Morrissey

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Morrissey
Morrissey, live 2007
Background information
Birth name	Steven Patrick Morrissey
Born	22 May 1959 (1959-05-22) (age 49) Davyhulme, Lancashire, England
Genre(s)	Alternative rock
Occupation(s)	Musician, Vocalist, Lyricist
Years active	1978-Present
Label(s)	1982-1987: Rough Trade 1988-1994: HMV, Sire/Reprise 1995: RCA, Reprise 1997: Mercury 2003-2007: Sanctuary, BMG 2007- :Polydor/Decca
Associated acts	The Smiths Sandie Shaw
Website	It's Morrissey's World

Steven Patrick Morrissey (IPA: /ˈmɒɹɪsiː/; born May 22, 1959), who goes by his surname Morrissey, is an English writer, singer and lyricist of Irish descent from Greater Manchester, England. After a short stint in the punk rock band The Nosebleeds in the late 1970s, he rose to prominence in the 1980s as the lyricist and vocalist of the alternative rock band The Smiths. The UK music magazine NME called him the "most influential artist ever" for his role in the band. When the band broke up in 1987, Morrissey began a solo career, in which he continued the jangle pop sound of The Smiths. His solo albums have garnered ten Top 10 singles in the United Kingdom.

His sardonic, literate lyrics tend to be "dramatic...bleak, funny vignettes about doomed relationships, lonely nightclubs, the burden of the past and the prison of the home." ^[1] He sings with a baritone voice, occasionally using a high falsetto voice for emphasis. His "forthright, often contrary opinions" led to a number of media controversies, such as his criticism of the Band-Aid hunger-relief effort and his statements against political leaders from 1980s-era Prime Minister Margaret Thatcher to US President George W. Bush. As well, he has also attracted media attention from his advocacy of vegetarianism and animal rights.

Contents 1 Biography 1.1 Early life 1.2 First bands 1.3 The Smiths 1.4 Solo career 1.4.1 Comeback 1.4.2 2008 2 Image and politics 2.1 Music industry feuds 2.2 Political leaders 2.3 Accusations of racism 2.4 Animal rights 2.5 Sexuality 3 Solo discography 4 Bibliography 4.1 Primary 4.2 Secondary 5 Notes and references 6 External links

[edit] Biography

[edit] Early life

Steven Patrick Morrissey was born in Park Hospital (now known as Trafford General Hospital) in Davyhulme, Manchester on 22 May 1959 to Irish Catholic immigrants^{[citation needed]}. His father, Peter Morrissey, was a hospital porter, and his mother, Elizabeth Dwyer, was a librarian. His parents had emigrated to England just before Morrissey's birth and, along with his only sibling (elder sister Jackie), Morrissey was raised in Harper Street in Hulme, Manchester. In 1965, the family moved to Queens Square in Hulme near Moss Side. The family moved to 384 Kings Road in the suburb of Stretford in 1969, when many of the old terraced streets were being demolished. He has maintained a strong attachment to his mother throughout his life. His relationship with his father, however, suffered much strain over the years.

As a child, Morrissey developed a number of interests and role models that marked him out among his peers, including '60s girl groups, and female singers such as Sandie Shaw, Marianne Faithfull and Timi Yuro. He was also interested in the "kitchen sink"-style social realism of late 1950s and early 1960s television plays, Coronation Street's Elsie Tanner, actor James Dean, as well as authors Oscar Wilde and Shelagh Delaney. The Moors Murders of the early 1960s, in which a couple raped and killed a number of Manchester-area children and teens, had a large impact on him as a child. He examined these memories in his 1982 song "Suffer Little Children".

In adolescence, Morrissey's athletic ability saved him to a large degree from bullying. Nevertheless, he has described this period as a time when he was often lonely and depressed. As a teenager, he began taking prescription drugs to help combat the depression that would later follow him throughout his life.^[2] He attended St Mary's Secondary Modern School and Stretford Technical School, where he passed Three O levels, including English Literature. He then worked briefly for the Inland Revenue, but ultimately decided to "go on the dole," sequestering himself in his room in his mother's home to concentrate on writing, reading, and listening to music. As of 1974, he regularly wrote letters (as Steve Morrissey)^[3] to music magazines such as Melody Maker and the NME,^[4] giving his forthright opinions on various bands. Morrissey's letters to a penpal friend in 1981 surfaced online over 20 years later.^[5]

