Music of the Solomon Islands

From Wikipedia, the free encyclopedia

Melanesian music
Maluku
New Caledonia
Papua
Papua New Guinea
Solomon Islands
Torres Strait
Vanuatu
West Irian Jaya
v  d  e

The Solomon Islands have been independent from the United Kingdom since 1978, and the culture, Melanesian in origin, has received international attention since before that time.

Contents

[edit] Folk music

Traditional Melanesian music in the Solomon Islands includes both group and solo vocals, slit-drum and panpipe ensembles [1]. Panpipe orchestras, which are well-known on Malaita and Guadalcanal use up to ten performers with different instrument, each with unique tunings [2].

[edit] Popular music

In the 1920s bamboo music gained a following in several countries. Bamboo music was made by hitting open-ended bamboo tubes of varying sizes, originally with coconut husks [3]. After American soldiers brought their sandals to the Solomon Islands, these replaced coconut husks by the early 1960s, just as the music began spreading to Papua New Guinea [4].

In 1969/1970, ethnomusicologist Hugo Zemp recorded a number of local songs which were released on an LP in 1973, as a part of the UNESCO Musical Sources collection. One of the songs, a lullaby named "Rorogwela", sung by Afunakwa, a Northern Malaita woman, was used as a vocal sample in a 1992 single "Sweet Lullaby" by the French electronica duo Deep Forest, becoming a worldwide hit, but also causing some controversy over perceived "pillaging" of the world music heritage by Western musicians. A lesser-known use of the song is in the track "Death Lullaby" by Rorogwela. The artist (whose identity is not certain) obviously took the name from the sample used. As opposed to Deep Forest's track, "Death Lullaby" is a harsh noise song with elements of "Rorogwela" used towards the end. The track appears on EXTREME MUSIC FROM AFRICA (Susan Lawly).

The lyrics to Rorogwela translate to: Young brother, young brother, be quiet You are crying, but our father has left us He has gone to the place of the dead To protect the living, to protect the orphan child [5]

Modern Solomon Islander popular music includes various kinds of rock and reggae as well as something known as island music, a guitar and ukulele ensemble format influenced by Polynesian and Christian music [6].

[edit] Music institutions

There is a Wantok Music Festival.

[edit] Solomon Islander musicians

  • Jim Baku
  • Solomon Dakei
  • Fred Maedola
  • Sharzy
  • Peter Lui
  • Pascal Oritaimae
  • Thomson Frank

[edit] References

  • Feld, Steven. "Bamboo Boogie-Woogie". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 183-188. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0

[edit] Notes

  1. ^ Feld, pg. 186
  2. ^ Feld, pg. 186
  3. ^ Feld, pg. 186
  4. ^ Feld, pgs. 186-187
  5. ^ [Where the Hell is Matt? F.A.Q. (under the question What are the lyrics to the song?)]
  6. ^ Feld, pg. 187

[edit] Further reading

  • Firth, Raymond and Mervyn McLean (1991). Tikopia Songs: Poetic and Musical Art of a Polynesian People in the Solomon Islands. Cambridge University Press. ISBN 0-521-39812-6. 

[edit] External links