Moritz Daniel Oppenheim

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Moritz Daniel Oppenheim (January 7, 1800, Hanau, Germany – February 26, 1882, Frankfort-on-the-Main) was a German painter who is often regarded as the first Jewish painter of the modern era. His work was informed by his cultural and religious roots at a time when many of his German Jewish contemporaries chose to convert. Oppenheim is considered by the scholar Ismar Schorsch to be in sympathy with the ideals of the Wissenschaft des Judentums movement, because he remained "fair to the present" without denying his past.

Contents 1 Biography 2 Selected Works 3 External links 4 References

[edit] Biography

Oppenheim was born to Orthodox Jewish parents at Hanau, Germany in 1800; he died at Frankfort-on-the-Main in 1882.

He received his first lessons in painting from Westermayer, in Hanau, and entered the Munich Academy of Arts at the age of seventeen. Later he visited Paris, where Jean-Baptiste Regnault became his teacher, and then went to Rome, where he studied with Thorwaldsen, Niebuhr, and Overbeck. There he studied the life of the Jewish ghetto and made sketches of the various phases of its domestic and religious life, in preparation for several large canvases which he painted upon his return to Germany. In 1825 he settled at Frankfort, and shortly after exhibited his painting David Playing Before Saul, to see which a great number of admirers from all parts of Europe visited his studio. In 1832, at the instance of Goethe, Charles Frederick, Grand Duke of Saxe-Weimar-Eisenach conferred upon him the honorary title of professor.

[edit] Selected Works

The Return of the Jewish Volunteer Portrait of Leopold Zunz Portrait of Fanny Hensel (1842) Oppenheim's studies of Jewish life, his pictures of Emperor Joseph II and Moses Mendelssohn, and his portraits from life of Ludwig Börne and other contemporary Jewish notables, established his reputation as one of the foremost Jewish artists of the nineteenth century. His Return of the Jewish Volunteer is amongst his most famous works, and was frequently reproduced; others include Mignon and the Harper, Italian Genre Scene, Confirmation, and Sabbath Blessing. All these are characteristic examples of his power of conception and skill at grouping. [edit] External links The Wedding, 1861 – Moritz Oppenheim The Israel Museum, Jerusalem Moritz Oppenheim retrospective The Jewish Museum Frankfurt and the Museum Hanau Schloss Philippsruhe Moritz Daniel Oppenheim Besuch in der Skulpturengalerie] 1865 auf Leinwand Museum Hanau Schloß Philippsruhe [edit] References This article incorporates text from the 1901–1906 Jewish Encyclopedia article "Oppenheim, Moritz Daniel" by Isidore Singer and Frank Cramer, a publication now in the public domain. Jewish Expression in Twentieth-Century Fine Arts Moritz Daniel Oppenheim in the German National Library catalogue Museen Hanau: Die Entdeckung des jüdischen Selbstbewußtseins in der Kunst Georg Heuberger/Anton Merk: Die Entdeckung des jüdischen Selbstbewußtseins in der Kunst Der Zyklus "Bilder aus dem altjüdischen Familienleben" und sein Maler Georg Heuberger/Anton Merk: Moritz Daniel Oppenheim - Die Entdeckung des jüdischen Selbstbewußtseins in der Kunst. Wienand Verlag 1999. Ruth Dröse, Frank Eisermann, Monica Kingreen, Anton Merk: Der Zyklus "Bilder aus dem altjüdischen Familienleben" und sein Maler Moritz Daniel Oppenheim. CoCon-Verlag Hanau. ISBN 3-928100-36-X Wikimedia Commons has media related to: Moritz Daniel Oppenheim