Morrissey would sometimes venture out to see bands at local Manchester venues; the first such occasion being T.Rex at Belle Vue in 1972.^[6][7] He was taken there by his father, fearing for his safety in the notoriously rough district. He chose to wear a purple satin jacket, not the best way of avoiding unwanted attention. Morrissey has described the occasion as "messianic and complete chaos".^[8]

[edit] First bands

See also: The Nosebleeds and Slaughter & The Dogs

Throughout the 1970s, a teenage Morrissey acted as president of the UK branch of the New York Dolls fan club. He articulated his love for the group in a recent biopic of ex Doll Arthur Kane: "Some bands grab you and they never let you go and, no matter what they do, they can never let you down... the Dolls were that for me."^[9] This New York Dolls influence made Morrissey an early convert to punk rock. Morrissey, then still with forename, briefly fronted The Nosebleeds in 1978, who by that time included Billy Duffy on guitar. They played a number of concerts, including one supporting Magazine, which resulted in a New Musical Express review by Paul Morley. Morrissey also founded The Cramps fan club, the Legion of The Cramped, with another enthusiast for their music, Lindsay Hutton, although he progressively scaled down his involvement in the club over time, due to the increasing amount of time he was devoting to his own musical career.^[10]

Morrissey wrote several songs with Duffy, such as "Peppermint Heaven", "I Get Nervous" and "(I Think) I'm Ready for the Electric Chair", but none were recorded during the band's short lifespan, which ended the same year.^[11] After the Nosebleeds' split, Morrissey followed Duffy to join Slaughter & the Dogs, briefly replacing original singer Wayne Barrett. He recorded four songs with the band and they auditioned for a record deal in London. After the audition fell through, Slaughter & the Dogs became The Studio Sweethearts without Morrissey.^[11][12]

Morrissey for the time interrupted his music career, focusing instead on writing on popular culture. He published two works with Babylon Books: The New York Dolls (1981), about his favourite band; and James Dean Is Not Dead (1983), about Dean's brief career. A third book, Exit Smiling, which was actually written first (in 1980) and which dealt with obscure B-movie actors, was initially rejected and remained unpublished until 1998, when Morrissey had become famous and Babylon decided to publish it.

[edit] The Smiths

Main article: The Smiths

In 1982, Morrissey and guitarist Johnny Marr formed The Smiths, widely regarded as one of the most influential bands of the post-punk 1980s. They have been consistently acclaimed by the music press, most infamously the NME, whose seeming obsession with the band earned them the nickname the "New Morrissey Express". At the start of The Smiths, Morrissey decided to drop his forename, which he until then had used both in his publications and while a member of The Nosebleeds and Slaughter & the Dogs.

Signature themes of The Smiths' work include Morrissey's darkly witty lyrics and Marr's melodic and thickly-layered music. The band became a success in the UK, Ireland, and Australia, and grew into a cult phenomenon in the United States of America, where the band became known on college radio charts with songs such as "How Soon Is Now?" and "Panic." The band broke up in 1987 after Marr and Morrissey fell out over musical differences. Allegedly, Marr grew tired of the 1960s pop fixation, didn't wish to perform cover songs of 1960s British pop stars, and wanted to experiment with a wider array of styles.

Morrissey grew even more rigid in his recording methods, often recording his vocals alone, after the music tracks had already been laid, a technique also used by David Bowie. In 1989, in an interview with young fan Tim Samuels (who later became a BBC journalist), Morrissey said that the lack of a managerial figure and business problems were to blame for the split.^[13] The band released four proper studio albums and several compilations between 1984 and their breakup, including 1986's The Queen Is Dead, which has been placed highly on a number of critical "Greatest Album" lists.^[14] There have been many more compilations released since the group's demise. The group's back catalogue is now in the hands of Warners following Rough Trade's bankruptcy.

[edit] Solo career

Following The Smiths' split, Morrissey's first solo album, Viva Hate, was released in 1988. To create the album, Morrissey teamed up with former Smiths producer Stephen Street, Vini Reilly of Durutti Column, and drummer Andrew Paresi. The prevailing sound of the album is jangle pop, similar to that of the Smiths, though Reilly's guitar work adds more abrasive and atmospheric elements to the work. Viva Hate reached number one upon release, supported by such singles as "Suedehead" and "Everyday Is Like Sunday."

