Monica Sone

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Monica Sone
Born Kazuko Itoi
December 21, 1919 (1919-12-21) (age 88)
Occupation novelist
Nationality USA
Genres autobiography
Subjects Japanese American internment
Notable work(s) Nisei Daughter (1953/1987)
Spouse(s) Geary Sone
Literature portal

Monica Sone (b. Kazuko Itoi, 1919 in Seattle, Washington) is a Japanese American novelist, best known for her 1953 autobiographical bildungsroman Nisei Daughter, which tells of the Japanese American experience in Seattle during the 1920s and 30s, and in the World War II internment camps and which is an important text in Asian American Studies courses.

Contents

[edit] Biography

[edit] Early life

Sone grew up in Seattle's Skid Row, where her parents, immigrants from Japan, managed a hotel. Like many Japanese American children, her education included both American classes and extra, Japanese cultural courses. She and her family visited Japan, where she realized how American she truly is. In her late teens, she contracted tuberculosis and spent nine months in a sanitarium.[1]

During the War, she and her family were interned in the camps at Puyallup Civilian Assembly Center and at the Minidoka War Relocation Center in Hunt, Idaho. In 1942, Sone was allowed to leave the camp to attend Wendell College in Indiana, where she spent time living with a white family.[2] She eventually received a degree in clinical psychology from Case Western University.[3]

[edit] Nisei Daughter

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Monica Sone’s Nisei Daughter is written in a narrative that is chronological. The author does not use flashbacks or dwell on memory and the past; rather, she is forward-looking as she gives an account of the high points of her life. In content and in tone, the book is very approachable, with uncomplicated vocabulary and descriptive images that allow the modern reader entry into the author’s world of the 1920’s and 1930’s. The entire story is told from Sone’s perspective as she details her personal experiences and relationships, though the reader may assume that her story resembles that of other nisei girls growing up at the same time that she did.

Although the twelve chapters of the book have titles that name twelve separate and important main events, Nisei Daughter reads far better as a seamless whole than as twelve separate episodes. The book does not resemble a collection of unrelated short stories or discrete essays because the same pivotal characters – Sone and her immediate family – change and age throughout the book, and the reader shares their accumulating successes and misfortunes. Sone gives her readers a personal yet public account, describing details of family, friends, and community life that are set before a backdrop of important political events being played out between Japan and the United States. Thus, what emerges is a winsome description of growing up in troubled times and of the very human and specific impact of more global, government actions. The cover photograph of the book shows Sone and her sister smiling and sitting on the steps of the Carrollton Hotel, their father’s establishment, in 1932. The theme of nearly two-thirds of the book is captured in that one photograph: two girls, contentedly growing up within the circle of their family. The book contains no other illustrations.

Exposition concerning the courtship and marriage of Sone’s parents and the births of their four children begins the book. A comfortable childhood existence is nostalgically portrayed in the environs of the Skid Road Hotel, which Mr. Itoi operates near the Seattle waterfront. He is portrayed as a hard worker and a resourceful provider, refusing rooms to characters who seem drunken or otherwise unsavory, and continually repairing and improving his establishment. Mrs. Itoi is more colorfully portrayed as a woman who is capable of having fun and who wants to indulge her children in their creativity and their whims. The “shocking” fact of life that Sone discovers when she is six is that she is Japanese, and because of that fact she and her siblings must attend daily sessions at a special Japanese school rather than play after their regular grammar school recesses. The conflict between Sone’s Japanese heritage and her American situation is developed throughout the book as its main theme, as the author continually searches for who she is and where she belongs. Analysis

Adolescents of all ethnic backgrounds are aware of a generation gap between themselves and their parents. As Sone grew up, however, she was also necessarily growing away from her Japanese culture, becoming more and more Americanized. She wanted to convince her Japanese parents that she should be allowed to participate in such American activities as studying ballet or having a boyfriend, but these ideas were not tolerated by her father, who saw such behavior as running contrary to Japanese tradition. He associated ballet dancing with geisha girls and would never consent to his daughter’s entering that profession. Furthermore, he believed that parents should select a future spouse for their child. He wanted his daughter to attend business school, but Sone had her heart set on enrolling in a university.

Yet, as Frank Miyamoto observes in the introduction to the book, Sone seemed to have a more intimate and companionable relationship with her mother than was true of most nisei children. Her mother was a refuge and shelter for Sone and her siblings, and she was very much a nurturer. Because she came to the United States at seventeen, before the pattern of Japanese culture had been too firmly established within her, she cooked mainly Western meals for her family. She seemed more sympathetic to her children’s needs, perceptions, and values than did a neighbor, Mrs. Matsui, who tried vigilantly to foist “old country” manners, mores, and punishment upon her unwilling and resistant children.

