Music of Russia
From Wikipedia, the free encyclopedia
| Music of Russia | |
|---|---|
| Genres | classical — folk — psytrance — pop — hip hop — author song — rock |
| History (Timeline and Samples) | |
| Awards | MTV Russia Music Awards |
| Charts | |
| Festivals | Bard Music Festival, Nashestvie |
| Media | |
| National anthem | "Hymn of the Russian Federation" |
| Regional music | |
| Adygea — Altai - Astrakhan - Bashkortostan — Buryatia — Chechnya — Chukotka — Chuvashia — Dagestan — Evenkia - Ingushetia — Irkutsk — Kaliningrad — Kalmykia — Kamchatka — Karelia — Khakassia — Khantia-Mansia - Komi Republic - Krasnodar — Mari El — Mordovia — Nenetsia — Ossetia — Rostov — Ethnic Russian — Sakha — Sakhalin — Tatarstan — Tuva — Udmurtia | |
Russia is a large and extremely culturally diverse country, with dozens of ethnic groups, each with their own forms of music. During the period of Soviet domination, music was highly scrutinized and kept within certain boundaries of content and innovation. After the fall of the USSR, western-style rock and pop music became the most popular musical forms in Russia. Some native artists broke through.
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[edit] Classical, opera and ballet
Russia has a long history of classical music innovation. The first important Russian composer was Mikhail Glinka (1804-1857), who added religious and folk elements to classical compositions, composing pioneering operas like A Life for the Tsar and Ruslan and Lyudmila; though these operas were distinctively Russian, they were based on the Italian tradition.
Glinka and the composers who made up The Mighty Handful after him (Rimsky-Korsakov, Mussorgsky, Balakirev, Borodin and César Cui) were often influenced by Russian folk music and tales. This same period saw the foundation of the Russian Musical Society in 1859, led by composers Anton and Nikolay Rubinstein. The Mighty Handful and the Russian Music Society were rivals, with the former embracing a Russian national identity and the latter musically conservative. Among the Mighty Handful's most notable compositions were the operas The Snow Maiden (Snegurochka), Sadko, Boris Godunov, Prince Igor and Khovanshchina, and the symphonic suite Scheherazade.
Other prominent Russian composers include Tchaikovsky, Rachmaninoff, and in the 20th century Stravinsky, Prokofiev, Scriabin, Shostakovich and Alfred Schnittke. Of these, Tchaikovsky remains the best known outside Russia, and his fame as the country's most famous composer is unquestioned. He is best known for ballets like Swan Lake and The Nutcracker.
During the 19th century, Count Uvarov led a campaign of nationalist revival which initiated the first professional orchestra with traditional instruments, beginning with Vassily Andreyev, who used the balalaika in an orchestra late in the century. Just after the dawn of the 20th century, Mitrofan Pyatnitsky founded the Pyatnitsky Choir, which used rural peasant singers and traditional sounds. By the time of the Soviet Union, however, it had become one of many groups playing sanitized folk music, now often called fakelore.
[edit] Soviet Era
In the 1910s romances (in exotic Russian, Caucasian, Gypsy and Italian styles) became very popular. The greatest and most popular singers of romances usually sang in operas at the same time. The most popular was Fyodor Shalyapin. Singers usually composed music and wrote the lyrics, such as Alexander Vertinsky, Konstantin Sokolsky, Pyotr Leshchenko. Musically and structurally based on romances are the bard songs (starting in the 60's) and the criminal songs. The bard genre can be compared to the American folk-revival movement of the 60's, closer to poetry than music. Artists like Bulat Okudzhava, Alexander Galich and Vladimir Vysotskiy all wrote their own songs, and the recordings were distributed underground. Prison songs were largely popularized by Arkady Severny.
The Soviet Era produced many prominent musicians in spite of oppression from the government. Some émigrés remained popular abroad, like pianist Vladimir Horowitz, whose 1986 performance in Moscow, the first in his native land, was a landmark event.
