Miguel Álvarez-Fernández
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Miguel Álvarez-Fernández (Born 1979 in Madrid, Spain) is a sound artist, theorist and curator based in Berlin, where he has taught at the Electronic Music Studio of the Technical University of Berlin. He also lectures regularly at the Department of Art History and Musicology of the University of Oviedo (Spain), as a specialist in Sound Art and Electroacoustic music.
His artistic and theoretical work addresses problematic concepts like the relationships between sex and music (both understood as socio-cultural constructions, rather that 'natural categories'), or the connections between interactive proccesses and the illusion of control. Álvarez-Fernández has explored these issues in his sound installations and musical compositions, both alone and as a member of the art group DissoNoiSex.
The works of Álvarez-Fernández have been presented in several venues in Europe and America, including the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes (where Álvarez-Fernández was composer-in-residence from 2002 to 2005) in Madrid, the Technical University of Berlin, The Huset gallery in Copenhagen, or the Eyebeam Gallery in New York, among many others. He has also composed music for different audiovisual productions, including the film "A via láctea", by Brazilian director Lina Chamie, premiered at the Cannes Film Festival in 2007.
As a musicologist and sound-art theorist, Álvarez-Fernández has lectured (and his writings have been published) in Spain, Germany, Italy, France, Denmark, Macedonia, Lithuania...
His work as a sound-art curator is widely recognized in Spain. For the project "Itinerarios del sonido" (co-curated along with María Bella) fourteen internationally recognized artists were invited (in many cases, for the first time) to Madrid, in order to create a new sound piece that later would be listened to in specific bus-stops around the city. Participants of this project included Vito Acconci, Jorge Eduardo Eielson, Julio Estrada, Luc Ferrari, Bill Fontana, Susan Hiller, Christina Kubisch, Adrian Piper and Trevor Wishart, among others. In 2007, Álvarez-Fernández curated in Berlin "Sonido Abierto" as part of the "Linux Audio Conference", with concerts and workshops at the Technical university and at the Instituto Cervantes Berlin.
[edit] External links
- Official Site
- DissoNoiSex
- "Álvarez-Fernández: Sound Amateur", article by Silvia Scaravaggi published by Digimag (Italy)
- "Dissonance, Sex and Noise: (Re)building (Hi)stories of Electroacoustic Music", article by Miguel Álvarez-Fernández published by the HZ Journal (Sweden)
- "Itinerarios del sonido", public sound-art project curated by Miguel Álvarez-Fernández
[edit] References
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- Álvarez Fernández, Miguel. 2005a. "Dissonance, Sex and Noise: (Re)Building (Hi)Stories of Electroacoustic Music". In ICMC 2005: Free Sound Conference Proceedings, International Computer Music Conference, Escola Superior de Musica de Catalunya, Barcelona, Spain, September 4-10, 2005. Barcelona: International Computer Music Conference; International Computer Music Association.; SuviSoft Oy Ltd.
- Álvarez Fernández, Miguel. 2005b. "Disonancia y emancipación: comodidad en/de algunas estéticas musicales del siglo XX". Taller Sonoro: Revista cuatrimestral de música contemporánea 4 (January). ISSN 1887-2093
- Álvarez-Fernández, Miguel. 2005c. "El comisariado como metodología de investigación musicológica". Revista de Musicología 28, no. 2:1425-34. ISSN 0210-1459
- Álvarez-Fernández, Miguel. 2007a. "Posibilidades (e imposibilidades) de los "nuevos medios tecnológicos" en la creación sonora". Sul Ponticello. Revista on-line de estudios musicales 7 (January). ISSN 1697-6886
- Álvarez-Fernández, Miguel. 2007b. "The Sound of Meaning: Aesthetical Approaches to the Manipulation of Speech Sounds" (seminar syllabus).
- Anon. [n.d.]. "Miguel Álvarez-Fernández" Spanish Wikipedia article.
- Correa, Sergio. 2007. "Nuevos instrumentos para música nueva". BBC MUNDO.COM, 27th March 2007.
- Scaravaggi, Silvia. [n.d.] "Alvarez-Fernandez: Sound Amateur". Digimag 27, sept 07.
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