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Sōen Nakagawa

Information
Born: March 19, 1907(1907-03-19)
Place of birth: Iwakuni, Yamaguchi, Japan
Died: March 11, 1984 (aged 76)
Religion: Rinzai
Title(s): Roshi
Workplace: Ryutakuji
Education: Tokyo Imperial University
Predecessor(s): Gempo Yamamoto
Successor(s): Eido Tai Shimano
Kyudo Nakagawa
Sochu Suzuki
Fujimori Kozen
Website

Portal:Buddhism

Sōen Nakagawa (March 19, 1907March 11, 1984) was one of the most influential of Japanese Rinzai masters to teach Zen Buddhism in the United States. Sōen was particularly known for his poetry, and throughout life he had retained a special admiration for the haiku poetry of the Zen monk Matsuo Bashō. Known for his maverick personality and his constant questioning of Zen orthodoxy, in 1982 he presented Maurine Stuart with the title of roshi; although Sōen did not officially confer inka to Stuart—this was the first time a female in the United States had been recognized as a roshi in the Rinzai school. It would not be until 1994 that a woman would receive this status in an official capacity, which happened when Roko Sherry Chayat received inka from her teacher Eido Tai Shimano (who is one of five Dharma heirs of Sōen). Sōen's overall influence in shaping Zen practice in the United States was rather extraordinary, with influential teachers such as Philip Kapleau and Robert Baker Aitken having studied under him. He was also a very good friend of Nyogen Senzaki, with whom he carried out many correspondences in life. His Dharma heir, Eido Tai Shimano, considers Sōen to be the founder of Dai Bosatsu Zendo Kongo-ji.

Contents

[edit] Biography

Sōen Nakagawa was born March 19, 1907[1] in Iwakuni, Yamaguchi, Japan. His father—an army doctor—died early in Sōen's childhood and his mother never again married.[2] After years of financial struggles living with his mother, Sōen entered Tokyo Imperial University and studied Japanese literature and the work of Matsuo Bashō (graduating in 1930). In 1931 he was ordained as an unsui (novice monk) on his birthday at Kogaku-ji by Katsube Keigaku.[1] During this period he would often spend his days at Dai Bosatsu Mountain in retreat, where he envisioned one day building a monastery. Though this never came to pass, Sōen did consider Dai Bosatsu Zendo Kongo-ji (located in the Catskill Mountains of New York) to be the symbolic equivalent of this vision.[1] Also, during this same period, Sōen began to publish some of his journal writings and poetry in the Japanese magazine Fujin Koron (Woman's Review). In 1934 Nyogen Senzaki, based then in Los Angeles, California, came to read Sōen's writings and was impressed. After, Senzaki initiated a correspondence with Sōen which would blossom into a lifelong friendship between the two men.[2]

In 1936 Sōen had published the first of four books of poems titled Shingan ("Coffin of Poems"). At around this time he also began receiving Zen instruction from Gempo Yamamoto at Ryutakuji. Not long after beginning his training with Yamamoto, Sōen traveled to Dai Bosatsu Mountain for a two year retreat and then returned to Ryutakuji for training again.[2] Then, in 1948 or 1949, Nakagawa came to give a speech at the Theosophical Society of San Francisco at an event arranged by his friend Nyogen Senzaki. According to author Manu Bazzano, "At one point during his talk, he referred to a statement by his friend Soyen Shaku who had said that after 40 years of studying the Dharma he had only begun to grasp the fact that 'after all, I do not understand anything.' He said that the same was true for himself: the audience was disappointed; they just laughed at him."[3][2] Having returned to Japan, in 1950 Nakagawa became Yamamoto's successor at Ryutakuji. Shortly after, Robert Baker Aitken came to Ryutakuji and studied under Sōen for a period of seven months.[4] In 1951 another American student, Philip Kapleau, had also arrived at Ryutakuji—where he stayed for a period of three months.[2] According to Rafe Martin in the Fall 2004 issue of Buddhadharma: The Practitioner's Quarterly, "Roshi Kapleau used to say that if it hadn’t been for that initial generous and warm friendship with Nakagawa Roshi, the talks and travels, the hours they spent listening to recordings of Beethoven together, he might never have been able to stay in Japan or enter Zen at all."[5]

Sometime around 1955, a young Eido Tai Shimano came to Ryutakuji and began training under Sōen. That following year, Nyogen Senzaki made his first and only return trip to Japan—coming to Ryutakuji and meeting with his friend Sōen and leaving a big impression on Shimano. After Senzaki had returned to the United States, and Shimano had matured in his practice, Sōen made plans to send Shimano to America to serve as Senzaki's assistant. Before he was able to send Shimano, however, Senzaki died in 1958.[2][6] However, in 1960 Sōen sent Shimano to the Diamond Sangha in Honolulu, Hawaii to help Robert Baker Aitken and his wife Anne Hopkins Aitken in the running of the center. While there, allegations of misconduct were alleged against Shimano which eventually caused a schism between the Bakers and Sōen (with Shimano returning back to Japan).[2]

In either the 1960s or early 1970s Sōen founded the first Zen center in Israel, known as Kibutsu-ji. According to Lionel Obadia in the Charles S. Prebish and Martin Baumann book Westward Dharma, "Nakagawa sought to legitimize his missionary undertaking by the discovery of a linguistic similarity between the Japanese designation of the center (ki, basis; butsu, Buddha) and the Hebrew word kibbutz (pioneer community form of Jewish settlement). Likewise, Nakagawa's efforts in translating the Zen doctrine to a Jewish audience were facilitated by the phonetic resemblances between Hebrew and Japanese. He even translated Japanese poetry into Hebrew for his Jewish followers based on a similarity between the Hebrew term mut (die) and the Japanese mu (emptiness)."[7]

In 1972, Eido Tai Shimano received Dharma transmission from Sōen.[2]

[edit] Character

One story which demonstrates a side of Sōen's character is told in Peter Matthiessen's book Nine-Headed Dragon River:
On another occasion, he put a large pumpkin on the roshi's cushion in the dokusan room, then hid behind the door, snickering wickedly as earnest students prostrated themselves before the pumpkin, only to hear the laughter of the bell that ended their 'confrontation with the roshi' and sent them packing back downstairs to their black cushions.[8]

In addition to his many eccentricities, Sōen Nakagawa was also known to be particularly creative. According to author James Ishmael Ford, "Famously, he was known to conduct tea ceremony using Coca-Cola or instant coffee and occasionally using Styrofoam cups. Nothing was off limits if it would help point the way."[2]

[edit] Teaching style

[edit] Trivia

[edit] Notable students

Kyudo Nakagawa, one of Soen's Dharma heirs

[edit] Bibliography

[edit] See also

[edit] Notes

  1. ^ a b Zen Notes
  2. ^ a b c d e f g h i j Ford, 73-74; 113-115
  3. ^ Bazzano, 57
  4. ^ Luminous Passage, 19
  5. ^ a b Martin
  6. ^ Senzaki
  7. ^ Prebish & Baumann, 181-182
  8. ^ Matthiessen, 48
  9. ^ Snelling, 307

[edit] References