Nabil Kanso

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Nabil Kanso is a Lebanese American painter born in Beirut, Lebanon. His works deal with contemporary, historical and literary themes, and are marked by figurative imagery executed with spontaneous and vigorous handling of the paint and often done on large-scale formats. They reflect movement and tension embodying intense colors and symbolic forms addressing social, political, and war issues.[1] The Vietnam War and the Lebanese Civil War have profoundly affected the development and scope of his themes dealing with violence and war. His long-running “Split of Life” series encompasses an extensive range of enormous paintings depicting scenes of human brutality and suffering.[2]

Contents

[edit] Life and work

Nabil Kanso grew up in Beirut where his family lived in a house adorned with Italian and Oriental art. In 1961, he went to England, and attended the London Polytechnic studying mathematics and science. In 1966, Kanso moved to New York, and enrolled at New York University where he received BA and MA in art history, philosophy and political science. 1968, he committed himself to painting, acquired a studio in Manhattan, and embarked on developing his ideas and method of painting.[3]

[edit] 1970- 1979

In 1971, Kanso held his first one-man show at the 76th Street Gallery exhibiting 80 paintings that included portraits and nudes in compositions reflecting in varying degrees expressionist, romanticist and symbolist influences.[4][5] Between 1971 and 1973 he held a series of solo shows that included the Wanderer, Danse Macabre, Birds of Prey, Place des Martyrs, and Expressions.[6][7] Although the exhibitions drew attention and reviews, the lack of sufficient subsistence forced the closing of his studio whose contents including hundreds of works were placed in storage, and, eventually, lost or destroyed.[8] Between 1974 and 1979, Kanso took studios in different locations in the Carolinas, Atlanta, and New Orleans producing a large number of paintings. Among the works of this period are the series Vietnam (1974), Lebanon, which he began in 1975, at the outbreak of the Lebanese Civil War, One-Minute (1978-79) on Hiroshima and Nagasaki, and Faust (1976-79) comprising over 100 paintings on Goethe’s drama.[9]

[edit] 1980–2007

In 1980, Kanso settled in Atlanta where he established a studio and held several exhibitions.[10][11] In 1984, he went to Venezuela where his works were shown in Maracaibo (1985), Caracas (1987), and Mérida (1987-88). The exhibitions were an invaluable stimulant in initiating the Journey of Art for Peace through which his works were shown under the auspices of art museums, cultural institutions, and peace centers in extensive solo exhibitions that traveled internationally and particularly in Latin America.[12] Kanso displays his works by covering the entire walls of the exhibition space with his paintings.[13] The installation surrounding the viewer aims to convey the intensity between the reality of the subject matter and the actuality of painting, and reflect the artist’s engagement with the canvases whose contents represent his visual life and relationship to conflicting Eastern and Western cultures and traditions.[14]

[edit] Books

  • Nabil Kanso: The Split of Life: Paintings 1974-1994, NEV Editions, 1996 ISBN 1888536217
  • Nabil Kanso:Faust: Paintings 1976-1979, NEV Editions 1997 ISBN 1888356152


[edit] References

  1. ^ Articles in http://nabilkanso.com/texts.html
  2. ^ Nabil Kanso: The Split of Life: Paintings 1974-1994, NEV Editions, Atlanta, GA, 1996
  3. ^ biography, nabil kanso, nabilkanso.com
  4. ^ Art Gallery: “Eye on New York: Kanso’s Show at 76th Street,” January, 1972
  5. ^ Brown, Gordon: Kanso at 76th Street, Arts Magazine, New York, February, 1972
  6. ^ Bowles, Jerry: “Kanso’s Paintings,” Artnews, New York, July, 1972
  7. ^ Brown, Gordon: “Kanso’s Expressions,” Arts Magazine, New York, February, 1973
  8. ^ The Split of Life, pp.11-12
  9. ^ Nabil Kanso: Faust: Paintings 1976-1979, NEV Editions, 1997
  10. ^ Fox, Catherine: “Artist inspired by War-torn Homeland,” Atlanta Journal/Constitution, July 8, 1984, pp. H1-2
  11. ^ Fox, Catherine: “Fantastic Visions,” Atlanta Journal/Constitution, September 19, 1985, H2
  12. ^ Spanish articles in http://apocalipsis.us/articulos.html
  13. ^ Kanso calls them “the moving murals” The Split of Life, p.11
  14. ^ Kurlansky, Gail: “Nabil Kanso’ Split of Life Paintings: Looking for the Poet: Power, Death, and Sexuality,” Art Papers, November/December, 1986, pp.23-26

[edit] External links