Morrissey initially planned to release a follow-up album entitled "Bona Drag" after releasing a few holdover singles from the Viva Hate sessions. As such, he released "The Last of the Famous International Playboys", "Interesting Drug", and "Ouija Board, Ouija Board" over the course of 1989. The first two of these became top ten hits. However, by the end of 1989 it became apparent that he would not be able to put out an album of new material soon enough. Morrissey decided to scrap the idea of a full-length LP and release Bona Drag as a compilation of singles and B-sides instead. Bona Drag (1990) collected these early singles along with further non-album cuts such as "November Spawned a Monster" and "Piccadilly Palare," along with the B-side "Hairdresser on Fire".

Mark Nevin's songwriting services were employed for the studio follow-up to Viva Hate, titled Kill Uncle. The album is often cited as the weakest in Morrissey's back catalog and the two singles released in promotion of the album, Our Frank and Sing Your Life failed to break the Top 20 on the singles charts. The band Morrissey assembled in 1991 for his Kill Uncle tour went on to record 1992's hit album Your Arsenal. Composition duties were split between guitarists Boz Boorer and Alain Whyte, who have been the core of Morrissey's band ever since. Your Arsenal was produced by former David Bowie guitarist Mick Ronson, and earned a Grammy nomination for best alternative album. The album peaked at #4 on the UK charts, with two of it's three singles, "We Hate It When Our Friends Become Successful" and "You're the One for Me, Fatty", both debuting in the Top 20 in the UK.

In 1994, Morrissey had a second number one album in the UK, with Vauxhall and I. One of the album's songs, "The More You Ignore Me, The Closer I Get," reached #8 in the UK and #46 in the US. That year, he also released a single "Interlude" in duet with Siouxsie Sioux of Siouxsie & the Banshees. Following the success of Vauxhall and I Morrissey began work on Southpaw Grammar in early 1995. When released in August, the album was a hit, peaking at #4 in the UK. However, both of it's singles failed to chart in the Top 20. With the exception of the single "Sunny" in that December it would be another year before Morrissey released a new album or single. Morrissey returned on a new record label in 1997 with the single "Alma Matters" in promotion of his album Maladjusted. Though the album was hailed as a return to form for Morrissey the album only peaked at #8 and it's further two singles, "Roy's Keen" and "Satan Rejected My Soul" were considered failures on the charts. Having left his new record label and lost a court case over Smiths royalties with former band mate Mike Joyce, Morrissey relocated from his Dublin home to Los Angeles in the late 1990s. It would be another seven years before he released another single or studio album.

[edit] Comeback

Though Morrissey had continued touring in the late 1990s and early 2000s, he did not have a record contract. In June 2003, Sanctuary Records group gave Morrissey the one-time reggae label Attack Records to record new material and to sign new artists.^[15] Morrissey's album You Are the Quarry was released on May 17, 2004 (one day later in the US). Guitarist Alain Whyte described the work as a mix between Your Arsenal and Vauxhall and I, and the album received strong reviews. The first single, "Irish Blood, English Heart," was released internationally on May 10, 2004. The single reached number three in its first week of sales in the UK singles chart. This was the highest placing chart position for Morrissey in his entire career as both a solo artist and the lead singer of The Smiths (the 2006 release "You Have Killed Me" also debuted at number three in its first week in the charts). Also, it has sold over a million copies, making the album his most successful one, solo or with The Smiths.

With the release of "I Have Forgiven Jesus" in December 2004, Morrissey along with McFly became the only artists to score four top-10 hits in the UK singles chart that year. In August of 2004, Morrissey was slated to headline a week-long set of shows on Craig Kilborn's The Late Late Show. Morrissey did not perform every night of the weeklong series due to a throat illness. He did, however, perform the following week.

Morrissey's next album, Ringleader of the Tormentors, debuted at number one in the UK album charts. The album cover is an allusion to the iconic Deutsche Grammophon record cover logo and design, with Morrissey posing as a violinist after the photos of Jascha Heifetz or Yehudi Menuhin. Recorded in Rome, it was released internationally on April 3, 2006, and one day later in North America. The album was produced by Tony Visconti, who has also worked with T. Rex, Anti-Flag and David Bowie. The subsequent 2006 international tour included more than two dozen gigs in the UK, including concerts at the London Palladium. Just prior to the album's release, Morrissey was photographed in Rome by Bryan Adams for the cover of 'Zoo Magazine'.

