Natacha Rambova
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| Natacha Rambova | |
|---|---|
| Born | Winifred Kimball Shaughnessy Hudnut January 19, 1897 Salt Lake City, Utah |
| Died | June 5. 1966 (aged 69) Pasadena, California |
| Spouse(s) | Rudolph Valentino (1923-1926) Alvaro de Urzaiz (1934-1939) |
Natacha Rambova (January 19, 1897 – June 5, 1966) is best known today as the second wife of the silent film star Rudolph Valentino. She also has some renown as a costume and set designer, art director, writer, silent film actress, fashion designer, Egyptologist and collector of antiquities. She was born in Salt Lake City, Utah, and died from a heart attack in Pasadena, California at the age of 69.
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[edit] Early life
Rambova, a great-granddaughter of The Church of Jesus Christ of Latter-day Saints leader Heber C. Kimball, was born Winifred Shaughnessy to Winifred Kimball and her second husband, Michael Shaughnessy. She was adopted by her mother's fourth husband, cosmetics millionaire Richard Hudnut, and was thus appropriately known as Winifred Hudnut. Her mother was also briefly married to Edgar Sands de Wolfe, a brother of the pioneering American interior decorator Elsie de Wolfe, whose business partner she became.
She was educated in the United States and the United Kingdom of Great Britain and Ireland, at a school recommended by her step-aunt, Elsie de Wolfe.
[edit] Personal Life and Career
After a tumultuous love affair with the married dancer Theodore Kosloff, with whose dance company she performed, Kosloff's Imperial Russian Ballet, Rambova worked as an art director for an extended period with the Yalta-born film and stage star Alla Nazimova.
Nazimova recognized her professional talent. The innovative Art Deco sets she designed for Camille and the sets and costumes Rambova created for Salomé (which were based on the drawings of Aubrey Beardsley) are highly regarded today.
Rambova met Rudolph Valentino on the set of Camille in 1921 and they married on March 14, 1922, in Mexicali, Mexico. Their marriage resulted in Valentino's being arrested and charged with bigamy because his divorce from his first wife, actress Jean Acker, was not final. Rambova and Valentino remarried in 1923. Salomé was also a failure at the box office, and as result, Natacha was heavily in debt [1]
When, following a dispute with Paramount Pictures, Valentino was legally barred from working for any other studio, he and Rambova embarked on a dance tour across the United States and Canada. The dance tour was a success, and the film studio came back to hire Valentino for films. Later, Rambova's involvement with such of her husband's films as Monsieur Beaucaire came to be resented by many at Paramount who accused her of driving up production costs and felt she was pushing Valentino into static, arty films with little box office potential. Actress Myrna Loy, whom Rambova had discovered and later gave her a role in a film that she wrote What Price Beauty?, claimed that Rambova was unfairly criticized.
Their marriage broke up in 1925 shortly after United Artists offered Valentino a contract with a clause forbidding Rambova from being present on any of his film sets. She also starred in her only feature film When Love Grows Cold (1925), but she angrily gave up on films when distributors billed her as Mrs. Rudolph Valentino on film posters. Valentino and Rambova went through a painful divorce. When Rambova announced that she would write a book detailing her breakup with Valentino, he retaliated by bequeathing her only $1 in his will, and left one-third of his estate that was originally meant for Rambova to her aunt Teresa Werner, whom they both adored. But when Valentino was on his death bed in New York, he asked for Rambova, wanting her by his side, but she was in Europe. Nevertheless, they exchanged loving telegrams, and she believed that a reconciliation had taken place. Valentino died in 1926 at age 31 following surgery for a perforated ulcer. Rambova was devastated and stayed in her room for 3 days without eating and speaking to anyone. She didn't attend his funeral because she didn't want her last memory of him to be his dead body.
[edit] After Valentino
For several years thereafter, Rambova worked as a mildly successful fashion designer [1] in New York City. She wrote a book on Valentino titled Rudy: An Intimate Portrait by His Wife (1926). The first part of the book is about his life on earth, painting him in a positive light. The rest of the book detailed about how she had kept in touch with his spirit after his death by use of psychics and seances. A year later, a shorter edition of her book was published with the title, Rudolph Valentino Recollections by Natacha Rambova (1927). She also wrote an unproduced play titled All that Glitters, about a married couple that was supposedly inspired by her own marriage to Valentino. In the play, the couple ultimately reconcile after undergoing pain and anguish caused by Hollywood studio heads.
Also during this time, she designed costumes for and appeared in Broadway shows. Between approximately 1928 and 1931, Rambova also worked as a fashion designer in Manhattan. Examples of her fashion designs are held in museums such as the Phoenix Art Museum, the Metropolitan Museum of Art's Costume Institute, and the Fashion Institute of Design and Merchandising Museum. She was also heavily involved with the Roerich Museum during this period. Rambova married her second husband, Count Alvaro de Urzaiz, a Spanish aristocrat, in 1934. Reporters noted that that her second husband physically resembled Valentino, suggesting that Rambova never got over her first husband. She went to live with him on the Balearic isle of Majorca off the Spanish coast. Her second marriage ended in divorce as well. Both her marriages ended, probably because her husbands wanted children and she didn't.
In 1962, Rambova gave the Utah Museum of Art a large collection of Egyptian artifacts. She edited several books about Egyptian religion for the Bollingen Foundation, in association with Prussian Egyptologist Alexandre Piankoff [2]. She also wrote a chapter on the symbolism of solar rebirth for the final volume of the series she edited [3]. Her collection of Nepali and Lamaistic art now belongs to the Philadelphia Museum of Art.
[edit] Sources
Emily Leider, Dark Lover: The Life and Death of Rudolph Valentino (2003) ISBN 0-374-28239-0
- Contains much material about Rambova
Michael Morris, Madame Valentino (1991).
- This is the only known biography of Rambova.
[edit] References
- ^ Noel Botham, "Valentino-The First Superstar," pg 142
- ^ A. Piankoff, The Tomb of Ramesses VI, Bollingen Series, vol. I (New York: Bollingen Press, 1954); idem., The Shrines of Tut-Ankh-Amon, Bollingen Series, vol. 2 (New York: Bollingen Press, 1955); idem., Mythological Papyri, Bollingen Series, vol. 3 (New York: Bollingen Press, 1957).
- ^ "The Symbolism of the Papyri," in A. Piankoff, Mythological Papyri, pp. 29-65.
