Love on the Dole
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Love on the Dole is a novel by Walter Greenwood, about working class poverty in 1930s Northern England. It has been made into both a play and film.
- "God, gimme some work...!" – Love on the Dole, Act III, Scene 2
Contents |
[edit] The Novel
| Love on the Dole: a Tale of Two Cities | |
| Author | Walter Greenwood |
|---|---|
| Country | United Kingdom |
| Language | English |
| Publisher | Cape |
| Publication date | 1933 |
Walter Greenwood's novel (1933) was both written and set during the Great Depression, in Hankinson Park, Salford. Greenwood had been born and lived there, and was "burning up inside with fury at the poverty."
It follows the Hardcastle family, as they are pulled apart by unemployment – the dole of the title. The son Harry is unable to find work, and is disowned when he marries. Sally Hardcastle, the daughter, falls in love with a doomed Marxist agitator, and suffers the unwelcome attention of a local gangster. Edith Sitwell wrote "I do not know when I have been so deeply, terribly moved." It was a commercial success, with three impressions that year, and eight more by 1939.
Greenwood said he "tried to show what life means to a young man living under the shadow of the dole, the tragedy of a lost generation who are denied consummation, in decency, of the natural hopes and desires of youth."
[edit] The play
The novel was adapted for the stage by Ronald Gow, and opened at the Manchester Repertory Theatre in 1934, with Wendy Hiller as Sally Hardcastle. The 'real' speech and contemporary social themes were new to British audiences. One reviewer said it had been "conceived and written in blood."[1] It toured Britain with two separate companies, playing up to three performances a day, sometimes in cinemas in towns which had no theatre. A million people had seen it by the end of 1935. Runs in London, New York and Paris followed, making a name for Wendy Hiller, who married Gow in 1937.
But not all reviewers were impressed: writing in the New Statesman, Sean O'Casey said "there isn't a character in it worth a curse, and there isn't a thought in it worth remembering."[2]
Love on the Dole drew the British public's attention to a social problem in the UK in a similar way that Look Back in Anger, Cathy Come Home or Boys from the Blackstuff would do for future generations (although its style is closer to Hobson's Choice). The historian Stephen Constantine attributed its impact to the way it moved the mostly middle class audiences without blaming them [3] – Gow said he "aimed to touch the heart." [1] In 1999 it was one of the National Theatre's 100 Plays of the Century[4].
[edit] TV adaptation
In 1967 the play was adapted for Granada Television by John Finch with a cast including George A. Cooper, Martin Shaw, Malcolm Tierney and Anne Stallybrass as Sally Hardcastle.
[edit] Musical version
A musical version of the play opened at the Nottingham Playhouse in 1970, written by Terry Hughes and Robert Gray with music by Alan Fluck directed and choreographed by Gillian Lynne.
[edit] Film adaptation
Although the book and play were successful, the British Board of Film Censors would not allow a film to be made during the 1930s: it was a "very sordid story in very sordid surroundings", and in Gow's words "regarded as 'dangerous'".[1]
It was eventually filmed and released in 1941 by British National Films with Deborah Kerr as Sally. But by then social conditions were being radically changed by the Second World War.
[edit] References
- ^ a b c Ray Speakman, Introduction to Love on the Dole by Ronald Gow & Walter Greenwood. Heinemann Educational Books, 1986.
- ^ A review - The thing that counts, New Statesman, 9 February 1935.
- ^ Stephen Constantine (1983). Love on the Dole and its reception in the 1930s. Literature and History, August 1983.
- ^ NT2000 One Hundred Plays of the Century