Morrissey was scheduled to appear at the 2005 Benicassim festival in Spain but pulled out at the last minute. On 9th January 2007, the BBC confirmed that it was in talks with Morrissey for him to write a song for the 2007 Eurovision Song Contest. The video for the single You Have Killed Me may be an affectionate homage to the style of the contest during the 1970s. If an agreement could be made, Morrissey would be writing the song for someone else, rather than performing it himself, a BBC spokesperson claimed.^[16] On 23 February 2007 the BBC ruled this out, and stated Morrissey would not be part of Britain's Eurovision entry.^[17][18]

[edit] 2008

In an interview on BBC Radio 5 Live with Tony Visconti, the producer stated that his new project would be "the next Morrissey album", though that this would not be forthcoming for at least a year. However, in an interview with the BBC News website in October 2007, he said that the album is already written and ready for a possible September 2008 release and that his deal with Sanctuary Records had come to an end. A possible deal with Warner Music had been tentatively made.^[19] In December he signed a new deal with Decca Records, which included a Greatest Hits album and a newly-recorded album to follow in autumn 2008. ^[20] In a reaction to the NME story, Morrissey pointed out that he would rather not be signed to a label^[21].

New songs slated for appearance on Morrissey's next album include "Something Is Squeezing My Skull", "Mama Lay Softly On The Riverbed", "I'm Throwing My Arms Around Paris" and "One Day Goodbye Will Be Farewell", which were performed at recent US and European live appearances. In August 2007, it was reported that Morrissey's residencies at Los Angeles and New York would be the last live shows he would perform for the "foreseeable future",^[22] but Morrissey denied these comments.^[23] While a NME article claimed that Morrissey turned down a near £40 M offer to reunite with Johnny Marr on a 50 date world tour^[24], Morrissey called the reunion tour a hoax^[25].

In January of 2008, Morrissey planned to play six consecutive shows at The Roundhouse in London, but he had to cancel the final dates due to illness. Despite lukewarm reviews, especially in the NME, the lack of airplay on British radio (except on XFM), and even the incredulity of fan sites, "That's How People Grow Up" reached the Top 15, reaching the 14th place of British charts and the 25th place in Germany. In early 2008, Morrissey released his third Greatest Hits album. Reviews were very mixed; reviewers noted that the album only includes songs which reached the Top 15 in the charts, putting the emphasis onto new songs, making the CD more suitable for new listeners than for old fans.{[3]} The album charted fifth in the British album chart on its week of release. A limited edition of the "Greatest Hits" album features an eight-track live CD which was recorded at the Hollywood Bowl in 2007.

For the recent single, "All You Need Is Me", Morrissey recorded two B-sides with Academy Award-winning Argentinian film composer, Gustavo Santaolalla. Santaolalla recorded two tracks, "Children In Pieces" and "My Dearest Love" in Los Angeles. Morrissey also performed on Santaolalla's album of modern tango music. On 29 May 2008, Morrissey parted ways with his manager of five years, Merck Mercuriadis, in favour of a new contract with IE Music, whose clients include Robbie Williams.^[26] On 30 May 2008, true-to-you.net stated that Morrissey's new studio album, "Years of Refusal", has 12 tracks and is produced by Jerry Finn. ^[27] According to the site, the album will be released in the UK in September 2008 by Polydor UK (Universal). The site did not indicate which Universal label will release the album in the US.

[edit] Image and politics

[edit] Music industry feuds

In 1996, The Smiths' drummer Mike Joyce sued Morrissey and Johnny Marr for outstanding royalties and won. Morrissey expressed bitter displeasure with the ruling on the track, "Sorrow Will Come in the End," from 1997's Maladjusted. The judge presiding over the case ruled that Morrissey was "devious, truculent and unreliable."^[28] However, the judges in the Court of Appeal stressed there was no suggestion that Morrissey had been dishonest.^[29]

Morrissey has criticized singers such as Madonna, Elton John, David Bowie and George Michael, generally claiming that their lyrics are pointless and are more interested in being celebrities than in their music. He has also had disagreements with The Cure's Robert Smith, who stated "If Morrissey says 'don't eat meat', then I'll eat meat, because I hate Morrissey".^[30] Morrissey also once openly wished that Morrissey & Marr: The Severed Alliance author Johnny Rogan "ends his days very soon in an M3 pile-up". Neil Tennant of the Pet Shop Boys co-wrote two songs inspired by Morrissey's public stereotyping as miserable and unloveable ("Getting Away with It" and "Miserablism"). ^[31] In the April 2004 edition of GQ, Morrissey stated that singer-songwriter David Bowie is "not the person he was. He is no longer David Bowie at all. Now he gives people what he thinks will make them happy, and they're yawning their heads off. And by doing that, he is not relevant. He was only relevant by accident." ^[32]

Reputed to be uninterested in compromise or record company marketing principles, Morrissey operated as a quasi-outsider in the music industry. Though his large and loyal fan base follow his every move, his albums Southpaw Grammar and Maladjusted had great trouble reaching a wider audience. Between 1999 and 2003, Morrissey was unable to find a record contract.

