Mark C. Taylor

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Mark C. Taylor (born 13 December 1945) is a philosopher of religion and cultural critic who has published more than twenty books on theology, philosophy, art and architecture, media, technology, economics, and the natural sciences. After graduating from Wesleyan University (1968), he received his doctorate in the study of religion from Harvard University and began teaching at Williams College in 1973. In 1981 Taylor was the first foreigner to be awarded the Doctorgrad in philosophy in the 500-year history of the University of Copenhagen. In 2007, Taylor moved from Williams College to Columbia University, where he chairs the Department of Religion.

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[edit] Work

Taylor's first book, Kierkegaard’s Pseudonymous Authorship: A Study of Time and the Self was published by Princeton University Press in 1975. This was followed in 1980 by the work for which Taylor received his Doctorgrad, Journeys to Selfhood: Hegel and Kierkegaard (University of California Press; reissued by Fordham University Press in 2000). Taylor's early study of Kierkegaard and Hegel forms the foundation for all his subsequent work.

In the early 1980s, Taylor began exploring the texts of Jacques Derrida and his most important followers. Erring: A Postmodern A/Theology (University of Chicago Press, 1984) was one of the earliest attempts to study religion from the standpoint of poststructuralist philosophy and was followed by two closely related works, the sourcebook Deconstruction in Context: Literature and Philosophy (Chicago,1986) and Altarity (Chicago, 1987). In 1989, Taylor founded the Religion and Postmodernism series at the University of Chicago Press as a forum for translations and new scholarship.

During the late 1980s, Taylor was drawn into debates about architecture and the visual arts, and in 1992 published a theological study of religious twentieth-century visual arts, Disfiguring: Art, Architecture and Religion. In later essays and books, Taylor considers a broad range of artists: Mark Tansey, Michael Heizer, Richard Serra, Fred Sandbeck, Ann Hamilton, Joseph Beuys and others. His extensive work on architecture includes essays on Peter Eisenman, Bernard Tschumi, Daniel Liebeskind, Robert Venturi, Frank Gehry, and Frank Lloyd Wright.

While writing on the visual arts, Taylor became interested in media and new information technologies. In 1992 he and Esa Saarinen, a Finnish philosopher, taught the first global seminar using teleconferencing technology. Their book, Imagologies: Media Philosophy (Routledge, 1994) grew out of this seminar. The book's unusual design in turn inspired the Finnish design company, Marimekko, to develop a product line derived from pages of the book. Taylor’s subsequent book, Hiding (Chicago, 1997), extended the use of graphic design to create hypertextual effects within the limits of a conventional bound book. As a companion to Hiding, Taylor and José Marquez issued a CD-ROM video game entitled The Réal – Las Vegas, Nevada.

While Taylor was exploring art and new media, he extended his experiments with technology in the classroom. In 1993 he was awarded the Rector’s Medal by the University of Helsinki and in 1995 the Carnegie Foundation named him the national Professor of the Year for his innovative teaching. In 1998, Taylor and New York investment banker Herbert Allen, Jr., founded Global Education Network, whose mission was to provide high-quality, low-cost online education in the liberal arts, humanities, and sciences.

Taylor’s work with technology led to a growing interest in the expanding fields of network theory and scientific studies of complex adaptive systems. In a series of books--The Picture in Question: Mark Tansey and the Ends of Representation (Chicago, 1999), The Moment of Complexity (Chicago, 2001), and Confidence Games: Money and Markets in a World Without Redemption (Chicago, 2004)--Taylor deploys complexity theory to explore a range of social, cultural and economic developments.

Taylor’s interest in the visual arts and graphic design has led to his own artistic experiments. In Grave Matters (Reaktion, 2002), Taylor and Dietrich Christian Lammerts collaborated on a book featuring Lammerts's photographs of the graves of one hundred and fifty modern writers, theologians, philosophers, artists and architects. In 2003, Taylor expanded this project beyond the format of the book to create an exhibition at the Massachusetts Museum of Contemporary Art, which included not only the photographs but also sculpture and video art. In 2006, Taylor published Mystic Bones, featuring forty of Taylor's own photographs of deer, cattle and elk bones, accompanied by aphorisms and an essay, "Rubbings of Reality," on the place of deserts in the imagination.

Taylor's work is held together by its sustained attention to the theological, philosophical, and artistic issues that were framed in Europe in the late eighteenth and early nineteenth centuries. Taylor's After God, forthcoming in the fall of 2007, weaves together the many strands of his oeuvre.

In addition to his own writing, Taylor has been involved in a number of editorial projects. In the late 1970s, he chaired the Research and Publications Committee of the American Academy of Religion, which initiated a series of major publishing programs. His Religion and Postmodernism book series continues at the University of Chicago Press with Thomas A. Carlson as co-editor. Taylor has also edited a textbook, Critical Terms for the Study of Religion (Chicago, 1998), designed for college courses on method in religious studies.

[edit] Positions

Taylor began teaching at Williams College in 1973 and at the time of his departure in 2007 was Cluett Professor of Humanities. He has also held visiting appointments at Harvard University, Smith College, University of North Carolina, and University of Sydney. After being a visiting professor of religion and architecture at Columbia University, he joined the faculty there full time in 2007.

[edit] Trivia

Mark Taylor was a close personal friend of Jacques Derrida. When Derrida died on October 8, 2004, the New York Times published a highly critical obituary of the philosopher.[1] Taylor felt that the obituary was not an accurate reflection of Derrida, and proceeded to write another obituary, which the Times published a few days later.[2]

[edit] Bibliography

  • (1975) Kierkegaard's Pseudonomous Authorship: A Study of Time and the Self
  • (1976) Religion and the Human Image
  • (1981) Unfinished...: Essays in Honor of Ray L. Hart
  • (1982) Deconstructing Theology
  • (1986) Deconstruction in Context
  • (1987) Erring: A Postmodern A/theology
  • (1987) Altarity
  • (1990) Tears
  • (1992) Disfiguring: Art, Architecture, and Religion
  • (1993) Nots
  • (1994) Imagologies: Media Philosophy
  • (1997) Hiding
  • (1997) Daniel Libeskind: Radix Matrix
  • (1998) Critical Terms for Religious Studies
  • (1998) The Real, Las Vegas, NV
  • (1999) About Religion: Economies of Faith in Virtual Culture
  • (2000) Journeys to Selfhood: Hegel and Kierkegaard
  • (2002) Vito Acconci
  • (2003) The Moment of Complexity: Emerging Network Culture
  • (2004) Grave Matters
  • (2006) Confidence Games
  • (2006) Mystic Bones
  • (2007) After God

Additional biographical source: Mark C. Taylor. "Retracings." Pp. 258-276 in The Craft of Religious Studies, edited by Jon R. Stone. New York: St. Martin's Press, 1998.

[edit] See also

[edit] External links

[edit] Notes

  1. ^ Kandall, Jonathan http://www.nytimes.com/2004/10/10/obituaries/10derrida.html?ex=1255147200&en=bc84f1b2c5f092c5&ei=5090&partner=rssuserland
  2. ^ Taylor, Mark C. http://www.nytimes.com/2004/10/14/opinion/14taylor.html?ex=1255492800&en=2f805b31ff0aa5e7&ei=5088&partner=rssnyt.