Although, in Sone’s world, parents and children did not always understand one another or agree, her home situation was one of love, support, and good humor. Her family celebrated their heritage with a community picnic in Jefferson Park, commemorated the new year both Western style and Japanese style, enjoyed a trip to Japan, grieved together at the death of Sone’s brother Kenji from illness, encountered racial discrimination when they sought to rent a summer vacation home on the coast, and, most of all, endured months of hardship confined in relocation camps with thousands of other Japanese Americans.

Nisei Daughter is a critically important document in a number of respects – personally, sociologically, and historically. In addition to exploring the personal life of a girl growing up among her family, sociologically the book depicts the influence of the environment on a developing personality. Her street—with its fishing pier, second-hand clothing store, tavern, mission hall, café, hot dog stand, and cigar shop—sparked the imagination of Sone and her siblings. Sone’s nine-month recuperation in a tuberculosis sanatorium, forcing her association with Western girls, made her aggressive, opinionated, and talkative. She herself noticed the personality change at the end of her stay when she met two new patients, both nisei girls. The girls behaved with “the utmost decorum becoming to modest maidens,” making Sone feel as if she “were a spy at large … lung[ing] at the visitor and … cross-examining him.”

Historically, the book highlights the experiences of the children of Japanese immigrants during World War II. Because the Japanese bombing of Pearl Harbor led the U.S. government to suspect all Japanese Americans of espionage activities, the president issued Executive Order 9066. This order declared that people with any Japanese blood, whether legal aliens or American citizens, must liquidate their property and relocate to inland “camps” (usually racetracks or fairgrounds) away from the Pacific Coast. Such camps had armed guards and were surrounded by barbed wire; conditions were crowded, and the food was poor. Sone and her family were moved twice, once to a camp in Washington State and then to a larger one on an Idaho prairie. Her personal accounts of camp life, while poignantly illuminating, are not always bleak. The description of her brother’s wedding, from the preparations to the reception, is humorous and heartwarming. Bonds of friendship with both Japanese and white people finally transcended the forced internment. The book concludes in optimism, describing how Sone left the camp and fulfilled her lifelong goal of attending college. (http://www.enotes.com/nisei-daughter-salem/nisei-daughter)

[edit] Marriage and children

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Sone and her husband, Geary Sone, had four children, whom they raised in Canton, Ohio.[4]

[edit] Philosophical and/or political views

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[edit] Published works

  • Nisei Daughter (Boston: Little Brown (or U of Washington P), 1953; reprint, Seattle: U of Washington P, 1987 (or 1979))

[edit] Awards

[edit] References

  1. ^ NextText.com Biography (accessed March 2008)
  2. ^ in Nisei/Sansei: Shifting Japanese American Identities and Politics by Jere Takahashi, p.102 (accessed via Google Books, March 2008)
  3. ^ see NextText.com Biography
  4. ^ See NextText.com Biography

[edit] Critical studies

as of March 2008:

  1. Monica Sone By: A. Robert Lee, IN: Madsen, Asian American Writers. Detroit: Gale; 2005. pp. 279-82
  2. Home, Memory, and Narrative in Monica Sone's Nisei Daughter By: Warren D. Hoffman, IN: Lawrence and Cheung, Recovered Legacies: Authority and Identity in Early Asian American Literature. Philadelphia: Temple UP; 2005. pp. 229-48
  3. Truth and Talent in Interpreting Ethnic American Autobiography: From White to Black and Beyond By: Kimberly Rae Connor, IN: Long, White Scholars/African American Texts. New Brunswick, NJ: Rutgers UP; 2005. pp. 209-22
  4. A Two-Headed Freak and a Bad Wife Search for Home: Border Crossing in Nisei Daughter and The Mixquiahuala Letters By: Janet Cooper, IN: Benito and Manzanas, Literature and Ethnicity in the Cultural Borderlands. Amsterdam: Rodopi; 2002. pp. 159-73
  5. Nisei Daughter by Monica Sone By: Traise Yamamoto, IN: Wong and Sumida, A Resource Guide to Asian American Literature. New York, NY: Modern Language Association of America; 2001. pp. 151-58
  6. Protest and Accommodation, Self-Satire and Self-Effacement, and Monica Sone's Nisei Daughter By: Stephen H. Sumida, IN: Payne, Multicultural Autobiography: American Lives. Knoxville: U of Tennessee P; 1992. pp. 207-47
  7. Japanese American Women's Life Stories: Maternality in Monica Sone's Nisei Daughter and Joy Kogawa's Obasan By: Shirley Geok-lin Lim, Feminist Studies, 1990 Summer; 16 (2): 288-312.

[edit] See also

Literature Portal

[edit] External links

Persondata
NAME Monica Sone
ALTERNATIVE NAMES
SHORT DESCRIPTION autobiographer, Nisei Daughter
DATE OF BIRTH 1919
PLACE OF BIRTH Seattle
DATE OF DEATH
PLACE OF DEATH