In 1994 Morrissey was criticized by Manic Street Preachers' bassist and lyricist Nicky Wire, in regards to comments that Morrissey had made about the British National Party. Other targets of his disapproval have been Band Aid, rap, reggae (a criticism he later retracted, stating that he was being facetious and that he grew up partly on the classic singles released by the British reggae label Trojan in the early to mid-1970s^[15]), rave and teenage pop stars.

[edit] Political leaders

Morrissey has always been politically outspoken, and the figures he has criticized include Oliver Cromwell, the British Royal Family, former Prime Minister of the United Kingdom Margaret Thatcher, former Prime Minister Tony Blair, and President of the United States George W. Bush. He has criticised both the two main centrist political parties of the United Kingdom, the Labour Party and the Conservative Party.

In a 1984 interview, Morrissey criticized the then Conservative Prime Minister, Margaret Thatcher, stating that "She is only one person. She can be destroyed. It is the only remedy for this country at the moment." Morrissey’s song "Such a Little Thing Makes Such a Big Difference" lyrics end with a caustic "Leave me alone, I was only singing / You have just proved again, most people keep their brains between their legs". Morrissey's first solo album, Viva Hate, included a track entitled "Margaret on the Guillotine", a tongue-in-cheek jab at Prime Minister Thatcher, which refferred to her being executed on a guillotine. ^[33]A controversial etching on the 12" vinyl record for Strangeways, Here We Come stated "Guy Fawkes was a genius." Fawkes was infamous for the 1605 Gunpowder Plot, in which he attempted to blow up the British Parliament.^[34]

At a Dublin concert on 5 June 2004, Morrissey caused controversy by announcing the death of former US President, Ronald Reagan and stating that he would have preferred it if the current President, George W. Bush, had died.^[35] In October 2004, Morrissey released a statement urging American voters to vote for Democratic Party candidate John Kerry for President, calling this vote a "logical and sane move" and a way to get rid of the then Republican President George W. Bush. Morrissey argued that "Bush has single-handedly turned the United States into the most neurotic and terror-obsessed country on the planet."^[36]

In February 2006, Morrissey said he had been interviewed by the Federal Bureau of Investigation (FBI) and by British intelligence after having spoken out against the American and British governments. Morrissey said "The FBI and the Special Branch have investigated me and I've been interviewed and taped and so forth. They were trying to determine if I was a threat to the government, it didn't take them long to realise that I am not."^[37]During a January 2008 concert Morrissey remarked "God Bless Barack Obama" and ranted against "Billary Clinton" (a pun on Hillary Clinton). The anti Clintons rant followed a performance of "The World Is Full of Crashing Bores" ^[38], in reference to the 2008 Democratic Party campaign to become presidential candidate in the U.S.

[edit] Accusations of racism

Morrissey was accused of racism during part of the 1980s and much of 1990s, in part due to the ambiguous lyrics in songs such as "Bengali In Platforms", "Asian Rut" and "National Front Disco". They also stemmed from Johnny Rogan's biography of the singer, which claimed that in his late teens, the singer wrote "I don't hate Pakistanis, but I dislike them immensely"; Rogan does not provide a substantiating source. In 2006, Liz Hoggard from The Independent argued that "Morrissey didn't help his case with an uneasy flirtation with gangster imagery: he took up boxing and was accompanied everywhere by a skinhead, [named] Jake." She claimed that the "man who abhorred violence became strangely fascinated by it."^[39]

A trigger for much of the criticism was Morrissey's performance at the first Madness Madstock! reunion concert at Finsbury Park, London, in 1992, in which he appeared on stage draped in the Union Flag, a symbol often associated with nationalism and hence with far right groups in Britain. As a backdrop for this performance, he chose a photograph of two female skinheads. The British music magazine NME responded to this performance with a lengthy examination of Morrissey's attitudes to race, claiming that the singer had "left himself in a position where accusations that he's toying with far-right/fascist imagery, and even of racism itself, can no longer just be laughed off with a knowing quip".^[40]

In the early days of The Smiths, Morrissey stated that "all reggae is vile", leading to the first reports of his alleged racism. He later explained that this was a tongue-in-cheek answer to "wind up the right-on 1980s NME" and that he grew up partly on the classic singles released by the British reggae label Trojan in the early to mid-1970s.^[41][15] The Smiths' "Panic", released in July 1986, fades out with the refrain "hang the DJ, hang the DJ, hang the DJ..." Rogan's biography reports that initial critical response to this content was interpreted as distaste for the increasing influence of rap and R&B over popular music at the time.

