Metaphors of a Magnifico

From Wikipedia, the free encyclopedia

"Metaphors of a Magnifico" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published in 1918, so it is in the public domain.^[1]

The poem experiments with perspective.

Metaphors of a Magnifico

Twenty men crossing a bridge,
Into a village,
Are twenty men crossing twenty bridges,
Into twenty villages
Or one man
Crossing a single bridge into a village.

This is old song
That will not declare itself ...

Twenty men crossing a bridge,
Into a village.
Are
Twenty men crossing a bridge
Into a village.

That will not declare itself
Yet is certain as meaning ...

The boots of the men clump
On the boards of the bridge.
The first white wall of the village
Rises through fruit-trees.
Of what was it I was thinking?
So the meaning escapes.

The first white wall of the village ...
The first fruit-trees. ...

It explores the difference between detached reportage in its various foci (on a group of twenty men, on one man, one bridge, twenty bridges, one village, twenty villages), on one hand, and immediate lived experience (the first white wall of the village rises through the fruit trees) , on the other hand. Stevens' preference for the latter, addressed in his scornful treatment of William Carlos Williams in "Nuances of a Theme by Williams", is what commentators have in mind when they speak of his sensualism. Magnifico may be one of those men crossing the bridge, shifting from viewing himself and the world from various external perspectives to the first-person viewpoint ("Of what was it I was thinking"?). What declares itself is subjective experience. The meanings that enable objective description of the world do not declare themselves.

Buttel cites the poem to support his claim that Stevens has the Cubists' ability to see different perspectives of an object simultaneously: "One must assimilate the multiplicity here," he writes about the various bridge crossings, "just as the viewer of Duchamp's painting must assimilate the fragmentation and multiplicity of the nude descending the staircase."^[2]

See also The Snow Man and Gubbinal for related experiments in perspective.