Margaret Millar

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Margaret Ellis Millar (née Sturm) (February 5, 1915 - March 26, 1994) was an American-Canadian mystery and suspense writer.

Born in Kitchener, Ontario, she was educated there and in Toronto. She moved to the United States after marrying Kenneth Millar (better known under the pen name Ross Macdonald). They resided for decades in the city of Santa Barbara, which was often utilized as a locale in her later novels, under the pseudonyms of San Felice or Santa Felicia. The Millars had a daughter who died in 1970.

Millar's books are distinguished by sophistication of characterization. Often we are shown the rather complex interior lives of the people in her books, with issues of class, insecurity, failed ambitions, loneliness or existential isolation or paranoia often being explored with an almost literary quality that transcends the mystery genre. Unusual people, mild societal misfits or people who don't quite fit into their surroundings are given much interior detail. In some of the books (for example in The Iron Gates) we are given chilling and fascinating insight into what it feels like to be losing touch with reality and evolving into madness. In general, she is a writer of both expressive description and yet admirable economy, often ambitious in the sociological underpinnings of the stories and the quality of the writing.

Millar often delivers effective and ingenious "surprise endings," but the details that would allow the solution of the surprise have usually been subtly included, in the best genre tradition. One of the distinctions of her books, however, is that they would be interesting, even if you knew how they were going to end, because they are every bit as much about subtleties of human interaction and rich psychological detail of individual characters as they are about the plot.

Millar was a pioneer in writing intelligently about the psychology of women. Even as early as the '40s and '50s, her books have a very mature and matter-of-fact view of class distinctions, sexual freedom and frustration, and the ambivalence of moral codes depending on a character's economic circumstances. Her earliest novels seem unusually frank. Read against the backdrop of Production Code-era movies of the time, they remind us that life as lived in the '40s and '50s was not as black-and-white morally as Hollywood would have us believe.

Many websites cite her as working as a screenwriter for Warner Brothers just after WWII, but no further details are given as to what she may have worked on, even on imdb.com. Around that time, Warners bought the option on her novel The Iron Gates, with its chilling portrait of a woman descending into madness, but reportedly Bette Davis and other prominent Warner Brothers actresses ultimately turned it down because the memorable protagonist is missing for the last third of the story. The film was never produced. In the early '60s, two of her novels (Beast in View and Rose's Last Summer) were adapted for the anthology TV series Alfred Hitchcock Presents and Thriller.

While she was not known for any one recurring detective (unlike her husband, whose constant gumshoe was Lew Archer), she occasionally used a detective character for more than one novel. Among her occasional ongoing sleuths were Canadians Dr. Paul Prye (her first invention, in the earliest books) and Inspector Sands (a quiet, unassuming Canadian police inspector who might be the most endearing of her recurring inventions). In the California years, a few books featured either Joe Quinn, a rather down-on-his-luck private eye, or Tom Aragorn, a young, Hispanic lawyer.

In 1987, critic and mystery writer H.R.F Keating included Millar's Beast In View in his Crime & Mystery: The 100 Best Books. He wrote: "Margaret Millar is surely one of late twentieth-century crime fiction's best writers, in the sense that the actual writing in her books, the prose, is of superb quality. On almost every page of this one there is some description, whether of a physical thing or a mental state, that sends a sharp ray of extra meaning into the reader's mind."

Sadly, most of Millar's books are out of print in America, with the exception of the short story collection The Couple Next Door and two novels, "An Air That Kills" and "Do Evil In Return", that have been re-issued as classics by Stark House Press in California.


[edit] Bibliography

  • The Invisible Worm (1941)
  • The Weak-Eyed Bat (1942)
  • The Devil Loves Me (1942)
  • Wall of Eyes (1943)
  • Fire Will Freeze (1944)
  • A Beast in View (1945)
  • The Iron Gates [Taste of Fears] (1945)
  • Experiment in Springtime (1947)
  • It’s All in the Family (1948)
  • The Cannibal Heart (1949)
  • Do Evil in Return (1950)
  • Rose's Last Summer (1952)
  • Vanish in an Instant (1952)
  • Wives and Lovers (1954)
  • A Beast in View (1955) (Edgar Award for Best Novel, 1956)
  • An Air That Kills [The Soft Talkers] (1957)
  • The Listening Walls (1959)
  • A Stranger in My Grave (1960)
  • How Like an Angel (1962)
  • The Fiend (1964)
  • The Birds and the Beasts Were There (1968)
  • Beyond This Point Are Monsters (1970)
  • Ask for Me Tomorrow (1976)
  • The Murder of Miranda (1979)
  • Mermaid (1982)
  • Banshee (1983)
  • Spider Webs (1986)
  • The Couple Next Door: Collected Short Mysteries. Ed. Tom Nolan (2004)

[edit] Further reading

Theme issue on Margaret Millar. Guest ed. Dean James. CLUES: A Journal of Detection 25.3 (Spring 2007).

[edit] External links

Persondata
NAME Millar, Margaret
ALTERNATIVE NAMES Sturm, Margaret
SHORT DESCRIPTION American-Canadian mystery and suspense writer
DATE OF BIRTH February 5, 1915
PLACE OF BIRTH Kitchener, Ontario, Canada
DATE OF DEATH March 26, 1994
PLACE OF DEATH