The noted violinist, Alexei Gorokhov toured extensively in both the Soviet Union and abroad, winning international prizes for his virtuoso playing. He chose to move to Kiev in the 1950s, influenced by a dislike of Russian politics.
In the 1960s, Vyacheslav Shchurov organized concerts featuring folk singers from across Russia, beginning in 1966. Shchurov thus inspired a wave of singing ethnomusicologists who appeared among the urban intellectuals and recorded rural folk musicians. Perhaps the most important group to follow in Shchurov's wake was the Dmitri Pokrovsky Ensemble. A group of musicians called bards arose at the same time. Generally ignored by the state, bards like Vladimir Vysotsky helped lead a popular return to traditional music. Vladimir Visotsky is considered like one of the most outstanding artists in Russia. Incarnation of the russian poetry, he wrote mainstreem songs conform with the norm of the communist party, but also many dissident songs that have cost him years in the goulag. He is considered an icon of the russian scene. The 1960s also saw the beginning of Alla Pugacheva's music career which continues to this day.
The same period saw the birth of Russian rock with the band Pojuschie Gitary who created a style called VIA and later released the first Russian rock opera, Orpheus and Eurydice. Other rock bands of the era included Tcvety, Sinyaya Ptica and Golubiye Gitary.
By the 1980s, popular folk-oriented groups had arisen. The Cossack Kazachy Krug and Pesen Zemli became most popular. A musical underground (magnitizdat).
[edit] Perestroika Music
Many underground rock bands arose during early 80s: Mashina Vremeni, Center, Aquarium, Secret, Zoopark, Urfin Dzhyus, Trek.
They formed active musical comminities. During Perestroika they became mainstream, notable bands of that time include DDT, Alisa, Nautilus Pompilius, Kino, Sektor Gaza, Aria.
DDT, Aria and Alisa are still active today and are very popular with the modern youth.
Lesser known but still popular bands playing in diverse styles were common, too. Notable examples are Zvuki Mu and Televizor.
[edit] Post-Soviet Music
Middle 90's showed decline for Russian rock due to economical problems, changes in mentality and mass media reorientation.
The Russian duet t.A.T.u is by far the most successful Russian band. They have reached number one in many countries around the world with several of their singles and albums.
Still, there are many popular rock bands including, Mumiy Troll, Pilot, Zemfira, Splean and many still-functioning 80's bands such as DDT, Alisa, Picnick, Akvarium, Mashina Vremeni.
Heavy Metal: While Aria and its offspring Kipelov are still the most popular, new bands arose in genres like Power Metal (Catharsis, Epidemia), Progressive Metal (Orgia Pravednikov, Mechanical Poet), Pagan Metal (Butterfly Temple, Temnozor) and Alternative Metal (Animal Jazz, Psyche).
Alternative scene arose with bands such as Kirpichi, I.F.K., 7000$, Jane Air, Stigmata, Amatory, 7Rasa and many others.
Some folk rock bands such as Melnitsa, Zolotoe Kolco, Pelageja risen to popularity during 2000's.
Notable pop acts include Alsou, t.A.T.u., Dima Bilan, Linda, Zveri.
Electronic: PPK, Electrosoul System, Fizzarum, Solar X, Elochnyie Igrushki, SCSI-9, DJ Groove, Gromov, ADD, Messer Für Frau Müller, Zvuki Mu.
Ska Punk: Distemper, Elisium, Leningrad
[edit] Folk music
[edit] Adygea
In recent years, Adygea has seen the formation of a number of new musical institutions. These include two orchestras, one of which (Russkaya Udal), uses folk instruments, and a chamber music theater.
Adygea's national anthem was written by Iskhak Shumafovich Mashbash; music—by Umar Khatsitsovich Tkhabisimov.
[edit] Altay
Altay is a Central Asian region, known for traditional epics and a number of folk instruments.