Critics of the racism allegations point to Morrissey’s involvement in organizations such as Amnesty International and almost performing at an anti-Apartheid concert.^[42][43] Morrissey has also been quoted as saying "If I am racist then the Pope is female. Which he isn't," and "If the National Front were to hate anyone, it would be me. I would be top of the list." He qualified that by saying that far-right rage "is simply their anger at being ignored in what is supposed to be a democratic society."^[44] In the 2002 documentary, "The Importance of Being Morrissey", he posits the question, "Why on earth would I be racist? What would I be trying to achieve?" In the film, he also takes issue with those who fail to discern the subtlety of his supposedly racist lyrics, stating that "Not everybody is absolutely stupid."

In 1999 Morrissey commented on the rise of Austrian far-right politician Jörg Haider, stating "This is sad. Sometimes I don't believe we live in an intelligent world."^[45] In 2004 he signed the explicitly anti-fascist Unite Against Fascism statement,^[46] and in 2008 he made a personal donation to the organisers of the Love Music Hate Racism concert in London after the withdrawal of a sponsor left the event facing a financial shortfall.^[47]

In 2007 NME printed an interview with Morrissey where he was quoted as saying, "Britain's a terribly negative place. And it hammers people down and it pulls you back and it prevents you. Also, with the issue of immigration, it's very difficult because although I don't have anything against people from other countries, the higher the influx into England the more the British identity disappears." In the same article, he called racism "silly" and "beyond reason", and said he would be "pilloried" for his comments. ^[48] The interview was conducted by Tim Jonze. Jonze asked to have his name removed from the article, saying he was unhappy with how it had been "rewritten" by the NME, but also stating he had found Morrissey's comments "offensive" and disapproved of them. ^[49]

Morrissey's lawyers are now pressing legal action against NME for defamation, with the magazine declining to print a retraction or apology. ^[50] Within days of issuing the writ against NME, Morrissey also released a detailed explanation of his side of the story via an online fanzine. The statement included a firmly worded rebuttal against the accusations of racism, a condemnation of racism itself and an exposition on his belief that NME's editor had deliberately staged and scandalised the outcome of the interview in an orchestrated attempt to boost the paper's "dwindling circulation". ^[51]In 2008, Word magazine was forced to apologise in court for an article by David Quantick that accused Morrissey of being a racist and a hypocrite. ^[52]

[edit] Animal rights

Morrissey has been vegetarian since he was 11 years old. Morrissey explained his vegetarianism by saying "If you love animals, obviously it doesn't make sense to hurt them."^[53] Morrissey is an advocate for animal rights and a supporter of People for the Ethical Treatment of Animals (PETA). In recognition of his support, PETA honoured him with the Linda McCartney Memorial Award at their 25th Anniversary Gala on September 10, 2005.^[54]Morrissey has been known to wear leather, stating in 1986 that "there is simply no sensible alternative" to leather shoes. He has also said "I find shoes difficult to be ethical about - one just can't seem to avoid leather. One is trapped, ultimately."^[55] Morrissey notably named one of his songs "Meat is Murder", which shared its name with the album it was featured on. It was the second studio album (and third overall album) of The Smiths.

