Michael Stipe

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Michael Stipe

Background information
Birth name John Michael Stipe
Born January 4, 1960 (1960-01-04) (age 48)
Decatur, Georgia, U.S.A.
Genre(s) Alternative rock
Occupation(s) Singer, songwriter, record producer, film producer, television producer
Instrument(s) Vocals, acoustic guitar, harmonica
Years active 1980 - Current
Associated acts R.E.M.
Automatic Baby

John Michael Stipe (born January 4, 1960 in Decatur, Georgia) is an American singer who is the lead vocalist for the alternative rock band R.E.M. Stipe has become well-known (and occasionally parodied) for the "mumbling" style of his early career and for his complex, surreal lyrics, as well as his social and political activism. Stipe is in charge of the band's visual image, often selecting album artwork and directing many of the band's music videos. Stipe's work extends outside of the music industry, and he runs his own film production companies, C-00 and Single Cell Pictures.

Contents

[edit] Biography

[edit] Early life

Stipe was born in Decatur, Georgia on January 4, 1960. Stipe was a military brat; his father was a serviceman in the United States Army whose career resulted in frequent relocations for his family. Stipe and his family moved to various locales during his childhood, including Germany, Texas, and a brief return to Georgia. In 1998, during an R.E.M. performance at the Grünspan Club in Hamburg, Germany, Stipe proclaimed that "it’s great to be back in the homeland. Very few people realize that Stipe is originally a German name. I think it came from the word steiße, which is very close to the word shit. Unfortunately, I who came from shit have risen to this great height."[1]

During high school, Stipe lived in Collinsville, Illinois. Stipe found high school difficult; he said, "It was a very outgoing, flamboyant, loud school, and I hated everything about it. I was very, kind of afraid of a lot of things."[2] In 1976 Stipe joined his first band, which lasted until the following year. While Stipe said the band was not spectacular, he acknowledged his bandmates had a major influence on him, introducing him to the music of The Stooges and The Velvet Underground.[3]

Stipe graduated from high school in 1978, and enrolled at the University of Georgia in Athens, Georgia, as an art major, studying photography and painting.

[edit] Formation of R.E.M.

Main article: R.E.M.

While attending college in Athens, Stipe frequented the Wuxtry record shop where he met store clerk Peter Buck in 1980. "He was a striking-looking guy and he also bought weird records, which not everyone in the store did", Buck recalled. The two became friends and eventually decided to form a band.[4] Buck and Stipe started writing music together;[5] at the time Stipe also spent time in a local group named Gangster.[6] The pair were soon joined by Bill Berry and Mike Mills and named themselves R.E.M., a name Stipe selected at random from a dictionary.[7]

All four members of R.E.M. dropped out of school in 1980 to focus on the band.[8] Stipe was the last to drop out, as he still hoped to pursue a career in art history and photography.[9] The band issued its debut single, "Radio Free Europe", on Hib-Tone. The song was a college radio success and the band signed to I.R.S. Records for the release of the Chronic Town EP one year later. R.E.M. released its debut album Murmur in 1983, which was widely acclaimed by critics. Stipe's vocals and lyrics received particular attention from listeners.[10] The band's second album, Reckoning, followed in 1984.

R.E.M. travelled to England to record its third album Fables of the Reconstruction (1985). The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and poor food.[11] Stipe also had a disagreement with producer Joe Boyd over his vocals: Boyd wanted the vocals to be clear, but Stipe "was still in his period of not wanting the vocals to be clear, so he argued against making them louder or brighter or clearer", the producer said.[12] The difficult situation brought the band to the verge of break-up.[13] Even after the album was released, relationships were tense within the band. Stipe said of the period, "I was well on my way to losing my mind".[14] Stipe gained weight and his behavior became more eccentric; he shaved his hair into a monk's tonsure, and later, dyed it yellow with egg yolk. Antagonisms between Stipe and Mills came to a head in 1985. Mills said later, "Michael and I didn't get along in a lot of ways for a few years. We were very different people [. . .] Michael was trying to deal with being a really shy person thrust to the front of the band. And I was trying to deal with how somebody had an attitude when it was unnecessary." The bandmates had a talk to "clear the air", and resolved their differences.[15]

[edit] Mainstream popularity

With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Stipe tried to embrace his new celebrity status; he would call other famous people unprompted and befriend them.[16] Around 1992, rumors that Stipe had contracted HIV began to circulate. "I know it bothered Michael's family," Peter Buck said in 1999. "No matter how much you tell your loved ones you're not dying, it's worrying for them to read it in the paper all the time. Still, as you can see, Michael's perfectly healthy. Stronger than I am."[17] Stipe decided not to make a statement when the rumors began to spread.

