In 1940, one of two marble pilasters, being constructed in Greece from the Mt Pentele stone quarry used to build the Parthenon, cracked shortly before shipping to the United States. With an invading World War II army massing on its borders, the column could not be replaced. Greek architect John Travlos ordered a matching crack etched into the undamaged column in order to preserve the symmetry. The marble was transported on the last ship to sail to America prior to the invasion and occupation of Greece. In November 1941, Travlos crouched under a blanket in his apartment closet listening to banned BBC radio broadcasts. Suddenly, Greek ecclesiastical music spouted from the radio, and Travlos heard the people of Pittsburgh dedicate his memorial to Greece[12].
[edit] Hungarian
Hungarian Classroom |
|
Room |
330 |
Dedicated |
September 29, 1939 |
|
Architect |
Dénes Györgyi, Budapest |
|
Style |
Folk Motif |
|
[edit] Indian
Indian Classroom |
Room |
327 |
Dedicated |
January 9, 2000 |
|
Architect |
Deepak Wadhwani, A.I.A. |
|
Style |
4th-9th century Indian Renaissance |
|
The Indian Classroom is modeled on a typical 3rd-7th century A.D. courtyard from Nalanda University in central India. Renaissance 3 Architects received the Master Builders Association Craftsmanship Award for its construction.[3]
Irish Classroom |
Room |
127 |
Dedicated |
May 18, 1957 |
|
Architect |
Harold G. Leask, Dublin |
|
Style |
500-1200 A.D. Irish Romanesque |
|
The Irish Classroom is the smallest of the Nationality Rooms[13]. An original cornerstone from the Monastery of Clonmacnoise reads in Gaelic, "For the glory of God and the honor of Ireland." The cornerstone conceals a container of earth from North and South Ireland.
Gov. David L. Lawrence, Art Rooney Sr., founding owner of the Pittsburgh Steelers, and James W. Knox, a member of the Pittsburgh Irish community, were on the room's organizing committee. After the assassination of President John F. Kennedy, Jacqueline Kennedy ordered a Marine guard to deliver the Oval Office Presidential and American flags to Evelyn Lincoln, private secretary to the president. In her will, Lincoln bequeathed the flags to the University of Pittsburgh for the Irish Room in honor of Knox. The John F. Kennedy scholarship for study in Ireland and a James W. Knox endowment for graduate study abroad were created from the proceeds generated from their auction.[14]
[edit] Israel Heritage
The Israel Heritage Classroom
Israel Heritage Classroom |
|
Room |
337 |
Dedicated |
November 1, 1987 |
|
Concept |
Alexander Kaufman |
Architect |
Martin Chetlin, A.I.A. |
|
Style |
1st century Israel Stone Structure |
|
[edit] Italian
Italian Classroom |
Room |
116 |
Dedicated |
May 14, 1949 |
|
Architect |
Ezio Cerpi, Florence |
|
Style |
15th century Italian Renaissance |
|
[edit] Japanese
Japanese Classroom |
Room |
317 |
Dedicated |
July 25, 1999 |
|
Design |
Hirokazu Nagase, Kyoto |
Architect |
Norman Harai, A.I.A. |
|
Style |
Minka |
|
[edit] Lithuanian
Lithuanian Classroom |
Room |
129 |
Dedicated |
October 4, 1940 |
|
Architect |
Antanas Gudaitis, Kaunas |
|
Style |
Folk Motif |
|
[edit] Norwegian
Norwegian Classroom |
Room |
151 |
Dedicated |
May 15, 1948 |
|
Architect |
Georg Eliassen, Oslo |
|
Style |
Folk Motif |
|
[edit] Polish
Polish Classroom |
Room |
126 |
Dedicated |
February 16, 1940 |
|
Architect |
A. Szyszko-Bohusz, Cracow |
|
Style |
16th century Polish Renaissance |
|
[edit] Romanian
Romanian Classroom |
Room |
130 |
Dedicated |
May 16, 1943 |
|
Architect |
N. Ghica-Budeşti, Bucharest
Style=17th century Byzantine
|
|
|
The massive entrance door is ornately carved oak. The words of Vasile Alecsandri, one of the greatest Romanian poets of the nineteenth century are carved overhead in the stone door frame. ( The Romanian is like the mighty rock which amidst the waves of the stormy ad mahestic seam forever remains unmoved. ) Ample black boards are set in arched oak panels. These are separated by carved-twisted rope which suggests the Roman origin of may of Romania's artistic traditions. Ancient original icons from Romania are embedded in the upper section of each panel. White arca paint mixed with color gives the smooth pastered walls a bluish pink tint. A Byzantine-style mosaic, executed in Bucuresti in gold, turquoise, bronze, ruby red, and black pieces of glass, is embedded in the rear wall.