[edit] Bashkir
The first major study of Bashkir music appeared in 1897, when ethnographer Rybakov S.G. wrote Music and Songs of the Ural's Muslims and Studies of Their Way of Life. Later, Lebedinskiy L.N. collected numerous folk songs in Bashkortostan beginning in 1930. The 1968 foundation of the Ufa State Institute of Arts sponsored research in the field.
The kurai is the most important instrument in the Bashkir ensemble.
[edit] Buryatia
The Buryats of the far east is known for distinctive folk music which uses the two-stringed horsehead fiddle, or morin khuur. The style has no polyphony and has little melodic innovation. Narrative structures are very common, many of them long epics which claim to be the last song of a famous hero, such as in the Last Song of Rinchin Dorzhin. Modern Buryat musicians include the band Uragsha, which uniquely combines Siberian and Russian language lyrics with rock and Buryat folk songs.
[edit] Chechnya
Alongside the Chechen rebellion of the 1990s came a resurgence in Chechen national identity, of which music is a major part. People like Said Khachukayev became prominent promoting Chechen music.
The Chechen national anthem is said to be "Death or Freedom", an ancient song of uncertain origin.
[edit] Dagestan
Dagestan's most famous composer may be Gotfrid Hasanov, who is said to be the first professional composer from Dagestan. He wrote the first Dagestani opera, Khochbar, in 1945, and recorded a great deal of folk music from all the peoples of Dagestan.
[edit] Karelia
Karelians are Finnish, and so much of their music is the same as Finnish music. The Kalevala is a very important part of traditional music; it is a recitation of Finnish legends, and is considered an integral part of the Finnish folk identity.
The Karelian Folk Music Ensemble is a prominent folk group.
[edit] Russia
Archeology and direct evidence (such as the frescoes at the Saint Sophia Cathedral in Kiev) show a variety of musical instruments in ancient Russia. Authentic folk instruments include the Livenka (accordion) and woodwinds like zhaleika, svirel and kugikli, as well as numerous percussion instruments: buben, bubenci, kokshnik, korobochka, lozkhi, rubel, treschetka, vertushka and zvonchalka.
Chastushkas are a kind of Russian folk song with a long history. They are typically rapped, and are humorous or satiric.
[edit] Sakha
Shamanism remains an important cultural practice of the ethnic groups of Siberia and Sakhalin, where several dozen groups live. The Yakuts are the largest, and are known for their olonkho songs and the khomus, a Jew's harp.
[edit] Tatarstan
Tatar folk music have rhythmic peculiarities and pentatonic intonation in common with nations of the Volga area, who are ethnically Finno-Ugric and Turkic. Singing girls, renowned for their subtlety and grace, are a prominent component of Tatar folk music. Instruments include the kubyz (violin), kurai (flute) and talianka (accordion).
[edit] Tuva
Tuvan throat singing, or xoomii, is famous world-wide, primarily for its novelty. The style is highly unusual and foreign to most listeners, who typically find it inaccessible and amelodic. In throat singing, the natural harmonic resonances of the lips and mouth are tuned to select certain overtones. The style was first recorded by Ted Levin, who helped catalogue a number of different styles. These are include borbannadir (which is compared to the sound of a flowing river), sygyt (similar to whistling), xoomii, chylandyk (likened to chirping crickets) and ezengileer (like a horses trotting). Of particular international fame are the group Huun-Huur-Tu and master throat singer Kongar-ool Ondar.
[edit] Ukrainian music
Though Ukraine is now an independent country, Ukrainians constitute the second-largest minority in Russia. The bandura is the most important and distinctive instrument of the Ukrainian folk tradition, and was utilized by the famous 15th century kobzars, a kind of wandering performing who composed dumy, or folk epics.
| Music of Eastern Europe |
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Belarus - Estonia - Latvia - Lithuania - Georgia - Moldova - Romania - Russia - Ukraine |
[edit] References
- Broughton, Simon and Didenko, Tatiana. "Music of the People". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 248-254. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