This might be really naïve, but my number one reason was – this is incredibly naïve, in retrospect – but I really felt like there are a lot of people who might respect me, for whatever reason, because of the music or just because I’m a celebrity, that think that [the AIDS story] about me might impact them in the way they handle their own private affairs, or in the way they thought about people who were HIV positive or who had AIDS. And, number two, I felt like it was a ludicrous claim and I didn’t feel like sinking to kibbles-and-bits journalism to even respond to it. It was spawned from a ridiculous series of little things and I didn’t feel like it was worth answering.[18]

According to Stipe, he did not start the rumor and he does not know who did.

Not that I can tell. I wore a hat that said 'White House Stop AIDS'. I’m skinny. I’ve always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason – whether it's a hat, or the way I carry myself – as being queer-friendly.[18]

Stipe had planned a collaboration with Nirvana's Kurt Cobain in 1994, but did not manage to compose or record anything before Cobain's death. Stipe was chosen as the godfather of Kurt Cobain and Courtney Love's daughter, Frances Bean Cobain.[19]

Stipe was once very close to fellow singer Natalie Merchant and has recorded a few songs with her, including one entitled "Photograph" which appeared on a pro-choice benefit album entitled Born to Choose and they have appeared live with Peter Gabriel singing Gabriel's single "Red Rain".

Himself a vegetarian, in the mid 1990s Stipe opened a vegetarian restaurant and juice bar, called Guaranteed, in Athens, Georgia.[20]

[edit] R.E.M. as a trio

Stipe at Glastonbury with his "Goblin" make up
Stipe at Glastonbury with his "Goblin" make up

In 1998, Stipe published a collection called Two Times Intro: On the Road with Patti Smith and worked on Single Cell Pictures, a film production company which released several arthouse / indie movies.

In a 2001 Time interview, Stipe described himself as a "queer artist" and revealed that he had been in a relationship with "an amazing man" for three years at that point.[21] In previous interviews he has described himself as "an equal opportunity lech"[22] and said he doesn't define himself as gay, straight, or bisexual, but that he was attracted to and had relationships with both men and women.[23]

He wrote haiku for a book published by Soft Skull Press called The Haiku Year.

In 2006, Stipe released an EP that comprised six different cover versions of Joseph Arthur's "In The Sun" for the Hurricane Katrina disaster relief fund. One version, recorded in a collaboration with Coldplay's Chris Martin, reached number one on the Canadian Singles Chart.[1]. Also in 2006, Stipe appeared on the song "Broken Promise" on the Placebo release Meds. Continuing his non-R.E.M. work in 2006, Stipe sang the song "L'Hôtel" on the tribute album to Serge Gainsbourg entitled "Monsieur Gainsbourg Revisited" and appeared on the song "Dancing on the Lip of a Volcano" on the New York Dolls album "One Day It Will Please Us to Remember Even This".

[edit] Musical style

Stipe's role in the songwriting process for R.E.M. is to write lyrics and devise melodies.[24] While each member is given an equal vote in the songwriting process, Peter Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor.[25] Stipe sings in "wailing, keening, arching vocal figures" that R.E.M. biographer David Buckley compared to Celtic folk artists and Muslim muezzin.[10] Stipe often harmonizes with Mills in songs; in the chorus for "Stand," Mills and Stipe alternate singing lyrics, creating a dialogue.[26] Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable.[27] Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false."[3] Producer Joe Boyd convinced Stipe to begin singing more clearly during the recording of Fables of the Reconstruction.[12]

"That voice. It's an extraordinary voice," said U2's Bono in 2003.[28] "I often tell him I think he's a crooner, and he doesn't like that very much. But it is sort of one part some sort of Bing Crosby '50s laid-back crooner, and one part Dolly Parton," he added, laughing.