Four Romanesque windows form an alcove shut off from the main part of the room by an archway with iron grilled gates wrought in Romania. These swing back in folded sections afainst the plastered wall. Yellow silk draperies frame the window and ancient icons befitting the season and holidays are exhibited in the alcove.
For further information see "The Romanians in America 1748-1974" by Vladimir Wertsman.
[edit] Russian
Russian Classroom |
Room |
153 |
Dedicated |
July 8, 1938 |
|
Design |
Andrey Avinoff, Tultchin |
|
Style |
Byzantine and Folk Motifs |
|
[edit] Scottish
Scottish Classroom |
Room |
139 |
Dedicated |
July 8, 1938 |
|
Architect |
Reginald Fairlie, Edinburgh |
|
Style |
17th century |
|
[edit] Swedish
Swedish Classroom |
Room |
135 |
Dedicated |
July 8, 1938 |
|
Architect |
Linton R. Wilson |
Adviser |
Carl Milles, Stockholm |
|
Style |
Folk Motif |
|
[edit] Syrian-Lebanon Room
Syrian-Lebanon Room |
Room |
160 |
Dedicated |
June 28, 1941 |
|
Architect |
unrecorded |
|
Style |
18th century Damascus |
|
Originally a library in a wealthy Damascan home, the room was intact to its location in the Cathedral of Learning. Because of the fragility and pricelessness of the furnishing, it has been closed for class use and is one of two display rooms. The walls and ceilings are decorated with “gesso painting,” a mixture of chalk and glue applied by brush in intricate relief, then painted and overlaid with silver and gold leaf. The room features a mihrab and book cabinets and display shelves.[4]
[edit] Ukrainian
Ukrainian Classroom |
Room |
341 |
Dedicated |
June 17, 1990 |
|
Design |
Lubomyr E. Kalynych |
Architect |
Walter R. Boykowycz, A.I.A. |
|
Style |
17th-18th century Ukrainian Baroque |
|
Welsh Classroom |
Room |
342 |
Dedicated |
June 1, 2008 |
|
Architect |
Marty Powell and Kathy Horstman |
|
Style |
18th century capel |
|
[edit] Yugoslav
Yugoslav Classroom |
Room |
142 |
Dedicated |
March 31, 1939 |
|
Architect |
Vojta Braniš, Zagreb |
|
Style |
Folk Motif |
|
[edit] Proposed rooms
The University is planning eight nationality rooms to add to the current 27.[5] The first will be the Turkish Room which is currently hiring craftsman to begin construction. Ömer Akin, a professor at Carnegie Mellon University, will oversee the architectural plans for the Turkish room. The rooms are slated to cost more than $400,000. The Pitt News (the university's student newspaper) reported that the Swiss nationality room committee named Ben Roethlisberger, the quarterback of the Pittsburgh Steelers, an honorary member of their committee. [6]
- Danish
- Finnish[7]
- Korean[8]
- Latin American & Caribbean[9]
[edit] References
[edit] External links
[edit] Gallery