Morphological Echo

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Morphological Echo
Salvador Dalí, 1934-36
Oil on panel
64 × 54 cm, 25.20 × 21.26 in
Salvador Dalí Museum, St. Petersburg, Florida

Morphological Echo is a title shared by two oil on panel paintings created by the Spanish surrealist Salvador Dalí.

The first of these works was painted between 1934 and 1936 and measures 64 x 54 cm. It depicts a seemingly minimal architectural setting with several surrealist images in its finer details. In the distance is a wall housing a bell resembling the figure of a woman in bundled skirts. In the distance towards the center is a strangely eroded rock form.

The most significant element of this image is a small figure in the lower right of a woman running with a large hoop. In the shadow cast by the figure, her arms appear to merge into a circle around her head. The shadow cast by the figures head takes on the appearance of the hub of a wheel.

This painting is displayed at the Salvador Dalí Museum in St. Petersburg, Florida on loan from the E. and A. Reynolds Morse collection.

The second work by this title was painted in 1936 and measures 12 x 13”. It depicts a table with three objects set upon it. In the distance beyond the table are six more objects in two horizontal rows of three. These objects roughly resemble the three shapes they are aligned with on the table. This painting is owned by the Salvador Dalí Museum.

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Salvador Dalí
List of works
Selected
Paintings
Landscape Near Figueras (1910) • Vilabertrin (1913) • Fiesta in Figueres (1914-16) • Port of Cadaqués (Night) (1918-19) • The Artist's Father at Llane Beach (1920) • The Garden of Llaner (Cadaqués) (1920-21) • Cabaret Scene (1922) • Cubist Self-Portrait with "La Publicitat" (1923) • Self-portrait with L'Humanitie (1923) • Portrait of Luis Bunuel (1924) • Siphon and Small Bottle of Rum (1924) • The Basket of Bread (1926) • Honey Is Sweeter Than Blood (1927) • The Lugubrious Game (1929) • The First Days of Spring (1929) • The Great Masturbator (1929) • The Persistence of Memory (1931) • The Ghost of Vermeer of Delft Which Can Be Used As a Table (1934) • Morphological Echo (1934-36) • Archaeological Reminiscence of Millet's Angelus (1935) • Autumn Cannibalism (1936) • Lobster Telephone (1936) • Soft Construction with Boiled Beans (Premonition of Civil War) (1936) • The Burning Giraffe(1937) • Metamorphosis of Narcissus (1937) • Swans Reflecting Elephants (1937) • Apparition of Face and Fruit Dish on a Beach (1938) • The Sublime Moment (1938) • Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time (1939) • The Face of War (1940) • Slave Market with the Disappearing Bust of Voltaire (1940) • Honey is Sweeter than Blood (1941) • Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening (1944) • Galarina (1944-45) • Basket of Bread (1945) • 'The Temptation of Saint Anthony (1946) • The Elephants (1948) • Leda Atomica (1949) • The Madonna of Port Lligat (1949) • Christ of Saint John of the Cross (1951) • Galatea of the Spheres (1952) • The Disintegration of the Persistence of Memory(1952-54) • Crucifixion (Corpus Hypercubus) (1954) • Young Virgin Auto-Sodomized by the Horns of Her Own Chastity (1954)  • The Sacrament of the Last Supper (1955) • Still Life Moving Fast (1956) • The Discovery of America by Christopher Columbus (1958-59) • Tuna Fishing (1966-1967) • The Hallucinogenic Toreador (1968-1970) • La Toile Daligram (1972) • The Swallowtail (1983) •
Other works
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