In January 2006, Morrissey attracted criticism after stating he accepts the motives behind the militant tactics of the Animal Rights Militia, saying "I understand why fur-farmers and so-called laboratory scientists are repaid with violence - it is because they deal in violence themselves and it's the only language they understand."^[56]

Morrissey has criticised people who are involved in the promotion of eating meat, specifically Jamie Oliver and Clarissa Dickson Wright — the latter already targeted by some animal rights activists for her stance on fox hunting. In response, Dickson-Wright stated “Morrissey is encouraging people to commit acts of violence and I am constantly aware that something might very well happen to me.” The Conservative MP David Davis criticised these comments, though his party leader David Cameron is well known to be a Smiths fan.^[57] On March 27, 2006, Morrissey released a statement that he would not include any concert dates in Canada on his world tour that year — and that he supported a boycott of all Canadian goods — in protest of the country's annual seal hunt, which he described as a "barbaric and cruel slaughter".^[58]

[edit] Sexuality

Morrissey's sexuality has been a matter of debate, and this has been fuelled by many conflicting statements from the singer, in none of which he has explicitly stated his sexual orientation. "Morrissey has always taken great pains to maintain the ‘undecidable’ nature of his sexuality." In 1983 he claimed to be "a kind of prophet for the fourth sex", on the grounds that he was "bored with men and ...bored with women." In 1984, he stated that he refused "to recognise the terms hetero-, bi-, and homo-sexual" because "everybody has exactly the same sexual needs." ^[59]A 1984 Smiths article in Rolling Stone stated that Morrissey "admits he's gay" but Morrissey replied that it was news to him and the article used the term "fourth-gender" in its title.^[60]

The speculation was further fuelled by the references to gay subculture and slang in his lyrics. In 2006, Liz Hoggard from The Independent noted that "...[o]nly 15 years after homosexuality had been decriminalised, his lyrics flirted with every kind of gay subculture"; for example, she claims that "This Charming Man" "is about age-gap, gay sex"^[61]Reviewer Stephen Thomas Erlewine claims that lyrics to The Smiths single "Hand in Glove" have "veiled references to homosexuality".^[62]As well, fans noted "Morrissey's admiration for gay icons such as Oscar Wilde and James Dean, and his references to gay culture (as in the picture of openly gay Andy Warhol star Joe Dallesandro on the cover of The Smiths' debut album..."^[63]

Throughout much of his career, he maintained in interviews that he was asexual and celibate. Johnny Marr stated in a 1984 interview that "Morrissey doesn't participate in sex at the moment and hasn't done so for a while, he's had a lot of girlfriends in the past and quite a few men friends".^[64] In 1986, Morrissey claimed that he was "dramatically, supernaturally, non-sexual." In a 1994 interview, he claimed that "sex is actually never in my life", and as such, he argued that "I have no sexuality." In 1995, he claimed "I’d like to have a sex life, if possible." ^[65]In a 1997 interview he revealed he had been in a relationship with someone for two years but that it had ended and the person in question had just stopped loving him. He did not reveal the gender of his partner or whether it was a sexual relationship. However, he did admit to caring deeply and he stated that he had hoped that they had shared similar feelings.^[66]In a 2006 NME interview, he stated that he was no longer celibate, but he did not give any additional details. A 2006 article in UK paper The Independent stated that the singer "...has even hinted at a late-blooming sex life." ^[67]

Morrissey frequently tells interviewers who ask him about his sexuality that the question is irrelevant to his music, or he gives an evasive or ambiguous response. Morrissey once said that "I refuse to recognize the terms hetero-, bi-, and homo-sexual. Everybody has exactly the same sexual needs. People are just sexual, the prefix is immaterial".^[68]. While the debate over Morrissey's sexuality has become widespread on fan websites, including attempts to analyze the meaning of his ambiguous song lyrics, their attempts are often stymied, because, as The Times critic Tom Gatti puts it, "Morrissey’s music [i.e., his lyrics] offers infinite capacity for interpretation" because "they are too flexible, too rich, too textured.”^[69]

[edit] Solo discography

Main article: Morrissey discography

• Viva Hate (1988)
• Kill Uncle (1991)
• Your Arsenal (1992)
• Vauxhall and I (1994)
• Southpaw Grammar (1995)
• Maladjusted (1997)
• You Are the Quarry (2004)
• Ringleader of the Tormentors (2006)
• Years of Refusal (2008)

[edit] Bibliography

[edit] Primary

Before gaining widespread recognition with The Smiths, Morrissey (then still with forename) wrote a number of booklets on his favourite cultural subjects, music and film.

