Macario

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Macario
Directed by Roberto Gavaldón
Produced by Armando Orive Alba
Written by Story:
B. Traven
Screenplay:
Emilio Carballido
Roberto Gavaldón
Starring Ignacio López Tarso
Pina Pellicer
Music by Raúl Lavista
Cinematography Gabriel Figueroa
Editing by Gloria Schoemann
Distributed by Azteca Films
Release date(s) Cannes Film Fest:
May 1960
Mexico:
June 9, 1960
Running time 91 minutes
Country Mexico Flag of Mexico
Language Spanish
IMDb profile

Macario is a 1960 Mexican film directed by Roberto Gavaldón and starring Ignacio López Tarso.[1]

It was the first Mexican film to be nominated for an Academy Award for Best Film in a Foreign Language. The film received criticism in Mexico when released because it was considered a film made for the foreign viewer.

The film was released when Mexico was experiencing a nationalist era of cinema.

Contents

[edit] Plot

The story centers on Macario, a poor indigenous shepherd, during the Colonial Mexico, who lives enraged for being so poor. His economic situation keeps him and his family at the edge of starvation and his dream is to have a roast turkey just for himself. His worried wife, in an effort to please her husband, steals a turkey and gives it to Macario before he goes to work.

However, just as Macario prepares to eat the turkey, three men appear to him. The first one is the Devil disguised as a fine gentleman, who tempts Macario in order to get a piece of the turkey. The second one is God, disguised as an old man. Macario refuses to share the turkey with either the fine gentleman or the old man, since he believes that they both have the means necessary to get themselves what they want.

When a third figure appears to him -- a peasant like himself -- he gladly shares the turkey with the man. The third man is none other than Death itself. But Death is unsure why Macario has shared his turkey with him and not with the Devil and God. Macario then gives a very smart answer: "Whenever you appear, there is no time for anything else." Death is amused and as a compensation, names Macario his "friend" and gives him miraculous water that will heal any disease. If Death appears at the feet of the sick person, they can be healed with the water - but if Death appears by the person's head he or she is condemned to die. This "friendship" lasts for years, but they never speak to each other, but merely stare.

Macario tries the water on his son and eventually becomes known as a miraculous healer, creating such commotion that the church itself will accuse him of heresy, and even the Viceroy will ask for his services, to cure his son. He is promised half of the viceroy riches if he can save the boy, or to be burned at the stake otherwise.

Unfortunately for Macario, Death "has to take the child," so Macario, in despair, begs and tries to escape, only to enter Death's cavern (filmed in the Cacahuamilpa caverns) and is reprimanded for his turning his "gift" into merchandise.

[edit] Comparison to novel

The film is adapted from the novel The Third Guest by B. Traven, and differs from the plot in that in the book, Death appears to already know the course of events that will lead to Macario's downfall ("once men will know about it, you will not be able to stop") and that Death will allow one last favor, out of gratitude for restoring Death's energy for another 100 years, saving Macario's family and Macario himself from the public dishonor brought by the Inquisition verdict.

The last scenes show his wife looking for Macario out in the woods only to find him peacefully dead, next to a turkey divided in halfs: one of which is eaten, the other being intact, as if he died not fulfilling his dream of a complete turkey for him.

[edit] Cast

  • Ignacio López Tarso as Macario
  • Pina Pellicer as Macario's wife
  • Enrique Lucero as Death
  • Mario Alberto Rodríguez as Don Ramiro
  • Enrique García Álvarez as Member of the Inquisition
  • Eduardo Fajardo as Viceroy
  • José Gálvez as The Devil
  • José Luis Jiménez as God

[edit] Footnotes

  1. ^ IMDb film data base.

[edit] External links


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