Stipe insisted that many of his early lyrics were "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, many early R.E.M. songs had definite lyrics that Stipe wrote with care.[29] Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there."[3] In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level.[30] Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ."[31] Stipe incorporated more politically-oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active."[32] While Stipe continued to write songs with political subject matter like "Ignoreland" and "Final Straw", later albums have focused on other topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe,[33] while Monster critiqued love and mass culture.[32]

[edit] Film and television work

In early 1987 Stipe co-founded C00 Films with Jim Mckay, a mixed-media company that was "designed to channel its founder's creative talents towards the creation and promotion of alternative film works."[34] Stipe has served as an executive producer on films including Being John Malkovich, Velvet Goldmine, and Man on the Moon.[35] He was also credited as a producer of the 2004 film Saved!.[36]

Stipe has made a number of acting appearance on film and on television. Stipe appeared in an episode of The Adventures of Pete & Pete as an ice cream man named Captain Scrummy. Stipe has appeared as himself with R.E.M. on Sesame Street playing a reworked version of "Shiny Happy People" called "Furry Happy Monsters", and appeared in an episode of The Simpsons titled "Homer the Moe", where R.E.M. was tricked into playing a show in character Homer Simpson's garage.

[edit] Discography

For releases with R.E.M., see R.E.M. discography

[edit] Singles

[edit] Compilation albums

[edit] References

  • Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. ISBN 1-85227-927-3
  • Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. ISBN 0-02-864935-4

[edit] Notes

  1. ^ Rockpalast, WDR, November 2, 1998
  2. ^ Buckley, p. 27
  3. ^ a b c Platt, John. "R.E.M.". Bucketfull of Brains. December 1984.-
  4. ^ Buckley, p. 24
  5. ^ Buckley, p. 50
  6. ^ Buckley, p. 29
  7. ^ Buckley, p. 39
  8. ^ Buckley, p. 43
  9. ^ Buckley, p. 44
  10. ^ a b Buckley, p. 87
  11. ^ Buckley, p. 131–32
  12. ^ a b Buckley, p. 133
  13. ^ Buckley, p. 135
  14. ^ Cameron, Keith. "Captains of Industry". Mojo. July 2003
  15. ^ Buckley, p 138-39
  16. ^ Buckley, p. 202-03
  17. ^ Q Magazine, May 1999
  18. ^ a b Cavanagh, David. "Tune in, cheer up, rock out". Q. October 1994.
  19. ^ Flynn, Paul (January 2006). oh, frances! (reprint). i-d magazine. Retrieved on 2007-06-05.
  20. ^ Vegetarian Times. July 1995
  21. ^ Farley, Christopher John. "Michael Stipe and the Ageless Boys of R.E.M.", Time, Time Inc., 2001-05-16. Retrieved on 2007-06-05. 
  22. ^ Esquire magazine, April 1999
  23. ^ Q magazine, April 1999
  24. ^ Buckley, p. 85
  25. ^ Fricke, David. "Living Up to Out of Time/Remote Control: Parts I and II". Melody Maker. October 3, 1992.
  26. ^ Buckley, p. 180–81
  27. ^ Sasfy, Joe. "Reckoning with R.E.M.". The Washington Post. May 10, 1984.
  28. ^ The South Bank Show, May 12, 2003.
  29. ^ Buckley, p. 88
  30. ^ Buckley, p. 143
  31. ^ Buckley, p. 150
  32. ^ a b Olliffe, Michael. "R.E.M. in Perth". On the Street. January 17, 1995.
  33. ^ Cavanagh, David. "Tune in, cheer up, rock out". Q. October 1994.
  34. ^ Buckley, p. 144-45
  35. ^ Buckley, p. 296
  36. ^ http://www.imdb.com/title/tt0332375/fullcredits#cast

[edit] External links

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Persondata
NAME Stipe, John Michael
ALTERNATIVE NAMES Michael Stipe
SHORT DESCRIPTION singer for R.E.M.
DATE OF BIRTH 1960-01-04
PLACE OF BIRTH Decatur, Georgia
DATE OF DEATH
PLACE OF DEATH