Michael John Fles

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Michael John Fles
Born 1936
London
Occupation poet, editor, musician, and film personality
Nationality American
Writing period 1959-1995
Genres poetry, fiction, nonfiction
Relative(s) George Fles, Louis Fles
Barthold Fles, Bart Berman

Michael John Fles (b. 1936), known both as John Fles and Michael Fles, is an American poet, editor, musician and film personality. Professor David James referred to him as "the single most important promoter of underground film" in Los Angeles, California.[1]

Contents

[edit] Biography

Michael John Fles was born to a Dutch father, George Fles, and a British mother, Pearl Rimel. As conscious communists, his parents had moved to the Soviet Union, where his father fell victim to Stalin's repressions. The mother, pregnant with Michael John, left the Soviet Union to give birth in London. Mother and son later emigrated to the United States, where Pearl Rimel found employment in the aircraft industry. Michael John grew up in Los Angeles and Ojai, California, where he attended boarding school.

[edit] Beatnik poet and editor

Fles studied at the University of Chicago, but did not graduate. While a student, he became the managing editor of the "Chicago Review." [2] Fles was involved in the founding of the influential literary magazine, "Big Table" in 1959 and later he was the editor of "The Trembling Lamb," a one shot literary magazine which published Antonin Artaud's "Van Gogh: The Man Suicided by Society," LeRoi Jones's "The System of Dante's Inferno," and Carl Solomon's "Danish Impase." In 1960 and 1961 he was a managing and contributing editor of "Kulchur" .[3] During all these years he published his poetry far and wide.[2]

[edit] Musician

Over the last several decades, Michael has been active as a musician. He lives in Westhaven-Moonstone, California.

[edit] Bibliography

[edit] Poetry and fiction

[edit] Nonfiction

  • 1960 - "The End of the Affair, or Beyond the Beat Generation," Village Voice 6 (8)(Dec 15): 4.
  • 1960 - "The Root," Kulchur 1960 (Spring): 39-40
  • 1964 - Seeing is Believing
  • 1995 - "Sound Wave Mirror", chapter 11 in Kenny CB (editor): Listening, Playing, Creating: Essays on the Power of Sound. Albany, New York: State University of New York Press.

[edit] References

  1. ^ James DE (editor): Stan Brakhage: Filmmaker. Philadelphia: Temple University Press, 2005, page 75. ISBN 1592132723
  2. ^ a b McDarrah FW, and McDarrah TS: Kerouac and Friends: A Beat Generation Album. Greenwich Village, New York: Thunder's Mouth Press, 2002, page 265. ISBN 1560254807
  3. ^ RealityStudio ยป Kulchur