Musical collective
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Musical collective is a phrase used in reference to a leaderless entity that is predisposed to performing music that may be considered experimental. The sound becomes the focus, as opposed to having the outfit become a stepping stone for potential cynosures. Such entities have transitioned from the traditional hierarchical configuration that features either a frontman (e.g. The Cure's Robert Smith, or Trent Reznor of Nine Inch Nails), or a plurality of band members in tension for dominance (e.g. Louise Post & Nina Gordon of Veruca Salt, or The Beatles' John Lennon & Paul McCartney.) Collectives are seen as an alternative to more ego-driven, combative paradigms of group music-making.
Musical collectives allow for flexibility in their rosters. As such, most of the members are free to rotate in and out of the line-up.
A musical collective is distinct from a musicians collective, such as the London Musicians Collective which is an organisation with more general aims and larger membership.
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[edit] Types
There are two slightly different types of musical collectives. Although both types revolve around collaboration between member artists, the main difference is in how the music is credited.
In one type, the collective is centred around a record label which releases music by its member bands. Although musicians in the collective collaborate with each other, the resulting albums are always credited to a specific band or artist within the collective, rather than to the collective itself. For example, artists associated with the Elephant 6 record label regularly contributed to each other's albums, and sometimes launched one-off side projects featuring varying combinations of musicians from its member bands — however, Elephant 6 itself was the label, and was never credited as the band name on an associated album.
In the other type, the collective itself functions as a band, releasing both albums by its individual member artists and albums credited directly to the collective as an entity in its own right. Like the label type, however, individual artists' albums still commonly feature collaborations with other members of the collective.
Also, almost as an in-between, collectives are appearing that have the look and idea of a record label but are centred around individuals. This has been fueled by the rise of the internet and home recording which has allowed a punk DIY ethic to flourish.
[edit] Notable collectives
- Acappella
- Ambiances Magnétiques
- AMM (group)
- Animal Collective
- Arcade Fire
- Architecture in Helsinki
- Arrogant Sons of Bitches
- Bandits of the Acoustic Revolution
- Black Mountain
- Blocks Recording Club
- Bomb The Music Industry
- Broken Social Scene
- Bugz in the Attic
- The Cake Sale
- Chicago Afrobeat Project (CAbP)
- The Desert Sessions
- Diggin' in the Crates Crew
- Dufay Collective
- Early Day Miners
- The Elephant Six Collective
- Fence Collective
- F-IRE Collective
- Godspeed You! Black Emperor
- Grateful Dead
- The Hidden Cameras
- Hieroglyphics
- In Support of Living
- Lansing-Dreiden
- Living Legends
- The Mountain Goats
- The New Pornographers
- Ozomatli
- Piano Magic
- The Polyphonic Spree
- Reindeer Section
- Silk Road Project
- Soulquarians
- Spitkicker
- Streetlight Manifesto
- Tanakh
- Trummerflora
- Willard Grant Conspiracy
- The World/Inferno Friendship Society
- Wu-Tang Clan
[edit] See also
- Collective
- Leaderless resistance — Collectives often share the anarchic streak associated with such entities — without their malevolent tendencies.
[edit] External links
- All Inclusive CBC.ca examination of the proliferation of musical collectives
- Collective Souls This Magazine article on musical collectives