Miguel Cabrera (painter)

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Miguel Mateo Maldonado y Cabrera (1695 – 1768) was an indigenous Zapotec painter during the Viceroyalty of New Spain, today's Mexico. During his lifetime, he was recognized as the greatest painter in all of New Spain.

He was born in Antequera, today's Oaxaca, Oaxaca, and moved to Mexico City in 1719. It is thought he studied under the Rodríguez Juárez brothers, but he may have been trained by José de Ibarra.

Cabrera was a favorite painter of the Archbishop and of the Jesuit order, which earned him many commissions. His style followed the mold of Bartolomé Estéban Murillo, but he was also influenced by some French influences.

While he is most famous for his Casta paintings and his portrait of the poet Sor Juana, he also executed one of the first portraits of St. Juan Diego. In 1752 he was permitted access to the icon of Our Lady of Guadalupe to make three copies: one for Archbishop José Manuel Rubio y Salinas, one for the pope, and a third to use as a model for further copies. In 1756 made an important early study of the icon of Our Lady of Guadalupe, Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura ("American marvel and ensemble of rare wonders observed with the direction of the rules of the art of painting", often referred to in English simply as "American Marvel").

The essential purpose of American Marvel was to affirm the 1666 opinions of the witnesses who swore that the image of the Virgin was of a miraculous nature. However, he also elaborated a novel opinion: the image was crafted with a unique variety of techniques. He contended that the Virgin's face and hands were painted in oils, while her tunic, mandorla, and the cherub at her feet were all painted in tempera. Finally, her mantle was executed in gouache. He observed that the golden rays emanating from the Virgin seemed to be of dust that was woven into the very fabric of the canvas, which he asserted was of "a coarse weave of certain threads which we vulgarly call pita", a cloth woven from palm fibers.

In 1753, he founded Mexico's first academy of painting and served as its perpetual president.

Most of the rest of his works are also religious in nature, although as the official painter of the Archbishop of Mexico, Cabrera painted his and other portraits.

In the 19th century, the writer José Bernardo Couto called him "the personification of the great artist and of the painter par excellence; and a century after his death the supremacy which he knew how to merit remains intact."

[edit] References

• El pintor Miguel Cabrera. ; Abelardo Carrillo y Gariel ; México, Instituto Nacional de Antropología e Historia, 1966. OCLC 2900831
• Miguel Cabrera, pintor oaxaqueño del siglo XVIII, ; Javier Castro Mantecón; Manuel Zárate Aquino; México, Instituto Nacional de Antropología e Historia, Dirección de Monumentos Coloniales, 1958. OCLC 2857855