Lupita Tovar
From Wikipedia, the free encyclopedia
| Lupita Tovar | |
|---|---|
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| Born | July 27, 1910 Oaxaca, Oaxaca, Mexico |
| Years active | 1929-1945 |
| Spouse(s) | Paul Kohner (1932 - March 16, 1988) (his death) 2 children |
Lupita Tovar (born July 27, 1910) is a Mexican actress, best known for her starring role in the 1931 Spanish language version of Dracula, filmed in Los Angeles by Universal Pictures at night using the same sets as the Bela Lugosi version, but with a different cast and director.
Born in Oaxaca, Tovar was discovered by documentary filmmaker Robert Flaherty of Fox Film studios while acting in a school play in Mexico City, Mexico. She came to Hollywood in 1929 and a perusal of her lessons at the time reflects how serious she was in her attitude. Her weekly schedule included guitar, two hours four days, Spanish dances, one hour three days, dramatics, one-half hour two days, and English, one hour every day. Her accent was considered an asset in talking motion pictures. Lupita's English improved significantly in just seven months from the time she arrived in Hollywood in January 1929. At first she could not say good morning in English. Her improvement owed much to her frequenting talkies, and learning new words and how to say them by reading voraciously.
In 1930, she was mentioned for leads in two talkies starring Douglas Fairbanks, Sr. and Richard Barthelmess. Fairbanks put off the filming of what became The Exile. After his death, the film was made in 1947 by his son, Douglas, Jr., directed by Max Ophuls. This historical romance dealt with the lead-up in Holland to the Stuart Restoration, and featured a delightfully on point portrayal of a lady of the French court by Maria Montez. The film would have been a lovely showcase for Miss Tovar had it been made in the early 1930s. The Barthelmess film became The Lash, with the Spanish title Adios. Actress Mary Astor played Rosita Garcia, the role mentioned by Los Angeles Times writer Grace Kingsley as a likely possibility for Lupita.
Tovar starred opposite Antonio Moreno in La Voluntad del muerto, the Spanish language version of The Cat Creeps (1930) based on the John Willard mystery play The Cat and the Canary; The Cat Creeps and La Voluntad del muerto were remakes of The Cat and the Canary (1927). Casting was done in July 1930 with the film being released later the same year. The Spanish version was directed by George Melford and, like the Spanish-language version of Dracula, was filmed at night using the same sets as those used for filming the English-language version during the day.
After Dracula, Tovar starred in Santa, Mexico's first talkie, which was such a hit that the Mexican government issued a postage stamp featuring Tovar as Santa.
In 1932, Tovar became engaged to Universal Pictures executive Paul Kohner. In July of that year she met Kohner in Paris where she was to star in a French movie. She also traveled to Spain to visit relatives and do some sight-seeing. Lupita sailed to France and was accompanied by her mother.
Lupita has a daughter, Susan Kohner, who was nominated for an Oscar before Kohner retired in 1964 to marry designer John Weitz. Also, her grandchildren, Chris and Paul Weitz, are successful film directors in Hollywood, having helmed films such as American Pie, Antz, The Nutty Professor, and About a Boy.
[edit] References
- Lupita Tovar, Mexico's Sultry Screen 'Sweetheart', NPR, Morning Edition, February 15, 2008.
- Los Angeles Times, Wave Of Popularity Sweeping Mexican Stars To Top Goes Marching On, January 27, 1929, Page C11.
- Los Angeles Times, Spanish Stars, February 2, 1930, Page B11.
- Los Angeles Times, Fairbanks To Star In California Tale, March 12, 1930, Page A8.
- Los Angeles Times, First National Buys Story, April 30, 1930, Page 14.
- Los Angeles Times, Universal Chooses Leads, July 23, 1930, Page 6.
- Los Angeles Times, Lupita Tovar Goes Abroad, August 27, 1932, Page 5.
- Olean Herald, Hollywood Sights and Sounds, Saturday Evening, July 20, 1929, Page 4.
