Mangaka

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Mangaka (漫画家, Mangaka^?) is the Japanese word for a comic artist or cartoonist. Outside of Japan, manga usually refers to a Japanese comic book and mangaka refers to the author of the manga, who is usually Japanese.

Some artists may study for a few years at an art college, manga school, or take on an apprenticeship with another mangaka, before entering the world of manga as a professional artist. However, there are some that just start in manga, without being an assistant by applying to contests that various magazines run. For example, Naoko Takeuchi won such a contest sponsored by Kodansha, and Osamu Tezuka started out without being an assistant.

A mangaka will generally rise to prominence through recognition of their ability when they spark the interest of various institutions, individuals or a demographic of manga consumers. For example, there are various contests which prospective mangaka may enter, sponsored by some of the leading manga editors and publishers in the field. They are also recognized for the number of manga they run at one time.^[1]

Contents 1 Etymology 2 Relationship with staff 2.1 Editor 2.2 Assistants 3 See also 4 References

[edit] Etymology

The word can be broken down into two parts: Manga and ka

The Manga corresponds to the medium of art the artist uses: comics, or Japanese comics, depending on how the term is used inside or outside of Japan.

The -ka (家) suffix implies some degree of expertise and a traditional kind of authorship. For example, this term would not apply to a writer creating a story which is then handed over to a manga artist for drawing. The Japanese term for such a writer of comics is gensaku-sha.

[edit] Relationship with staff

[edit] Editor

The editor helps and supports the mangaka. They will often buy them food, make sure that the manga is being produced at an even pace, and make sure that deadlines are met. They may also do a little bit of managing of the appearances of the mangaka. They will often comment on the layout of the manga panels, the art, and make sure that the manga stays up to company standards.

They also do basic editing and story suggestions of the manga itself. The influence of the editor can range manga to manga and project to project as both the mangaka and the company allows. Generally they are considered the boss of the mangaka and oversee the majority of the production to make sure it runs smoothly.

[edit] Assistants

Many mangaka have assistants who help them with their artwork. The duties of assistants vary widely; some mangaka only sketch out the very basics of their manga, and have their numerous assistants fill in all of the details, while others use assistants only for specific things (Go Nagai, for instance, at one time employed an assistant specifically to draw helicopters and other military vehicles ^[2]). Other mangaka have no assistants at all, and prefer to do everything themselves, even though to meet the tight deadlines assistants are usually needed. The group CLAMP for example, splits the duties between its members, but does not use additional assistants.

Most often, assistants are responsible for the backgrounds and screentones in manga, while the mangaka him/herself draws and inks the main characters. While they are often employed to help with art, assistants almost never help the mangaka with the plot of their manga, beyond being a "sounding board" for ideas. Most full-fledged mangaka started out as assistants, such as Miwa Ueda to Naoko Takeuchi, Leiji Matsumoto to Osamu Tezuka, Kaoru Shintani to Leiji Matsumoto and many others. However it is also possible for an assistant to spend their entire career as such without making the jump to being a mangaka in their own right.

[edit] See also

• List of manga artists

[edit] References