Lost in the Andes!

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Lost in the Andes!

Lost in the Andes! comic book cover
Story code W OS 223-02
Story Carl Barks
Ink Carl Barks
Date October 21, 1948
Hero Donald Duck
Pages 32
Layout 4 rows per page
Appearances Donald Duck
Huey, Dewey and Louie
First publication Four Color Comics #223
April 1949
I.N.D.U.C.K.S. profile

Lost in the Andes! is a Donald Duck story written by Carl Barks in April 1949. Donald and his nephews go to South America to find the mythical chickens that lay square eggs.

Contents

[edit] Plot

The story features Donald and his nephews as members of a museum sponsored expedition searching for the source of a number of square "artifacts" held in the Duckburg museum, recently revealed to be square eggs when Donald drops one and it cracks open. There is a rising interest, both scientific and financial, to find the source of these eggs and the chicken that gave birth to them. The only thing known about them though is that they came from somewhere in the Andes.

During the journey South America the nephews use the square eggs to make an omelette. This causes the members of the expedition to go down with food poisoning. By the time their boat reaches Peru the only ones that have recovered enough to continue the expedition are the youngest in the group and the lowest in hierarchy: Donald and his nephews.

Their search for the square eggs in the Andes seems hopeless as the local population sees them either as insane or as suckers to be fooled into buying artificial eggs. Finally they manage to find a very old man who can help them. He tells them the tale of an unknown man who had brought the eggs with him. The man was found by his father and himself, as a young child exhausted. He had come out of a mountain area eternally covered in mists. Despite their efforts the man did not recover and his sleep proved to be eternal. He remembers his father selling the eggs they hold in their hands.

The Ducks follow the dead man's path into the mists and after days of effort they find a populated valley in the Mountains, hidden by the mists. The bizzare-looking inhabitants of the valley speak with an old Southern American accent taught to them by their previous visitor, the dead man, the professor Rhutt Betlah (probably a play on Rhett Butler) from Birmingham who had discovered their valley during the late 19th century. During their stay in the valley, which the professor has named "Plain Awful", Huey, Dewey and Louie produce some bubble gum balloons, which is against the law in Plain Awful. It's forbidden to produce any round objects in the valley. The only way to get out of the valley and avoid punishment, is for HD&L to produce square balloons. They manage to do that by teaching the square chickens to chew gum and blow balloons, and then hiding them under their shirts and pretending they make the balloons themselves.

Huey, Dewey and Louie convince the very hospitable locals to let them go. The latter are sad to see them go cause they were a source of information from the outside world to their small and isolated civilisation. They give the Ducks the compass that the professor had left in Plain Awful (and which was placed in a museum as a piece of art) and in turn, Huey, Dewey and Louie teach them square dancing. When they leave the valley, in one of Barks' scarce moralizing moments, the Ducks remember that the people in Plain Awful "had so little of anything, yet they were the happiest people we've ever known."

Bringing many square chickens and eggs with them the Ducks again struggle to escape from the mists. Finally when they do manage it they are nearly exhausted and only two chickens are alive, they had to eat the rest. But it is only when they return to Duckburg that they realise the entire expedition was a failure. Both of the chickens are male and naturally can't reproduce. The story ends with Donald now giving an angry response to whoever mentions eggs and chicken to his face.

[edit] Analysis

Barks had heard jokes about square eggs and chickens since his childhood and decided to use them as an idea for a story. The plot combines themes and story elements that Barks often used in his stories. A mythical creature or legendary artifact that leads to an adventure expedition, the long search for information, often seeming futile, an isolated civilisation hidden from the outside world thanks to its natural environment, the Ducks bringing new ideas with them but sometimes faced as threats, and the characters ending up defeated and empty-handed are all such themes.

The story has been considered as representative of Barks' work in general and successful in its own right, and has often been declared Barks' best. References to this story are often in the works of Barks' "successors" and fans of his work in general. The author himself told in an interview in 1962 that "My best story, technically, is probably the square egg one."[1]

Don Rosa, considered by many to be the greatest Duck artist since Carl Barks, liked this story so much that he wrote two related stories - The Son of the Sun and Return to Plain Awful.

[edit] Trivia

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The article could be improved by integrating relevant items and removing inappropriate ones.

In Norway, the story gained a lot of attention when first published in the Norwegian language. The translator chose an archaic and slightly garbled version of Nynorsk for the mountain-dwellers, and this was widely seen as an insult. In later editions, the language was altered. Thus, through the Norwegian language struggle, the story got quite a lot of attention in Norwegian media. It was later proclaimed as the best Donald Duck comic in all time by the Norwegian readers.

A scene from the Disney animated feature Dumbo where Dumbo blows square bubbles of alcohol-tinted water might have inspired the part of the story where Huey, Dewey, and Louie blow square bubbles of chewing gum.

The Plain Awful's square egg is also featured in Don Rosa's The Buckaroo of the Badlands, part three of his famous The Life and Times of Scrooge McDuck.

[edit] Notes and references

  1. ^ In an interview by Malcolm Willits, Don Thompson et Maggie Thompson (1968), "The Duck Man", Comic Art #7 ; reprinted in Donald Ault (2003), Carl Barks Conversations, University Press of Mississippi, ISBN 1578065011, page 12.

[edit] External links