Marcel Moreau

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Marcel Moreau is a francophone Belgian writer born in 1933 in Boussu, a town in the mining region of Borinage in the province of Hainaut.

[edit] Biography

Moreau was born into a working-class environment in which there was, as he put it himself, a “[…] pure cultural void, […] a total absence of any cultural reference point”. He lost his father at the age of fifteen, and abandoned his studies a short time later. He worked in various trades before becoming an accountant’s assistant in Brussels for the newspaper Le Peuple. In 1955 he became a proof-reader for the daily Le Soir. He married in 1957 and fathered two children. In 1963 he published his first novel, Quintes, notably praised by Simone de Beauvoir. Then followed Bannière de bave (Dribble Banner, 1965), La terre infestée d'hommes (Earth Infested with Men, 1966) and Le chant des paroxysmes (The Sound of Paroxysms, 1967). He moved to Paris in 1968, where he continued proof-reading. He worked for Alpha Encyclopédie, then for Le Parisien in 1971, and later for Le Figaro, until 1989. He travelled widely, to the USSR, India, Cameroon, China, Iran, Nepal, Canada, Mexico, the United States. His has been friends with such cultural figures as Roland Topor, Anaïs Nin, Jean Dubuffet and Jean Paulhan.

Considered a marginal writer with an idiosycratic style, he is the author of a considerable body of work.

[edit] Bibliography

Quintes, Buchet-Chastel, 1962
Bannière de bave, Gallimard, 1966
La Terre infestée d'hommes, Buchet-Chastel, 1966
Le chant des paroxysmes, Buchet-Chastel, 1967
Écrits du fonds de l'amour, Buchet-Chastel, 1968
Julie ou la dissolution, C. Bourgois, 1971
La Pensée mongole, Christian Bourgois, 1972; Ether vague, 1991
L'Ivre livre, Christian Bourgois, 1973
Le Bord de mort, Christian Bourgois, 1974
Les Arts viscéraux, Christian Bourgois, 1975; Ether vague, 1994
Sacre de la femme, Christian Bourgois, 1977; Ether vague (corrected and revised edition), 1991
Discours contre les entraves, C. Bourgois, 1979
A dos de Dieu ou l'ordure lyrique, Luneau Ascot, 1980
Orgambide scènes de la vie perdante, Luneau Ascot, 1980
Moreaumachie, Buchet-Chastel, 1982
Cahier caniculaires, Lettres Vives, 1982
Kamalalam, L'Age d'homme, 1982
Saulitude, photographs by Christian Calméjane, Accent, 1982
Incandescence and Egobiographie tordue, Labor, 1984
Monstre, Luneau Ascot, 1986
Issue sans issue, Ether vague, 1986 & 1996
Le Grouilloucouillou, in collaboration with Roland Topor, Atelier Clot, Bramsen et Georges, 1987
Treize portraits, in collaboration with Antonio Saura, Atelier Clot, Bramsen, et Georges, 1987
Amours à en mourir, Lettres Vives, 1988
Opéra gouffre, La Pierre d'Alun, 1988
Mille voix rauques, Buchet-Chastel, 1989
Neung, conscience fiction, L'Ether Vague, 1990
L'Œuvre Gravé, Didier Devillez, 1992
Chants de la tombée des jours, Cadex, 1992
Le charme et l'épouvante, La Différence, 1992
Noces de mort, Lettres Vives, 1993
Stéphane Mandelbaum, D. Devillez, 1992
Tombeau pour les enténébrés, L'Ether Vague, 1993
Bal dans la tête, La Différence, 1995
La compagnie des femmes, Lettres Vives, 1996
Insensément ton corps, Cadex, 1997
Quintes, Mihaly, 1998
La jeune fille et son fou, Lettres vives, 1998
Extase pour une infante roumaine, Lettres Vives, 1998
La vie de Jéju, Actes Sud, 1998