Morava school

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The Morava School is signifying the architectural establishments of Byzantine architecture in Serbia from 1370-1459. The chruches and monasteries were build by the rulers Lazar Hrebeljanović (1370 -1389), Stefan Lazarević (1402-1427) und Đurađ Branković (1427-1456) and their nobleman. The first endowment was the royal tomb of Ravanica. The main achievement of the Morava School ist the splendor of the sculptural elements. The decorative stone plastic of the Moravska School represents one of the most original artistic achievements of mediaeval Serbian art. Decorative elements characteristic of this artistic school typically consist of geometric arabesque with stylized floral ornaments, which include only scarce figurative details. As fragments of the plastic decoration from the almost completely destroyed Church of Saint Steven in village Milentija testify, this sculpture was usually painted, and thus, very vivid in effect.

[edit] History

The achitecture in Serbia, from about 1370 until its fall to the Orromans in 1459, was very experimental. During this time of adverse political circumstances, a remarkable flurry of building activity took plce. Labweled the "Morava School" and declared a "natinal style" by Gabriel Millet, it awaits a proper assessment from aesthetic and other points of view. Th katholikon of Ravanica Monatery, built in the 1370s, may be considered the inaugural statement of this style, which drew its characteristcs from Mount Athos, from Serbian architecture itself of the 1340s and 1350s, and from other still unclear sources. The appearance of lateral apses along the flanks of the ravanica church clearly suggests the growing importance of the Athonite monastic formula, juxtaposed hre with the five-domed church scheme. The most perplexing aspect of this architecture however ar ts sculptural lements, whose sheer quantity, exuberance, and variety of motifs have defied explanations. Evident on a large number of buildins, from Lazarica in Krusevac to Naupara, Rudenica, Veluce, Ljubostinja, and Milentia, the style of decoration displays affinities with Armenia and Georgia, the world of Islam, and even Venice and the West Its persistence into the fifteenth century, on church facades such as that of Kalenic Monastery (build 1413-1417), reveals the vitalityof this new medium, which in ts later stages began to incorporate human and animal forms, often related to mythological themes presumably drawn from manuscript illuminations. In the waning years of Serbia#s independence, the imminent threat of Ottoman forces prompted major efforts in fortification architecture. Nor did this security-related phenomenon bypass religious settings. The Manasija (Resava) Monastery in Serbia, for example, incorporates a system of massive walls, ten towers, and a huge donjon, all biult in 1407-1418. Endowed by the Serbian despot Stefan Lazarevic, the strongly defended Manasija became not only his final resting place but also the last major center of cultural activity in Serbia before its fall to the Ottomans in 1459.

[edit] Literature

• Slobodan Curcic: Some Uses (and Reuses) of Griffins in Late Byzantine Art. In: Byzantine East, Latin West: Art-Historical Studies in Honor of Kurt Weitzmann, edited by Christopher Moss and Katherine Kiefer, pp. 597–604. Princeton, 1995.
• Slobodan Curcic: Religious Settings of the Late Byzantine Sphere. In: Byzantium: Faith and Power (1261-1557), edited by Helen Evans (The Metropolitan Museum of Art, New York, 2004).
• Vojislav J. Duric: La peinture murale de Resava: Ses origines et sa place dans la peinture byzantine. In: Moravska skola i njeno doba: Nauchmi skup u Resavi 1968 / L'École de la Morava et son temps: Symposium de Résava 1968, edited by Vojislav J. Duric, pp. 277–91. Belgrade, 1972.
• Helen C. Evans, ed., Byzantium: Faith and Power (1261-1557), exh. cat. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2004. 658 pp., 721 color ills., 146 b/w.
• Nadežda Katanić: Dekorativna kamena plastika Moravske škole'. Prosveta, Republički zavod za zaštitu spomenika kulture, Beograd, 1988. ISBN 86-07-00205-8
• Tania Velmans: Infiltrations occidentales dans la peinture murale byzantine au XIVe et au début du XVe siècle. In: Moravska skola i njeno doba: Nauchmi skup u Resavi 1968 / L'École de la Morava et son temps: Symposium de Résava 1968, edited by Vojislav J. Duric, pp. 37–48. Belgrade, 1972.