• New York Dolls (Babylon Books; 1981, 1995² ISBN 0-907188-50-8)
• James Dean Is Not Dead (Babylon Books; 1983, 1984², 1997³ ISBN 0-907188-06-0)
• Exit Smiling (Babylon Books; 1998 [written in 1980, discusses a number of Morrissey's favourite, obscure B-movie actors] ISBN 0-907188-47-8)

[edit] Secondary

• David Bret. Morrissey: Landscapes of the Mind
• David Bret. Morrissey: Scandal and Passion
• Kevin Cummins. The "Smiths" and Beyond
• Phill Gatenby. Morrissey's Manchester
• Simon Goddard. The Smiths: Songs That Saved Your Life
• Morrissey and John Robertson. Morrissey: In His Own Words
• Sébastien Raizer. Morrissey : Histoire d'un dandy rebelle
• Pat Reid. Morrissey
• Johnny Rogan. Morrissey and Marr: The Severed Alliance
• Johnny Rogan. Morrissey
• Johnny Rogan. Morrissey: The Albums
• Mark Simpson. Saint Morrissey: A Portrait of This Charming Man by an Alarming Fan
• Jo Slee. Peepholism: Into the Art of Morrissey
• Marc Spitz. How Soon Is Never
• Linder Sterling.Morrissey Shot (a book of photographs)

v • d • e Morrissey Albums Viva Hate · Kill Uncle · Your Arsenal · Vauxhall and I · Southpaw Grammar · Maladjusted · You Are the Quarry · Ringleader of the Tormentors · Years of Refusal Live albums Beethoven Was Deaf · Live at Earls Court Compilations Bona Drag · World of Morrissey · Suedehead: The Best of Morrissey · My Early Burglary Years · The Best of Morrissey · The CD Singles '88-91' · The CD Singles '91-95' · Greatest Hits Singles "Suedehead" · "Everyday Is Like Sunday" · "The Last of the Famous International Playboys" · "Interesting Drug" · "Ouija Board, Ouija Board" · "November Spawned a Monster" · "Piccadilly Palare" · "Our Frank" · "Sing Your Life" · "Pregnant for the Last Time" · "My Love Life" · "We Hate It When Our Friends Become Successful" · "You're the One for Me, Fatty" · "Certain People I Know" · "The More You Ignore Me, the Closer I Get" · "Hold on to Your Friends" · "Interlude" · "Boxers" · "Dagenham Dave" · "The Boy Racer" · "Sunny" · "Alma Matters" · "Roy's Keen" · "Satan Rejected My Soul" · "Irish Blood, English Heart" · "First of the Gang to Die" · "Let Me Kiss You" · "I Have Forgiven Jesus" · "Redondo Beach/There Is a Light That Never Goes Out" · "You Have Killed Me" · "The Youngest Was the Most Loved" · "In the Future When All's Well" · "I Just Want to See the Boy Happy" · "That's How People Grow Up" · "All You Need Is Me" Related articles Discography · The Smiths · Boz Boorer · Alain Whyte · Jesse Tobias · Stephen Street · Mick Ronson · Steve Lillywhite · Jerry Finn · Tony Visconti · HMV · Sire Records · Sanctuary Records

v • d • e The Smiths Morrissey · Johnny Marr · Andy Rourke · Mike Joyce Craig Gannon · Dale Hibbert Studio albums The Smiths · Meat Is Murder · The Queen Is Dead · Strangeways, Here We Come Band-assembled compilation albums Hatful of Hollow · The World Won't Listen · Louder Than Bombs Live albums Rank Compilation albums Stop Me · Best...I · ...Best II · Singles · The Very Best of The Smiths Singles "Hand in Glove" · "This Charming Man" · "What Difference Does It Make?" · "Heaven Knows I'm Miserable Now" · "William, It Was Really Nothing" · "How Soon Is Now?" · "Shakespeare's Sister" · "That Joke Isn't Funny Anymore" · "The Boy with the Thorn in His Side" · "Bigmouth Strikes Again" · "Panic" · "Ask" · "Shoplifters of the World Unite" · "Sheila Take a Bow" · "Girlfriend in a Coma" · "I Started Something I Couldn't Finish" · "Last Night I Dreamt That Somebody Loved Me" · "Stop Me If You Think You've Heard This One Before" · "There Is a Light That Never Goes Out" · "Sweet and Tender Hooligan" Related articles Rough Trade Records

[edit] Notes and references

[edit] External links

• Morrissey's official website
• myspace.com/morrissey – the official Morrissey Myspace page
• Passions Just Like Me Complete Morrissey/Smiths-Discography

Persondata
NAME	Morrissey
ALTERNATIVE NAMES	Morrissey, Steven Patrick
SHORT DESCRIPTION	English Singer
DATE OF BIRTH	May 22, 1959
PLACE OF BIRTH	Manchester, England
DATE OF DEATH
PLACE OF DEATH