Midnite Vultures
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Midnite Vultures | |||||
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Studio album by Beck | |||||
Released | November 23, 1999 | ||||
Recorded | July 1998 – June 1999 | ||||
Genre | Funk | ||||
Length | 58:24 | ||||
Label | DGC | ||||
Producer | Beck Hansen, Tony Hoffer, Mickey Petralia, The Dust Brothers | ||||
Professional reviews | |||||
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Beck chronology | |||||
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Midnite Vultures is the fourth major-label studio album by Beck, released in November 1999. Though similar to most of Beck's previous albums in its exploration of widely varying musical styles, Midnite Vultures didn't achieve the same blockbuster success as his breakthrough, Odelay though it was well-received by his fans and critics and continues to receive wide acclaim. It reached #34 in the U.S.—where it went gold—and also hit #19 in the UK.
The album was praised by most critics. Some like Rolling Stone, NME and Pitchfork Media praised the album with 4-star reviews (8.5/10 on Pitchfork). It was awarded the rare status of 'Universal Acclaim' by MetaCritic with a score of 83/100 but in 2006 was named the 50th 'Worst Album Ever' by music magazine Q.[1]
Midnite Vultures was nominated in 2000 for Best Album at the 43rd GRAMMY Awards.
Several songs were inspired by very prominent 80s acts; "Debra" was inspired by Prince's hit "Raspberry Beret", while "Get Real Paid" quotes directly from Kraftwerk's Computer World album.
The first 500,000 copies came in a digipak.
Working titles for the album included Zatyricon and I Can Smell the V.D. in the Club Tonight, the latter from a spoken line on "Milk & Honey".
Contents |
[edit] Track listing
All songs were written by Beck Hansen, except where noted.
- "Sexx Laws" – 3:39
- "Nicotine & Gravy" – 5:13
- "Mixed Bizness" – 4:10
- Ends with 25 seconds of noise (described as "robots doing the nasty").[2]
- "Get Real Paid" – 4:20
- "Hollywood Freaks" (Hansen, John King, Michael Simpson) – 3:59
- "Peaches & Cream" – 4:54
- "Broken Train" (originally titled "Out of Kontrol") – 4:11
- "Milk & Honey" (Hansen, Buzz Clifford) – 5:18
- "Beautiful Way" – 5:44
- Ends with 9 seconds of spraypainting effects.
- Very similar to "Countess from Hong Kong (demo)" from The Velvet Underground's 1995 box set Peel Slowly and See
- "Pressure Zone" – 3:07
- "Debra" (Hansen, King, Simpson) – 13:46
- Ends with 7 minutes of complete silence, and then 1:04 of hidden electronic noise.
- "Arabian Nights" (Japanese version only) – 3:52
[edit] Limited Edition bonus disc
Initial versions sold at Best Buy stores came with a bonus disc that contained three songs.
- "Salt in the Wound" – 3:24
- "This Is My Crew" – 3:55
- "Sexx Laws" (Malibu remix) – 6:52
Although these were part of the original pressings, they came in a standard jewel case. The bonus disc was enclosed in a cardboard sleeve outside the jewel case.
[edit] Additional recordings
The following songs were recorded during the Midnite Vultures sessions but did not make the album:
- "Almost a Ghost" (unreleased)
- "Arabian Nights"
- "Dirty Dirty"
- "Midnite Vultures"
- "This Is My Crew"
- "Salt In The Wound"
- "Sexx Laws" (Malibu remix)
- "Zatyricon"
[edit] Samples
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"Get Real Paid" "Get Real Paid" by Beck - Problems playing the files? See media help.
[edit] Personnel
- Beck – synthesizer, guitar, piano, keyboards, programming, vocals, choir, chorus, producer, vocoder, horn arrangements, mixing
- David Campbell – viola, string arrangements, string conductor
- Larry Corbett – cello
- Joel Derouin – violin
- Brian Gardner – mastering
- Bernie Grundman – mastering
- Greg Leisz – pedal steel
- Jay Dee Maness – pedal steel
- Johnny Marr – electric guitar
- Michael Patterson – mixing
- Herb Peterson – banjo
- Fernando Pullum – horn
- David Ralicke – trombone
- Joe Turano – horn, background vocals
- Arnold McCuller – background vocals
- Smokey Hormel – guitar
- Joey Waronker – percussion, drums
- Beth Orton – background vocals
- Chris Bellman – mastering
- The Dust Brothers – scratching, programming, producer, engineer
- Robert Carranza – string engineer
- Steve Baxter – horn, background vocals
- Justin Meldal-Johnsen – synthesizer, bass, guitar, percussion, background vocals, handclapping, shaker, upright bass
- Steve Mixdorf – second engineer
- Valerie Pinkston – background vocals
- Roger Joseph Manning Jr. – organ, synthesizer, piano, tambourine, background vocals, choir, chorus, clavinet, percussion, shaker, vocoder
- Mickey Petralia – programming, producer, engineer, mixing
- Shauna O'Brien – project manager
- DJ Swamp – scratching
- Eve Butler – violin
- Charlie Gross – photography
- Arroyo Bombers – choir, chorus
- Arroyo Tabernacle Men's Chorale – choir, chorus
- Jon Birdsong – trumpet
- Derek Carlson – second engineer
- Eye – artwork, art direction, design, collage
- Gimbop – layout direction
- Michel Gondry – collage
- Tony Hoffer – guitar, programming, producer, engineer, editing, mixing, wah wah guitar, sound design
- David Arthur Brown – tenor sax
[edit] References
- ^ Q lists - page3
- ^ Healy, Mark (1999-11-08). Beck: The cut-and-paste whiz kid of Odelay grows up and gets in touch with his inner freak. Rolling Stone. Retrieved on 2007-07-29.
[edit] External links
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