Lunds Studentsångförening
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| Conductors of Lunds Studentsångförening | ||
|---|---|---|
| From | To | Name |
| 1831 | 1835 | Sven Lovén |
| 1831 | spring 1846 | Otto Lindblad |
| autumn 1846 | spring 1852 | Wilhelm Borg |
| spring 1852 | spring 1854 | P. E. Backman |
| spring 1854 | autumn 1855 | Samuel E. V. Follin |
| spring 1856 | autumn 1856 | August Hammar |
| autumn 1856 | spring 1859 | C. G. von Sydow |
| autumn 1859 | spring 1860 | Ludvig Ljungman |
| spring 1860 | autumn 1875 | C. G. von Sydow |
| spring 1876 | autumn 1885 | Henrik Möller |
| spring 1886 | spring 1887 | Hugo Andersson |
| autumn 1887 | autumn 1889 | Emil Norrman |
| spring 1890 | spring 1891 | Henrik Möller |
| spring 1891 | spring 1894 | Alfred Berg |
| autumn 1894 | autumn 1895 | Josef Lind |
| spring 1896 | spring 1896 | Gustav F. Steiner |
| autumn 1896 | spring 1925 | Alfred Berg |
| autumn 1925 | spring 1926 | Yngve Plym Forshell |
| 1926 | 1933 | Emil Gagner |
| 1933 | 1948 | Josef Hedar |
| spring 1949 | spring 1949 | Bengt Franzén |
| autumn 1949 | autumn 1950 | Knut Borglin |
| 1951 | 1971 | Axel Melander |
| 1972 | 1985 | Folke Bohlin |
| 1985 | 1987 | Bengt Hall |
| 1988 | 1999 | Janåke Larson |
| 2000 | 2007 | Mats Paulson |
| spring 2008 | Fredrik Malmberg (spring conserts 2008) | |
Lunds Studentsångförening (Lund University Male Voice Choir) (LSS) is a Swedish amateur choir, which counts its history from 1831. Today one of Sweden's top male choirs, the choir has assumed many different shapes during its history. Traditionally, most members have been students of Lund University although there is no requirement of studying at the university to be able to join the choir.
In its home town, the choir is known for its two large annual concerts (May and December) and occasional smaller, admission-free concerts, while regionally, the choir cooperates with the symphony orchestra of nearby Malmö. Nationally, finally, the choir is most known for its annual May 1 appearance at the stairs of the main building of the Lund University which is broadcast on national TV.
[edit] History
As the starting date of LSS is most often used November 20, 1831. This was the first time a male quartet appeared at a concert in Lund, although there had been more or less loosely organized exercises for a couple of years. In 1833, the name LSS is referred for the first time, although at this point in time it is an abbreviation of Lilla Sångsällskapet (The Small Song Society). Five years later, the constitution of Lunds Studentsångförening appeared.
From the beginning, Sven Lovén was the conductor of the choir with Otto Lindblad as his right hand, and it seems as if Lindblad gained the role as the choir's leader from 1835. The early repertoire consisted mainly of German songs mixed with a few contributions of Lindblad. Over the years, he would provide more and more compositions.
During this time, the choir consisted of about 60 singers, with many of them also teaming up in various quartets. One of these was Lundakvartetten (the Lund Quartet) which consisted of Lindblad and three other singers. In 1846, this quartet embarked on the first tour made by a choir or quartet in Sweden, the purpose being to raise money to the building of a new home for Akademiska Föreningen (the Academic Society) in Lund. The journey was made on foot and reached as far as Stockholm and Göteborg and lasted from just after midsummer to early October. The money that had been raised was handed over to Akademiska Föreningen but since the amount was considered too small, Lindblad and his friends were accused of having had unnecessary expenses and were never thanked.
Angered by the accusations (the quartet had made the tour on their own initiative and without any funding), Lindblad left Lund for Mellby in 1847. During the autumn of 1846 (due to Lindblad being on tour with the quartet), the leadership of the choir had been assumed by Wilhelm Borg. Although not an exceptional talent like Lindblad, Borg is regarded as instrumental in the history of the choir simply for keeping it alive in the coming years. Borg was followed by a few short appearances of various conductors before C. G. von Sydow made his first appearance in 1856. He would come to lead LSS until 1875 with the exception of one year, and an attempt was made to put together an elite choir as a subset of the whole choir, to go to the 1867 World Fair in Paris, but the plans fell through.
In 1876, however, younger singers managed to force into the position of conductor and leader the 24-year-old Henrik Möller. By singing less and practicing more, as the motto went, Möller gave the choir a new repertoire with artistic works such as cantates and works with orchestra, although he never left out Lindblad of the programme. The new efforts were both appreciated for the artistic up-lift as well as criticized for dropping (too much of) the nationalistic songs and what was perceived as typical student singing. The concept of an elite choir, as first conceived by von Sydow, was realized and tours were made in the years of 1878, 1882, and 1885. The elite choir, known as Lilla Kören (the Small Choir) would from now on be the face outwards for the choir, doing concerts and touring, while the larger, less skilled, choir would do rehearsals and social activities. At its fifty years anniversary at October 21, 1881, the choir inaugurated the premise that is still being used for the weekly rehearsals.
Following Möller in 1885, a long string of leaders came and went until Alfred Berg, known as Fader Berg (Father Berg), appeared in 1891. Making only a break for studies abroad during 1894 to 1896, Berg led the choir until 1925. The choir now received a much more stable organization, with a board consisting of chairman, vice chairman (always the conductor), a cashier and four regular members. Similarly, the elite choir Lilla Kören was given a much more solid ground with statutes about admission tests etc. that haven't changed much since. Many trips were made aboard, most notably the one to the Saint Louis World's Fair in 1904.
In 1933, Josef Hedar became the choir's conductor after Emil Gagner. Giving more room to sacral music and introducing his own compositions, he renewed the repertoire. Traces of both of these elements can be found in today's appearances by the choir. In 1947, a USA tour was made with forty singers, but the controversies on who was to join and who should be left home made large parts of the choir so upset that LSS had pretty much disintegrated by the time the touring choir returned home. Hedar left the choir in 1948.
In 1951, Axel Melander appeared and revived the tours abroad and during the twenty years of his leadership, the choir regained its former level and status. Melander was supplanted by Folke Bohlin who made several changes to the organization and the programme of the choir. Using admission tests for new members and raising the tempo of the rehearsals, and thus the skill needed to be able to participate, the level of the main choir was significantly raised. At the same time Lilla Kören, which had previously been doing all the concerts and touring, was effectively turned into nothing but a society for singers who had been with the choir for a couple of years (they would still have to pass the admission tests to Lilla Kören).
Bohlin also introduced some of the annually returning concerts which still appear, such as Otto Lindblads dag (Otto Lindblad's day), to celebrate the founder, and the Lussikal which is performed early December and has a more common appeal to it than the artistic music performed otherwise.
As Bohlin left, Bengt Hall became the conductor of the choir. After only three years, however, he was supplanted by Janåke Larsson who led the choir through 1999, before Mats Paulson, who conducted the choir until his position expired with the ending of 2007. Mats had earlier announced that he would not continue as conductor, and as of 2008 the choir is conducted by Fredrik Malmberg.
