Mabel Love
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Mabel Love (October 16, 1874 - May 15, 1953), was a British dancer and stage actress. She was considered to be one of the great stage beauties of her age, and her career spanned the late Victorian era and Edwardian period. In 1894, Winston Churchill wrote to her asking for a signed photograph.
[edit] Life and career
Mabel Love was born Mabel Watson in Folkstone, England, the granddaughter of entertainer and ventiloquist William Edward Love (c. 1805 - 1867), and the second of actress Kate Watson's three daughters (another was Blanche Watson). Love made her stage debut at the age of twelve, at the Prince of Wales Theatre, playing The Rose, in the first stage adaptation of Lewis Carroll’s Alice in Wonderland. In 1887, she played one of the triplet children in Masks and Faces at the Opera Comique, and the same year, she appeared in the Christmas pantomime at Covent Garden. Still only 14, she enjoyed widespread popularity in George Edwardes's Burlesque Company at the Gaiety Theatre playing the dancing role of Totchen, the Vivandiere (‘camp follower’) in Faust Up To Date (1888-89).
In March 1889, under the headline "Disappearance of a Burlesque Actress", The Star newspaper reported that Love had disappeared. It was later reported that she had gone to the Thames Embankment, considering suicide. This publicity served merely to increase the public’s interest in her.
Over the following 30 years, she starred in a series of burlesques, pantomimes and musical comedies. Among her successes were, as Francoise in La Cigale, and as Pepita in Ivan Caryll’s Little Christopher Columbus. Later, she appeared at the Folies Bergeres in Paris and in Man and Superman on Broadway.
Love retired from the stage in 1918 and, in 1926, she opened a school of dancing in London.[1] Her only return to the stage was in 1938, as Mary Goss in Profit and Loss at the Embassy Theatre.
Love died at Weybridge, Surrey, England at the age of 78.
