Maxixe (dance)
From Wikipedia, the free encyclopedia
The maxixe (pron. IPA: [maˈʃiʃi]), occasionally known as the Brazilian tango, is a dance, with its accompanying music, that originated in the Brazilian city of Rio de Janeiro in 1868, at about the same time as the tango was developing in neighbouring Argentina and Uruguay. It is an Afro-Brazilian dance developed by black slaves of Chopi blood from Maxixe, Mozambique.
Like the tango, the maxixe travelled to Europe and the United States in the early years of the twentieth century.
The music was influenced by various other forms including the tango, lundu, polka and habanera, and is danced to a rapid 2/4 time. Pianist Ernesto Nazareth composed many Brazilian tangos; he was known for blending folk influences into his tangos, polkas and waltzes. He resisted using folk terms for his compositions; he preferred Brazilian Tango to maxixe.[1]
The maxixe was one of the dances that contributed to the samba and lambada.
Vernon Castle said of the maxixe in his 1914 book Modern Dancing, "The steps themselves are not difficult; on the contrary, they are childishly simple; it is the easiest dance of all to do, and I think the hardest of all to do well."[2]
[edit] See also
[edit] References
- ^ Ernesto Nazareth's Polkas and Tangos.
- ^ Castle, Vernon "Modern Dancing" (1914) pg 107 - Accessed at the Library of Congress.
