Mel Calman
From Wikipedia, the free encyclopedia
Melville (Mel) Calman (19 May 1931, Hackney - 10 February 1994, London) was a British cartoonist best known for his "little man" cartoons published in British newspapers including the Daily Express (1957-63), The Sunday Telegraph (1964-65), The Observer (1965-6), The Sunday Times (1969-84) and The Times (1979-94).
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[edit] Biography
Calman was the youngest of the three children of Clement Calman, a timber merchant, and his wife Anna (both Russian-Jewish immigrants who came to England about 1912).
Sent to Cambridge to avoid The Blitz in World War II, he was educated at the Perse School. Failing to gain entrance to Cambridge University, he returned to London where he enrolled at the Borough Polytechnic Art School, later studying illustration at St Martin's School of Art and Goldsmith College.
After two years of National Service, in 1956 he attempted to find work as a freelance cartoonist. Punch was discouraging about his work, but in 1958 he succeeded in placing work with the "William Hickey" column in the Daily Express. Although in regular work, he left the Express after five years, seeing no prospects being in competition with Osbert Lancaster and Giles.
In 1962 he began producing his trademark "little man" character for the Sunday Telegraph, and in 1979 he brought this as a regular and long-running contribution to The Times. Additionally, he made contributions to Cosmopolitan and House & Garden, as well as publishing some 20 books of his cartoons.
In later life he became an art dealer and collector, in 1989 co-founding the Cartoon Art Trust. In 1994, he died of a coronary thrombosis at the Empire cinema, Leicester Square.
He was married twice: to the magazine designer Pat McNeill, and to the artist Karen Elizabeth Usborne. Deborah Moggach was his partner for the last ten years of his life.
He is buried alongside his mother and sister at the Jewish cemetery, Waltham Abbey, Essex.[1]
[edit] Works
Calman's trademark character was the angst-ridden "little man", who strongly reflected Calman's own lifelong depressions (in Who's Who he listed his recreations as "brooding and worrying").[1] Topics focused on the little man's anxieties about health, death, God, achievement, morality and women, a style of humour that his Times obituary described as "of the black, self-deprecating Jewish variety, in the style of his New York heroes, James Thurber, S. J. Perelman and Woody Allen".[2]
A small-format single-frame "pocket cartoon", the little man series used hand-lettered text in soft pencil and minimalist detail, a technique he had evolved due to early weaknesses in draughtsmanship.
[edit] References
- Simon Heneage, "Calman, Melville (1931–1994)", Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 19 July 2007
[edit] External links
- Mel Calman, British Cartoon Archive, University of Kent
